.
Veronica.
- Can I have a moment to say goodbye?
[dramatic music]
There they are.
Stop. Let them go, Silas.
- About your father, I didn't have a choice.
You pulled the trigger.
- I didn't want it to go that way.
- This is your last chance, Gavin.
- They're gonna shoot you down, Dad.
- Markman, hold your fire. I'm coming down.
- Levi, I can't let you do this.
Everyone on that flight will die.
We're not going anywhere.
[gunshots]
- Diana! - She's gone.
♪ ♪
- I told you Dad wasn't gonna come.
Now we're stuck down here because of you.
♪ ♪
[ominous music]
[panting]
♪ ♪
Hey.
What are you doing?
- There's a funeral in the morning for Diana.
Thought this was the least I could do.
- You're hurting, but this isn't on you.
Look, neither of us wanted this to happen.
But she shot first.
- Yeah, after being stuck down here
for three years, can you blame her?
We don't do what we did,
we'd be putting our sons in the ground
along with everyone else on that plane.
- That's not the way they see it.
No, I suppose it's not.
There's nothing you can do about that.
My experience is, once someone's decided
you're the bad guy, there's no changing their mind.
Where are you taking us?
- I know we're all freaking out about the portal closing.
But trust me, this is gonna cheer you up.
- Unless you found another way home,
nothing's gonna cheer us up.
Hold that thought.
[mysterious music]
♪ ♪
- Is that gold? - More specifically,
that's American Civil War gold from 1863.
Lucas and I found it.
- How the hell did it end up down here?
- My theory, and I think this is a good one,
is that it fell through another sinkhole from the 1800s.
- I'm still waiting for the part
where this cheers us up.
Come on, think about it.
If there was a sinkhole in 1863,
not to mention the one Diana came through,
maybe there are more,
which means there could be another way home.
- Okay, this might be my desperation talking,
but I think that actually makes sense.
No, it doesn't.
We're not getting out of here. My mom made sure of that.
The sooner the both of you accept that,
the better off you'll be.
Josh.
Hey.
Can we talk about this?
Hey, I know you're angry with me,
but I was just trying to keep you safe.
Don't make this about me.
We're here because you chose to believe Dad.
Look where that got us.
- Josh, you would've died on that plane.
- Yeah? Well, I was willing to take the risk.
So was everyone else.
You took that choice away.
- We're gonna have to find a way to get past this.
[tense music]
I don't think we can.
♪ ♪
[ominous music]
♪ ♪
[grunts]
[footsteps crunching]
Hello?
Veronica, is that you?
♪ ♪
[grunts]
♪ ♪
Please, I need your help.
[tense music]
No, no, no. No, no, no, wait!
[snake hisses]
[panting]
Thank you.
No, wait. Don't leave.
My hands. My--
[dramatic music]
♪ ♪
I have to go.
No, wait.
Please.
[groans]
♪ ♪
Before she died...
Diana told me that all she wanted
was to see her partner, Sophia, again.
[somber music]
♪ ♪
I'm so sorry I couldn't get you back home to her, Diana.
♪ ♪
Rest in peace.
♪ ♪
Hey, how you holding up?
Not great. You?
Been better.
Have you seen Ty?
Lilly said he didn't come back last night.
- No. He should've been back by now.
- We should go look for him. - Yeah.
Marybeth, we need to talk.
Okay.
- The group's decided we'd feel more comfortable
if you handed over your gun.
[scoffs]
Hey, this isn't funny.
That's where you're wrong.
You believe I'm just gonna give up my gun
in a place like this?
You killed Diana.
I was defending myself.
I heard that before.
This isn't the first time she's killed someone
and said it was self-defense.
She killed someone once?
[people murmuring]
It wasn't like that.
It isn't like that.
Maybe so.
But if you hadn't pulled your gun,
none of this would've ever happened.
- Levi, nobody wanted Diana to get hurt.
You know that.
- If that plane took off, everyone on it would be dead.
We saved you people.
- No, the two of you stranded us here.
I mean, who knows what they're gonna do next?
You both need to go.
Go where?
Anywhere but here.
- Yeah. - Yeah, get out of here.
- Hey, no. We're not sending them out there alone.
It's too dangerous.
- Come on, man, you don't mean it.
No, I do.
- This is crazy. They'll die out there.
Say something.
- Look, we never talked about banishing anyone.
This was just about the gun.
- Yeah, well, no one talked to me about anything.
And I say none of us are safe with them around.
- He's right. [people clamoring]
All right, everyone relax.
We need to settle this fairly.
Then let's take a vote.
Yeah, let's vote on it.
- They need to go. - Who here wants them to go?
[tense music]
♪ ♪
There you have it.
♪ ♪
[dramatic music]
♪ ♪
.
[tense music]
♪ ♪
What about my family?
- There's another way to save them.
Go back to the beginning, Gavin.
November 16, 1988. Remember that date.
[door clicks]
What's this?
It's an NDA.
Saying what?
- That you're gonna leave this alone
and never mention anything about that sinkhole.
- My family's still down there. You want me to just walk away?
- You flew into restricted air space.
You ignored government orders.
You jeopardized millions of lives.
Now, you're getting a free pass because everyone wants this
to go away.
I suggest that you take it.
♪ ♪
Dad!
Hey. Hey.
[sighs]
I'm so glad they let you out.
Yeah.
They made me sign an NDA...
[dramatic music]
Promise to put all of this behind us.
What about Mom and Josh?
- Let's just take one thing at a time.
♪ ♪
It's been a long night. Why don't you get some sleep?
Okay?
Okay.
[knock at door]
Thanks for coming.
- What the hell happened up there with Aldridge?
- Well, I was hoping you could tell me that.
Did you know she was gonna jump?
What she's gonna do once she gets down there?
- No. Honestly, I'm just as surprised as you are.
Did she say anything to you on the plane?
- She said there might be another way
to save Eve and Josh.
How?
- She said to go back to the beginning.
And then she gave me a date-- November 16, 1988.
That's around the same time I was adopted.
Somehow my past is tied to all this.
I just need to figure out how,
and then maybe I can bring them home.
- So what are you gonna do? - Okay.
My parents always said that I was anonymously dropped off
at Child Protective Services.
I need to find out who that person was.
The problem is, my records are sealed.
So I thought you might have a contact
- who could help with that. - No, Gavin,
even if I wanted to, I signed the same NDA as you.
We could both go to prison.
- Yeah. But it doesn't say anything
about helping a friend reconnect
with their birth family, does it?
[tense music]
You want to bring Diana home?
This could be our chance.
♪ ♪
[fire crackling]
[inhales sharply]
[gasps]
[grunts]
You stitched me up.
Thank you.
You're a medicine woman.
I'm Ty, by the way.
My friends told me about a village not far from here.
Is that your home?
- Your friends entered uninvited.
I know.
And they're sorry, really.
They were just looking for answers,
trying to get back to our home.
[winces]
They didn't mean any harm.
Yes.
Sky People seem to say that a lot.
I've found it's seldom true.
Sky People?
- You're not the first to come through the light.
- How long have others been coming here?
As long as we can remember.
- Does that mean there's a way out of here?
Back to my world?
I don't know. I have to go.
No, please, wait.
- You'll be safe here until you're strong enough to leave.
Wait, please. Don't go.
I need answers.
[thunder rumbling, wind whistling]
What's wrong?
A storm is coming.
Neither of us can leave.
[thunder rumbling]
[ominous music]
♪ ♪
- Eve, you're not going anywhere.
No, I should go.
Eve, please.
- You don't think I deserve this?
You want me to say it?
Okay.
I'm mad as hell at you right now.
I think you made the wrong choice.
I could've brought everyone home safely.
But that doesn't mean I want you
to go out into the woods to die.
- Yeah, well, looks like you're alone in that.
- People aren't thinking clearly.
Josh isn't thinking clearly.
- Which is exactly why I should go.
[sighs] Look, I'll go to the caves with Marybeth,
and once people calm down, I'll come back, okay?
- Okay, then I'm coming with you.
No.
No, I need to do this on my own.
Eve.
[sighs]
Look after Josh for me.
[emotional music]
Thank you.
♪ ♪
Hey, we need to talk.
About what?
- About how you went all "Survivor"
on your mom and Marybeth.
Wasn't just me.
- [grunts] Thanks for your help, Josh.
If we're gonna start a fire later,
we need to keep this wood dry.
- Has everyone lost their mind?
You two are acting like nothing's wrong.
- Look, emotions are running high.
We let people cool down.
Then we can revisit all of this.
Hey, guys, we need to talk.
Not now, Scott.
- It's actually fairly time-sensitive.
What is it?
- Back in 10,000 B.C., the climate in LA
was quite different, as perhaps you can tell.
We're in the Ice Age, and with that came
violent winter storms, oftentimes out of nowhere.
I'm talking snow with hurricane-like winds.
Based on those clouds over there,
I'd say things are gonna get real bad real fast.
We need to get ready.
- All right. But I don't think we need to panic.
[birds screeching]
[dramatic music]
♪ ♪
Tell that to them.
Shouldn't you be leaving?
- I don't care how much you hate me.
Nothing I did warrants the way you threw me under the bus.
Ah, always a victim.
- Diana died because I was saving your ass.
How about a thank-you?
Are we done?
I've tried with you.
I really have.
You don't want a relationship, fine.
You got it.
Good.
[wind whistling]
- Hey, the weather's changing pretty fast.
We should get going.
- I was getting ready to leave anyway.
[wood creaking]
[suspenseful music]
Lucas!
♪ ♪
Hey, get off me!
♪ ♪
Look out!
♪ ♪
Marybeth! Lucas!
.
[rocks crumbling]
[coughs]
Lucas?
Lucas!
No, no, no.
Thank God.
[coughs]
Help!
We're trapped in here!
Can anybody hear--
[wind gusting]
Marybeth! Lucas!
Eve, you okay?
- Yeah. Yeah. But Marybeth and Lucas are in here.
- We gotta get them out. - Everyone spread out,
see if we can pull some rubble off.
[tense music]
Be careful, we don't want to cause a collapse.
[all grunting]
This isn't working.
It's too heavy.
- They're right. We need tools to break up the concrete.
- When I was driving back from the plane yesterday,
I saw an 18-wheeler.
Maybe there's tools inside or something else that can help.
You remember where it was?
- A couple of miles east of here.
- That's not far. I can take the Jeep.
- I'll go with you. You're gonna need help.
- You sure? - Yeah.
But let's go now before I change my mind.
[dramatic music]
♪ ♪
[engine turning over]
♪ ♪
- Hey, kiddo, get any sleep?
Not really.
But I'm not letting that hold me back.
So what's our plan?
- I thought I'd cook you some eggs
and drive you to school.
You're kidding, right?
I'm not going to school.
I know this is hard.
But I think it'll be good for you
to get back to a routine, something normal.
There is no normal now.
[somber music]
Iz...
we have to try and move forward.
- Guess I'd better get going, then.
Don't want to be late.
[tense music]
[sighs]
Thanks again for doing this.
Where's your sidekick?
Back at school.
I don't want to get her hopes up
until I know that this is gonna lead somewhere.
She's been through enough.
- So I managed to get your CPS file.
Yeah.
A lot of it's redacted,
but it says here you were handed over to CPS
by clergy in a church from Topanga.
- Maybe somebody at the church knows something.
You know, all my life,
I wondered where I really came from,
who my, uh-- my parents really are.
Maybe I'll finally get some answers to that too.
Let's go find out.
[ominous tone]
- Diana! [gunshot]
Everything okay?
- That picture triggered a vision.
What was it?
I saw Diana.
- Oh, my God. - Yeah, she was with Eve.
But I--I think something was wrong.
What is it?
- I don't know. I--I--
I just saw fragments of what was happening.
We have to get to the church,
figure out what Aldridge wanted me to do,
and then get down there.
[wind whistling]
- Your people, have they been here a long time?
Forever.
And you all speak English?
Who taught you?
- You should rest, regain your strength.
It's a long walk back to your camp,
and I can't take you there.
- I don't blame you for being wary of outsiders.
Trusting them does not work out well for your people
or mine in a few thousand years.
So I've heard.
Was it someone from your group who attacked you?
- Yes, but the person who did it,
she's been through a lot.
The truth is...
there are so many dangers down here.
Someone else in our group was murdered.
I'm sorry to hear that.
- There's an old man from your village
who has a handprint painted on his clothes.
Do you know him?
Silas. Yes. Why do you ask?
- Because a young girl saw him in the woods when it happened.
Silas would never do that.
I'm sorry.
I don't mean any offense.
We're just trying to survive long enough to get home.
Is there anything, anything you can tell us
about the light in the sky?
Will it come back?
- No one knows why the light comes and goes.
[dramatic music]
♪ ♪
You have a family where you're from?
It was just me and my wife.
She must miss you.
[scoffs]
I'm not so sure about that.
We're divorced.
I actually saw her the morning I fell down here.
I haven't been feeling so well.
I begged her to take me back, make a go of it one more time.
And did she agree?
I'm sorry.
♪ ♪
You know what's funny?
Once I knew she was gone for good,
I was pretty sure there was nothing left to live for.
But this place...
it's changed something in me.
It's almost like...
trying to survive has forced me to start living again.
♪ ♪
- Our home can be a wonderful place.
It's nice to meet someone from your world
who can see beyond its dangers.
♪ ♪
[wind gusting]
What are you doing?
- Digging a tunnel to get them out that way.
- I don't need to state the obvious,
but it's kind of unsafe out here.
You guys need to take cover.
[glass shatters]
Whoa! Crap! That is not good.
- We'll make sure everyone's okay.
♪ ♪
Eve, this is crazy.
It could take hours to dig them out,
and as much as I hate to say it,
we don't even know if they're still alive.
I'm not leaving!
Listen to me. You gotta stop.
I can't.
- You can't be responsible for everyone.
You don't have to stay here.
But I'm not going anywhere.
♪ ♪
[grunting]
[rocks crumbling]
[groans]
Hey, what are you doing?
Hey, you okay?
What happened?
- Phone pole hit the structure. Brought it down on us.
- Oh, Jesus, we need to get out of here.
I'm trying.
[grunts]
[rocks crumbling]
Hey. Hey! Hey, stop!
Stop! You're gonna bring it down on us!
Oh! I can see light!
I can see light.
- Help! - Help!
Help! Can anybody hear me?
Did you hear that?
[muffled] Can anyone hear me?
It's Marybeth. She's alive.
[hopeful music]
Marybeth! Can you hear me?
Yeah! We're here! We're here!
Okay. Hold tight.
We're gonna get you out of here.
♪ ♪
.
- Thanks for helping us, Reverend.
33 years is a long time.
Luckily, Reverend Harmon was here then.
Reverend Harmon.
This is Mr. Gavin Harris,
the man from your past I was telling you about.
- It's nice to see you after all these years.
You remember me?
- I'd only been in the church a few weeks.
A group of us were driving home from the local food bank,
and that's when we saw you by the side of the road.
On the side of the road?
What was I doing there?
Walking.
You looked lost, scared.
There was a house nearby,
but the owners said they didn't recognize you or the girl.
What girl?
- Oh, she was about 12 years old.
Neither of you could remember anything,
even your names.
- Do you know what happened to her?
I'm sorry, I don't.
We called child services, and they took the both of you.
I'd hoped that you'd find a home together,
but I guess that wasn't meant to be.
[dramatic music]
I'm afraid that's all I know.
Thank you, Reverend.
- You have no idea who that girl was?
- No. I don't remember anything before my adoption.
But if Aldridge is pointing me toward the girl,
maybe she knows something. Maybe she can help.
- I'll call my contact at CPS, see if we can get a name.
Yeah.
Quick, let's get inside.
- There's gotta be something useful in there.
You're kidding me.
- Something tells me we're not gonna
find a jackhammer in here.
They're costumes.
This is a wardrobe truck. You know, like for a movie.
Oh, my God, something warm. Thank you, Lord.
- We should go back out there, look somewhere else.
[muffled crash]
- Scott was right. The storm is getting worse.
The only thing we're gonna accomplish out there
is getting ourselves killed.
- You want to stay, I don't blame you,
but I'm going.
Josh, I get you're pissed
at your mom and you want to prove yourself.
That's not what I'm doing.
- Have you ever considered that maybe you should be grateful?
You have a parent who loves you so much, she's willing
to sabotage our way home just to protect you.
- Why are you defending her? I thought you hated her.
- I was upset when she left my dad.
But we've been through a lot the last few days.
The point is, she's clearly a good mom.
And you're stupid if you don't see that.
[muffled crash]
I'm staying in here till the storm dies down.
I hope you do too.
♪ ♪
[both grunting]
Damn it!
What the hell are they doing up there?
Trying to get us out.
- Yeah, well, they need to try harder.
[hyperventilating]
You okay? You hurt?
- I'm fine. I'm fine. I'm fine.
[hyperventilating]
- Okay. Okay. You never did like small spaces,
even as a little kid.
Wouldn't even ride in an elevator.
- But hey-- - [grunts]
Remember the exercise we used to do?
When we absolutely had to be in a small space?
Focus on one thing you can see.
I'm not some scared kid.
One thing you can see.
[somber music]
♪ ♪
Good. Breathe.
Now focus on something you can touch.
♪ ♪
Now focus on something you can hear.
Come on.
There's got to be something you can hear right now.
- Can't hear anything with you yapping away.
- Glad to see you're feeling like yourself again.
[tense music]
♪ ♪
Lucas...
we need to talk about your dad.
♪ ♪
- I don't want to talk about him.
- Well, we are. [rocks crumbling]
We may not have much time left.
There are things you need to know.
And everything I did, I did to protect you.
Stop lying.
I'm not lying.
I'm trying to finally tell you the truth.
[rocks crumbling]
What the hell?
Eve! Eve!
- I'm here. I'm here. We're moving as fast as we can.
[shouts]
- Jesus! Well, move faster! This thing's about to collapse!
[dramatic music]
No.
[rocks crumbling]
Get us out of here now!
.
- Okay. [phone buzzes]
[tense music]
♪ ♪
Thank you. Thank you so much.
Okay.
Okay, I've got some people making calls.
Hopefully, we hear back soon.
- I can't thank you enough, Sophia.
- Oh, we've both got people down there.
[ominous tone]
Diana! She's gone.
What is it?
I saw Diana again.
And?
Huh.
She's dead, isn't she?
[somber music]
♪ ♪
How?
I didn't see.
Sophia, I'm--
I'm so sorry.
♪ ♪
[sobs]
♪ ♪
[rocks rumbling]
- The wind must've destabilized it.
This whole thing's about to come down.
We have to get them now.
How?
- Remember how they opened the hatch on "Lost"?
They used old dynamite they found on the island.
Then "Bam!" Blew it right open.
I'll shut up now.
- That's actually not a bad idea.
It isn't?
[tense music]
♪ ♪
What are you doing?
I'm making an IED.
It'll blow a hole in the concrete.
Then we can pull them out.
- I can't believe you're actually listening to me.
- Well, have you made one before?
- No. But I've dismantled a few in my day.
We'll use the electricity from the defib as a power supply.
These wires will bring the charge.
All we need is an explosive.
- Like, uh--like gunpowder.
That's perfect.
♪ ♪
- Not that I don't appreciate the whole
"MacGyver" thing that's going on here,
but when you say "IED," I get a little nervous.
- Yeah, I-I have to agree.
How do you know that won't kill them?
I don't.
♪ ♪
- [rocks crumbling] - What the hell?
Lucas, you were right.
I didn't kill your father in self-defense.
I knew it.
I did it to save you.
I know why you loved him.
I loved him too.
He was funny and charming...
and could make you feel like the most important
person in the world, but...
That wasn't real.
When I found out what he was doing,
the worst part wasn't
that he was stealing drugs from the department.
It was that he got you mixed up in it.
- So that's why you killed him? Because he was working with me?
No. I was gonna turn him in.
But IA was onto him, and he knew it.
Time I figured it out,
he'd already used all his connections to cut a deal.
What deal?
♪ ♪
The one to give you up.
♪ ♪
He laid it all at your feet,
said you were behind everything.
He was gonna go free.
You were gonna spend the rest of your life in a cage.
No.
No, he wouldn't do that to me.
He had it all set up.
I begged him not to go through with it.
Reminded him what it would do to you to be locked up.
It would've--it would've been a death sentence.
But he wouldn't listen.
Son, he was gonna sacrifice your life for himself.
No.
- He was on his way to turn you in, Lucas.
- No, he-- - I had to stop him.
Well, if that's true,
then why wouldn't you tell me before this?
When, huh?
You haven't wanted to hear anything I had to say
since you were, what, 15?
♪ ♪
And I knew that when you found out the truth,
it was gonna break your heart.
Because when I found out...
it broke mine.
[muttering indistinctly]
Why should I believe a word you're saying?
Look where we are.
I got no reason to lie.
♪ ♪
- Marybeth! - Listen to me.
We're gonna use an IED to blow a hole through the concrete.
Then we'll pull you out.
Hold on. What?
- No. Are you insane? You'll kill us.
- Just stay as far back as you can.
[suspenseful music]
♪ ♪
- This is it! Everybody get back.
♪ ♪
.
[suspenseful music]
[explosion]
♪ ♪
Marybeth! Lucas!
♪ ♪
Come on. Come on.
We're here. We're okay.
Come here. Come on.
- It's gonna collapse! - [coughs]
Come on. Come on. Go, go, go!
[rocks crumbling]
[panting]
That was uncomfortably close.
♪ ♪
- God, I can't believe our lives have come to this.
[muffled crashing]
Can I ask you something?
Why'd you drop out of premed?
That's your question?
- You're really smart, good under pressure.
Even though you don't have the best...bedside manner.
[chuckles]
- I think you'd be a really good doctor.
- Honestly, I don't know what I want to do with my life.
But I do know I want the choice to be mine.
I get that.
You know, before all this happened,
I was sending out my college applications.
My top choice was UCLA.
Mm.
- I wonder if we would've ran into each other on campus.
- Oh, I don't usually talk to freshmen.
[laughs]
I'm kidding.
I would've made an exception for you.
[tender music]
♪ ♪
- Wait. - What?
Do you hear that?
I didn't hear anything.
The wind stopped.
♪ ♪
[birds chirping]
Come on. Let's get the hell out of here.
Great.
[somber music]
♪ ♪
[phone buzzing]
- We got a name on the girl. Ella Jones. She's an artist.
Only have an address for her gallery in Silver Lake.
Thank you, Sophia.
I'll drop you home, and I'll--I'll head over.
- It was only home if Diana was gonna be there.
♪ ♪
I'm coming with you.
You don't have to do that.
Yes, I do.
Diana was the strongest person I've ever known.
She wouldn't have given up, and neither can I.
♪ ♪
We have to bring everyone home.
♪ ♪
I don't think anybody's here.
Gavin, look.
Come on.
[dramatic music]
♪ ♪
Hello?
I can't believe it.
What?
- I've seen this before in my visions.
[mysterious music] It's a handprint.
Whoever Ella is...
she's connected to that place.
How do you feel?
Better.
If there's ever anything I can do to repay your kindness...
No need.
[soft music]
♪ ♪
I still don't know your name.
It's Paara.
Good luck, Ty.
♪ ♪
Wait.
You don't know your way.
No, I suppose I don't.
Maybe you could point me in the right direction?
Maybe I can.
♪ ♪
[indistinct chatter]
About time, buddy.
- We got caught in the storm. Couldn't find any tools.
- Looks like Marybeth and Lucas are okay.
They are.
We got them out on our own, thanks to Eve.
[dramatic music]
♪ ♪
Saved our asses.
It was a group effort.
Whoa. Score.
Where did you find all of this?
- That 18-wheeler was actually a wardrobe truck.
Considering it's getting pretty damn cold around here,
we thought we might need a few more jackets.
♪ ♪
- Mom, I know you're upset, and you have every right to be.
I'm sorry.
- Hey, I'm--I'm gonna head out.
You're gonna have to take care of yourself for a little while.
No way. You're not leaving.
Guys, I say we take a new vote.
- I agree. - Me too.
- Only if Marybeth gives up that gun.
Seriously?
You guys are unbelievable.
Hey, come on. Just...
hand over the gun.
- Yeah, come on. It's the right thing to do.
♪ ♪
Thanks.
Well done. Well done.
- Now, all in favor of Eve and Marybeth
staying in the clearing, raise your hands.
♪ ♪