\h\h\h- Previously on - It's called the Pit.
\h\h\h\h\h\hIt's home to the most dangerous
and violent criminals \h\h\h\h\hin history,
all of whom the world \h\hbelieves are dead,
\hor at least it was until the blast hit.
- How many inmates got out?
- The exact number is unclear,
but you're here, Agent Henderson,
to help us catch 'em. \h\h\h\h- How is Sam?
\h\h\h\h- Adopting her was the best thing I ever did.
- Dr. Dulles. \h- Hi, Dad.
- Right after Odell received \hhis mysterious phone call
warning him about the blast,
\h\h\h\h\h\h\h\h\hhe drove to this storage facility.
\h\h- What the hell are we looking at?
\h\h- The one in blue are the satellite coordinates
for the Pit.
[dramatic music]
[truck rumbles]
\h\h\h[Cypress Hill's "Insane in the Brain"]
- ♪ Damn, I feel like \h\h\hthe Son of Sam ♪
♪ Don't make me wreck, \h\h\h\h\h\h\hhectic ♪
\h♪ Next get the chair got me going like General Electric ♪
♪ And the lights are blinking, \h\h\h\h\h\h\h\hI'm thinking ♪
\h\h\h\h♪ It's all over when I go out drinking ♪
♪ Oh, making my mind slow ♪
\h\h\h- Make it quick. - Thanks for stopping.
- ♪ Bro, I got to maintain ♪
♪ 'Cause a [...] like me \h\h\his going insane ♪
♪ Insane in the membrane ♪
- ♪ Insane in the brain ♪
- ♪ Insane in the membrane ♪
[cd skipping]
[distorted hip-hop music]
♪ ♪
- ♪ Insane in the brain ♪
- ♪ Insane in the membrane ♪
- [grunts]
[crowbar thudding]
[ominous music]
♪ ♪
\h\h\h[Cypress Hill's "Insane in the Brain"]
- ♪ Insane in the brain ♪
- ♪ Do my [...] undercover ♪
\h♪ Now it's time for the blubber ♪
\h\h♪ Blabber, to watch that belly get fatter ♪
♪ Fat boy on a diet, \h\h\hdon't try it ♪
\h\h\h♪ I'll jack your ass like a looter in a riot ♪
♪ My [...] fat, like a sumo ♪
♪ Slamming that ass ♪
♪ Leaving your face \h\h\hin the grass ♪
♪ You know I don't take \h\h\ha do low lightly ♪
♪ Punks just jealous 'cause \h\hthey can't outwrite me ♪
♪ Or kick that style, \h\h\h\hwicked, wild ♪
\h\h♪ Happy face [...] never seen me smile ♪
♪ Rip that mainframe, \h\h\h\hI'll explain ♪
- [gasps]
- ♪ A [...] like me \his going insane ♪
- [humming melody]
[solemn orchestral music]
♪ ♪
[deep rumble]
Come on.
[deep rumbling]
♪ ♪
\h\h\h\h\h\h\h\h\h- [sighs] - You're gonna die tonight.
- [exhales]
[phone ringing]
♪ ♪
[phone chirps and clicks]
[line trilling]
- Mom, what's going on?
\h\h\h\h\h\h\h- Hey, honey. - Hey, why can't you video?
- Uh, 'cause I gotta work. \h\h\h\h\h\h\h\h\h\h\h- So?
I still want to see your face. \hWhy are you being so sketch?
Did you get bangs? \h\h- [chuckles]
\h- Do they look awful? - I did not get bangs.
It's just been a week, OK?
Things at the casino have just been crazy.
[phone rumbles]
Can I call you back, actually? \h\h\h\h\h\h\h\h\h\h- Whatever.
Later, Bex.
[phone clicks]
\h\h\h- Hey, what's up? - Hey, I got an update.
I sent a friend of mine \h\h\h\hthe coordinates
\h\h\h\h\h\hthat we found in Odell's storage unit.
- What kind of friend?
\h- The kind that works in counterintelligence.
Let's see what we find in the satellite images
he comes back with, \hbut until then...
I need you to play nice \h\h\h\h\h\hwith Odell.
\h\h\h\h\hJust pretend everything is normal.
\h\h\h\h\h- You mean pretend that he hasn't been secretly
\h\h\h\h\h\hin contact with my daughter behind my back?
- They're just birthday cards. \h\h\h\h\h\h\h\h\h\h\h- [scoffs]
\hFrom my daughter to the man who may
\hor may not have blown up the Pit.
- I understand, but if you \hconfront Odell right now,
he'll know that we're onto him,
\h\h\hand he'll start covering his tracks.
- If it was your daughter, \h\h\h\h\h\hwould you wait?
[knocking]
\h\h\h\h\h\h\h\h\h\h\h\h- No, but you're going to have to,
'cause we just got a hit.
[tense music]
[indistinct radio chatter]
- Hey, we got a live one.
Morales, put it up.
[monitor beeps]
\h\h- Morning. - Good morning.
- Facial recognition flagged an escapee in the background
of an Instagram post.
\h\h\h\h\h\h\h\hRoy Barber, outside of Eugene, Oregon.
- The Couples Killer.
We might have studied him \h\h\h\h\h\hat Quantico.
- Might be the first time \h\h\h\h\ha selfie's done
some good in the world.
\h\h\h\h\h\h\h\h- Roy Barber, born to Lou and Lois Barber.
\h\h\hHe was raised on an isolated pecan farm
near the Florida-Georgia line \h\h\h\h\h\h\h\huntil, at 14,
his father killed his mother \h\h\h\hin a murder-suicide.
After bouncing around various \hjuvenile detention centers,
\h\h\hBarber moved to Orlando in 1988,
\h\h\h\hwhere he started making a living as a caricature artist
outside of amusement parks. \h\h\h\h\h\h\h\h\h\h\h- Ew.
- Starting in '93, \hBarber terrorized
\h\hthe roads of Florida and Georgia for nearly a decade,
\hhiding out at rest stops waiting for his ideal prey,
romantic partners.
He murdered 16 people,
\h\h\h\h\h\hone couple every 10 to 14 months,
\h\hleaving no trace of his victims except
\h\h\h\h\h\h\h\hfor their blood-drenched vehicles.
\h\h\h\h\h\hFinally, in 2001, a hunting dog caught a scent
in the marshlands near Orlando.
\h\hLocal authorities were able to recover the skeletal remains
of Harry Caldwell.
\h\hHe and his wife Bridget had disappeared six months earlier.
It was this discovery that cracked the case
and ultimately led \hto Roy's arrest.
\h\h\h\h\h- But it wound up being a massive PR disaster
for the local cops. \h\h\h\h\h\h- Why?
- Because Barber had graduated from being a caricature artist
to a police sketch artist.
\h\hHe was working with all the cops who just happened
to be investigating his case.
- He was working with the cops? \h\h\h\hThat is co
- It's also a great education \hon how to escape detection.
- Get yourselves to Oregon. \h\h\h\h\h\h\h\h- Yes, sir.
♪ ♪
[plane whooshing]
- Growing up, it was, uh, \h\h\h\hjust me and my mom
and my dad on our farm.
\h\h\h\h\hMy mom and I, we would work the farm,
you know, do the chores. \h\h\h\h\h\hLong hours.
You know, it wasn't too bad.
My dad, he was a drinker, \h\h\h\h\h\h\h\hyou know?
Not a pleasant man, \h\h\ha violent man.
\h\h\h\hAnd one year, well, he lost his way.
\h\h\h\h\h\h\hHuman beings are solitary creatures, you know?
We're meant to live alone, \h\h\h\h\h\h\h\hdie alone,
not suffer the company \h\h\h\h\h\hof others.
\h\h\h\h[chuckles] You'd be surprised
the things people say when they know the end is near.
It can be enlightening to test a relationship to its limits.
♪ ♪
\h\hMom. [laughs]
- How about you just give us \h\h\hthe bullet points, huh?
- Yeah, why not?
Uh, the profiler who wrote \h\h\h\h\h\hthe case study
on Barber diagnosed him as a textbook schizoid
with full-blown sociopathy.
\h\h\h- And for those of us without psychology degrees?
- Schizoid personality disorder \h\h\h\h\h\h\hrefers to someone
with little to no interest \h\h\h\h\h\h\h\hor ability
to form relationships \h\h\h\hwith others.
So it is of no surprise here \h\h\hthat our friend Barber
\h\h\hlived alone, had no close friends or family,
and his sole interest \h\h\h\hwas his art.
\h\h\h\h\h- And killing. Can't forget the killing.
- So the guy doesn't like \h\h\h\h\h\hto socialize.
Trust me, I get it.
But wouldn't it be easier \h\hto just be a hermit?
Why bother murdering couples?
- Because after being raised \h\h\h\h\hby some, you know,
less-than-stellar parents, \h\h\hhe became absolutely
fascinated with love.
- He wasn't on my cell block, \h\h\h\hbut the other guards
had a nickname for him.
\hThey called him the Happy Camper.
\h\h\h\h\h\h\h- I mean, according to his file,
he was the ideal prisoner.
He was well-behaved, \h\h\h\hcooperative.
- So if isolation is his thing,
the Pit is basically \h\hthe Ritz-Carlton.
\hThe question is, now that he's out,
where does he go?
[Frank and Nancy Sinatra's \h\h\h"Somethin' Stupid"]
- ♪ I know I stand in line ♪
\h♪ Until you think you have the time ♪
♪ To spend an evening \h\h\h\h\h\hwith me ♪
♪ ♪
♪ And if we go someplace \h\h\h\h\h\h\hto dance ♪
\h\h♪ I know that there's a chance ♪
♪ You won't be leaving \h\h\h\h\h\hwith me ♪
♪ ♪
♪ Then afterwards, \h\hwe drop into ♪
♪ A quiet little place ♪
♪ And have a drink or two ♪
♪ ♪
♪ And then I go ♪
[knocks]
\h\h\h\h\h♪ And spoil it all by saying something stupid ♪
♪ Like I love you ♪
- [chuckles] \h\h\h- You.
[tense music]
But you're-- you're dead.
- Aren't you going \hto invite me in?
- Hon, who is it?
- [breathing heavily]
♪ ♪
- Crystal, go back inside.
Buddy, you got a problem?
♪ ♪
- I do now.
- John, run!
[dramatic music]
♪ ♪
[indis[tense music]hatter] \h\h\h\h\h\h\h\h\h\h\h\h.
- What do they know so far? \h\h\h\h\h\h\h\h- Not much.
\h\hWe intercepted the neighbor's 911
\h\h\hthat describes Barber. Cops are grasping at straws.
\h\hGot us 15 minutes, then we have to hand it
back over to the locals. \h\h\h\h\h\h\h\h\h\h- OK.
What are we this time, Homeland Security? DEA?
\h\h\h\h\h- Secret Service. Governor lives a mile away.
♪ ♪
- [exhales sharply]
John and Crystal Resnick, \hmarried May 10th, 2015,
\h\h\h\hEugene, Oregon. No kids, both retired.
\h\h\h\hNo warrants or outstanding litigation.
\h- Roy could have killed them twice with a beating like that.
\h\h- Well, he hasn't lost his flair for overdoing it.
- Where's the wife?
♪ ♪
\h- This couple is older than Roy's usual victims.
\h\h\h\h\h\h\h\hThat's new. - Sure, and he's older too.
\h\h\h\h\h\hMaybe he thought a younger couple would put up
too much of a fight.
- Somebody's awful quiet.
\h\h- Roy always chose his victims at random.
\hThe method was planned, but the targets weren't.
This feels like the opposite.
He chose these victims...
but then he improvised \h\h\h\h\h\h\hthe kill.
- Improvised murder weapons \h\h\himplies impulsivity.
\h\h\h\h\h\h\h\h- Huh. - I've been reading up.
So why did he choose \h\h\h\hthis couple?
Do you think he knew them?
\h\h\h\h\h\h\h\h- I mean, the guy had zero friends.
- Criminal associates?
- As far as we know, Roy was a lone wolf.
[line trilling]
- Odell, it's Bex.
- What do you got?
\h\h- So this wasn't random. Roy Barber chose these vics.
\h\h\hCan we get a deep dive on John and Crystal Resnick?
\h\h\h\h\h- Odell. - Hold on, hold on.
We just got something.
- Neighbor's camera caught \hthe car Roy was driving.
A blue Ford Escape, \h\h\hIdaho plates,
registered to a Wendy Hosmer \h\h\h\h\hout of Twin Falls.
Not reported stolen yet.
\h\h\h- Sir, the car popped on a plate scanner 30 minutes ago.
\h- Where? - Stand by.
Tracking it now.
\h\h\hThe car's at the Portland train station.
\h\h\h\h- So he has a car, but he's taking the train?
- He just committed a double homicide.
He's ditching the car. \h\h\h\h\h\h- Get there.
- We're on our way.
\h\hAnd keep looking for connections between John
and Crystal and Roy.
\hWe need to know where he's going.
♪ ♪
[train whistle blares]
- Attention Portland passengers traveling
to Sacramento, your train \h\h\h\h\hwill be arriving
on track one in six minutes...
- How you doing?
One-way to San Francisco, \h\h\h\h\h\h\h\h\hplease.
- Sorry, no Amex.
- Seriously?
\h\hFine. Whatever.
- Driver's license or state ID?
\h\h\h\h\h- You want my birth certificate too?
\h\h- Government ID is required for all interstate rail travel.
♪ ♪
[keyboard clacking]
♪ ♪
Next.
[phone rumbles]
[indistinct chatter]
- I can't talk right now. \h\h\h\h\h- I don't care.
\h\h\hHassani is pulling keyhole satellite images
\h\h\h\h\hof six silos. One of them is Silo 12.
How does he know about 12? \h\h\h\h\h- I have no idea.
- He knows something \h\habout the blast.
Find out what. \h\h[knocking]
- I gotta go.
- Sir, you got to see this.
- How is this possible?
[phone rings]
- Hey, we just landed. \h\h\h\h\h\hWhat's up?
- You were right.
There's something else \h\h\h\h\h\h\hgoing on.
\h\hWe pulled info on Crystal Resnick,
\hand there is no Crystal Resnick.
According to our records, \h\h\h\hshe doesn't exist
prior to 2001.
\h\h\h\h\h- What is she, some kind of con artist?
- This has government prints \h\h\h\h\h\h\h\hall over it.
\h\h\hIt looks like witness protection.
\h- Maybe she was a witness for the prosecution in Roy's case,
\h\h\h\hand this is payback for testifying against him.
- Why would she need WITSEC?
Roy confessed to the killings \h\h\hthe day he was caught.
- Who was she before '01?
- Still digging. \h\h- Dig faster.
We're on our way.
[train horn blares]
[siren blaring]
There it is.
[tires screech]
[suspenseful music]
- He's still in there.
♪ ♪
- Roy Barber, this is the FBI.
\hStep out of the car with your hands open and raised.
- This is your only warning.
Get out of the car, or we'll open fire.
♪ ♪
Go.
♪ ♪
- Shane, cover me.
- Moving.
Got you.
♪ ♪
- It's not him. \hIt's not him!
We need a medic over here.
- Call an ambulance.
- We need EMS immediately.
Portland train station. \h\h\h\h\h\h\h\h\h- Bex.
- Roy's not here.
He ditched the car \hand left a body.
This one's still breathing. Oliver, are you listening?
- Yeah, I heard you.
But there's something else. \h\h\h\h\h- What happened?
\h\h\h\h\h\h- We tracked down Crystal Resnick's real name.
It's Bridget Caldwell.
- Wait, isn't that--
- She's one of Roy's \h\horiginal victims.
The file says he killed he
♪ ♪
[[tires screech]
\h\h\h\h\h\h- Roy Barber killed Bridget Caldwell 24 years ago.
How is this possible?
\h\h- We're trying to figure that out.
\hHer husband's body was the only one they found.
Hers was never recovered.
- What's the working theory? \h\h\h\h\h\h\h\hShe escaped?
\h- But why not go to the authorities?
\hShe knew that he was arrested and convicted.
- Not to mention executed.
- No time for theories.
\h\h\hWe need to find Barber before he hurts anyone else.
- I'm on it.
[keyboards clacking]
[tense music]
\h\h\h\hPull up CCTV of the ticket booths
for the last two hours.
♪ ♪
There he is. \h\hPlay it.
- And there's Roy behind him. \h\h- But why attack the guy?
- Dead men don't have valid ID.
- He nearly killed this guy \h\h\h\hfor a train ticket?
- Wrong place, wrong time.
\h\h\h\h\h\hQuestion is, where was the suit going?
♪ ♪
[train rattling]
[train horn blares]
[ominous music]
♪ ♪
- Hey, what you got?
\h\h\h\h- Roy Barber is on the 1:00 to San Francisco.
- Cameras on those trains? \h\h\h\h\h\h\h- Negative.
- We need to stop that train.
- The moment we do, Barber will know something is up,
and he'll bolt. \h\h\h\h\h- OK.
What about USTrak security?
\h\h\h- I'm not getting some rent-a-cop killed.
\h\h\h\h\h- If you leave now, you can catch up to the train
at the Redding station.
[train rattling]
♪ ♪
- OK, ready?
One, two, and--
- B!
- That's a letter, bud.
[cereal clatters] \h\h\h\h\hSorry.
[tense music]
♪ ♪
Come on, buddy.
\hLet's go find Mom before she thinks we're lost, huh?
♪ ♪
- Tickets, folks.
♪ ♪
[plane whooshes]
- I don't see how anyone walks away from something like that.
\h\h\h\hBridget Caldwell survives this nightmare,
becomes Crystal Resnick, \h\h\h\h\hand then lives
some kind of normal life?
- Maybe she didn't want \h\h\h\hthe attention.
\hA lot of victims don't come forward.
\h\h- They do if they've been through something like that.
♪ ♪
- Roy Barber obsessed over \h\hhis victims in the Pit.
\hHe would draw them over and over and over again.
I mean, this kind of fantastic indulgence
\h\h\his normal in hedonistic killers,
\h\h\h\h\hbut there's something more here.
He's immortalizing them.
♪ ♪
- Ticket, sir.
♪ ♪
- It's dry skin, you know?
Cracks sometimes.
♪ ♪
[scanner chirps]
♪ ♪
[train whistle blares]
- Hey, look at this.
Roy drew all of his victims \h\h\h\hhundreds of times.
\h\h\h\h\h\h\h\hOver the years, some of the subjects would age.
Others wouldn't.
- Is there some kind \h\h\h\h\hof pattern?
- None of the men age.
The women, they all do.
- Well, that's creepy as hell. \h\h\h\h\hWhy would he do that?
- Because Roy knew the women \h\h\hweren't actually dead.
\h\h\h- So you're saying all these women are still alive?
\hThere's no way they all escaped.
- No.
- So Barber let them go \h\h\h\h\h\hin exchange
for what, their silence?
- What if the women were in \h\hon all of the murders?
- ♪ Insane in the membrane ♪
[crowbar thudding]
\h\h\h[Cypress Hill's "Insane in the Brain"]
- [exhales]
- What do we do now?
- Roy gets rid of the husbands, frames it as a double homicide.
\h\h\h\h\h- Why not just hire a good old-fashioned hitman?
- Because these women know \h\h\hthat if their husband
randomly gets murdered,
\h\h\h\h\h\h\hthey are the number one suspect.
\h\hBut you don't need an alibi if everyone thinks you're dead.
- Right, and Roy's crime scenes \h\hleft no room for survivors.
\hI mean, no one would have suspected a thing.
- Wait, hang on. \h\h\hSlow down.
We have no evidence that any of the other women survived.
\h\h\hAnd even if they did, even if they were in on it,
how would they go about finding
brand-new identities \h\h\hfor themselves?
- Roy.
He worked at police stations \h\h\h\h\h\h\h\h\hfor years.
He knew the cracks \h\hin the system.
He knew the blind spots.
He knew how to cover \h\h\h\h\hhis tracks.
[train rattling]
[train horn blares]
♪ ♪
- [breathing rapidly]
- Athat parking aters, the Mt. Shasta station
\h\h\h\h\his limited to designated areas.
[Billie Eilish's "Bury a Friend"]
- ♪ What do you want \h\h\h\h\hfrom me? ♪
♪ Why don't you run from me? ♪
♪ What are you wondering? ♪
- Hey, what's up?
\h\h\h\h\h- Roy Barber just got off the train.
\h\h\h- Where? - Mt. Shasta.
- I'll tell the pilots.
\h- What the hell is in Mt. Shasta?
- Not what. \h\h\hWho.
\h\h\h\h- ♪ Come here ♪ - ♪ Say it, spit it out
♪ What is it exactly \h\hyou're paying? ♪
\h\h♪ Is the amount cleaning you out? ♪
♪ Am I satisfactory? ♪
♪ Today I'm thinking about ♪
♪ The things that are deadly ♪
- That doesn't make any sense.
\h\hWhy would any of these women ask
\ha police sketch artist for help killing their husbands?
- What if Barber was the one \h\h\hthat initiated contact?
His pathology was shaped \h\h\h\h\h\hon the fact
that his abusive father \h\hmurdered his mother,
so what if he saw these women \h\h\has a surrogate for her?
\h\h\hHe can't save her life, so he decides to save theirs.
\h- There's no evidence that any of these women
were in abusive relationships.
- Guys, in the year before \hBridget Caldwell's death,
her husband was arrested for drunk and disorderly
three times.
She bailed him out each time.
- Roy worked at that police \h\h\hstation for a decade.
He would have crossed paths \h\hwith Bridget Caldwell,
and through the prism \h\hof his childhood,
\hhe would have seen her as someone that needed saving.
\hNice work, Morales. - Here's another one.
\h\h\hSix months before Kyle and Trisha Franklin's death,
they were both brought into \hthe Tampa Police Station
for petty larceny, \hbut were released
before charges were ever filed.
- OK, so that's two women \h\h\h\hin messy marriages
that would have jumped \h\h\h\hat the chance
\h\hto start over, even if that means
killing their own husbands.
\h\h\h- There's just no way that a schizoid personality
with little to no social skills \h\hwould approach these women.
- Unless the original profile \h\h\h\h\h\h\h\h\h\his wrong.
What if he's not a true schizoid?
\hIn those interviews, he talks about himself
\h\h\has if he was alone, but he was always working
on the farm with his mother.
\hShe was the only person he actually cared about.
So what if he thought \hthat he was freeing
these women, from their lives, \h\h\h\h\hfrom their marriages?
♪ ♪
- What do we do now?
- Well, we talked about this.
[blade clicks]
They need to find blood \hfrom the both of you.
- ♪ I wanna end me ♪
♪ I wanna, I wanna, I wanna ♪
\h\h\h\h\h\h\h- And then you'll make me disappear?
- ♪ What do you want \h\h\h\h\hfrom me? ♪
♪ When we all fall asleep ♪
♪ Where do we go? ♪
\h\h- Morales, gather the last known images
\h\h\h\h\hof Barber's other female victims,
put them through the Bureau's \h\hpredictive aging program,
and then have our analysts \h\h\h\hrun the aged photos
\h\hthrough a facial recognition database.
- Roger that.
- You know, Roy always claimed \h\h\h\hthe solitude of the Pit
was what made him so happy,
but I'm starting to think \hthat he was so content
\h\h\h'cause he knew he had us all fooled.
- We land in five.
[doors squeaks, clicks]
- Hi, honey.
Wow, it smells great in here.
- Hi.
[ominous music]
Can you taste this for salt?
- Who the hell are you?
- An old friend of Linda's.
\h\h\h\h\h[chuckles] Who the hell are you?
- I'm Linda's husband.
♪ ♪
\h\h\h\h\h\h\h\h\h\h- Yeah, I'm so sorry to hear that.
♪ ♪
\h\h\h- Bex, I just got those satellite images
back from my friend.
These are the six coordinates,
Including the rescue efforts \h\h\h\h\h\h\h\h\hat the Pit.
\h\h\hThis is where Silo 12 is located.
You see that shadow?
- That photo's been doctored.
\h\h\h\h\h- Do you know the security clearance you need
\h\h\h\h\h\hto doctor raw keyhole satellite images?
And why doctor this \hand not the Pit?
- What's more top secret \h\h\h\h\h\hthan the Pit?
\h\h\h\h\h- I don't know, but whatever is out there
\h\h\h\h\his important enough to erase from every database
on the planet.
- Sir, we got a thousand \h\h\h\hpossible matches,
but only one in Mt. Shasta.
- Linda Agosti.
\h- Also known as Trisha Franklin,
Roy's second victim.
- That's where he's going. \h\h\h\h\h\h\h\hNice work.
Tell the team.
[tense music]
♪ ♪
- Ger-bear, are you home?
♪ ♪
There you are. How was tennis?
♪ ♪
[water sloshing]
♪ ♪
- Linda, Linda, Linda.
You just never learn, do you?
- How?
\h\h\h\h\h\h\h\h- Honey, how do you know this man?
♪ ♪
- Why are you here?
- To teach you a lesson.
Again.
♪ ♪
- Picture this.
22-year-old Linda.
Back then, she was Trisha.
Depressed, lost.
\h\hBut she meets a handsome charmer of a guy named Kyle,
\h\h\h\h\h\hand she thinks he's a solution to all her problems.
My mom was the same way \hwhen she met my dad.
It's a tale as old as time.
But Kyle's got problems, too--
debt, unfaithfulness.
Their marriage was troubled.
\hOne night, those two end up at the station,
\h\h\hand I could see how trapped she was.
What did you say to me?
\h\h\h\h[together] I want to be free.
- And I said I could help you.
[tense music]
- What are you saying?
Linda, what did you do?
[engine rumbling]
- Husband's name is Gerald.
\hRetired exec. Worked at Avon.
- Let's hope Gerry can fight better than her first hubby.
[tires squeal]
- Your story, it-- \hit can't be real.
\h\h- Well, it's as real as that scar on her arm.
What did you tell him, \h\h\hhow you got that?
Pilates injury?
- A surgical scar.
- [laughs]
- I'm sorry.
- Did you ki--
- Kill her first husband? \h\h\h\h\h\h\h\h\h\h\hNo.
\h\h\h\h\h[laughs] I did that for her.
Yeah, Kyle was a cancer \h\h\heating her alive.
I saw that she needed help,
saw where that path \h\hwould lead her.
She needed to start over.
She needed the second chance \hthat nobody gave my mother.
Poor Linda didn't learn \hher lesson, did she?
Because then she went \h\hand fell for you.
- Gerald isn't Kyle.
\h\h[sniffles] I'm happy now.
I don't need your help.
- Yes, Trisha, you do.
Why doesn't anybody ever learn?
- Look, there's 10 grand \h\h\h\h\h\h\hin my safe.
\h\hTake the watches and the jewelry too.
\h\h\h\h\h\h[gun slams] - Watches and jewelry?
Are you even listening to me?
- Please, don't hurt us.
\h\h\h\h\h\h- No! Don't touch her!
- [grunts]
- Well, I guess we have \h\hto try this again.
[door slams]
[suspenseful music]
♪ ♪
- Kitchen's clear!
♪ ♪
- There's nothing upstairs. \h\h\h\h\h- We're too late.
- What'd you find?
♪ ♪
[line trilling]
- Hey, Morales. \h- Talk to me.
\h\h\h- Barber is on the move, and he's taking them with him.
\h\hI need a location on Linda's silver Mercedes.
- On it.
♪ ♪
- [grunts]
- All right, come on. \h\h- Where's Gerald?
\h\h- Let's go. - [whimpering]
- Come on.
\h- [whimpers] Where's Gerald?
[breathing heavily]
[ominous music]
♪ ♪
[engine rumbling]
♪ ♪
- Stand by.
Long straight, then left.
You're almost there.
\h\h\h\h\h- You know, I'm not a bad person.
I believe in second chances \h\h\h\h\hand forgiveness.
♪ ♪
\h- [gasps] Oh, my God.
\h\h\hGerald! - [groaning]
- But forgiveness \hmust be earned.
[ropes creaking]
[engine roaring]
♪ ♪
\hNow, last time, I did it for you.
But this time...
you get to do it yourself.
[tires screech]
♪ ♪
- The trunk is empty.
- Where the hell are they?
♪ ♪
- Set yourself free.
♪ ♪
\h\h\h\h\h\h\h\hDo it! - Don't do this, baby.
- I'm sorry.
[gun clicks]
♪ ♪
[gun clicks]
[gasps] Oh, no.
[gun clicking]
[sobs] \h\hNo.
\h[sobbing] - [grunts]
♪ ♪
- You're breaking \hmy heart here.
- Please! Please! \h\h\h\h\h\h\hNo!
[suspens♪ ♪l music]
- No!
♪ ♪
Please.
♪ ♪
Don't do this.
Please, no!
- Put the gun down, Roy!
[gunshots]
[gunfire]
- Trisha, get down!
Cover me.
[gunfire]
[grunts]
- Barber, it's over! \h\h\h\h- Stay down.
- No one else needs to die!
- I'm not afraid to die!
I've done it before! \h\h\h\h\h\h[gunshot]
- Toss the gun, Roy! \h\h\h\h\h\hCome on.
You love prison. \h\h- Go to hell!
[gunshot]
♪ ♪
\h\h\h- Come on, Roy. You're not a bad guy.
\hI know you were just trying to help people.
Roy, you're just misunderstood.
- No!
I'm not a bad guy!
♪ ♪
I'm a protector!
\h- Roy. [gunshot]
[body thuds]
- [groaning]
- Thank God.
He was going to kill me.
\h\h\h- Funny, I thought he killed you years ago.
- [groaning, panting]
- Where are we going?
\h\h- To talk about the six other women
\h\h\h\h\hwho had you kill their husbands.
[tense music]
♪ ♪
[door thuds]
- How's the arm?
- [chuckles]
- Oh, Roy.
Yeah, as flattering as that is,
that's not the list I asked for, is it?
No, I wanted all six names.
These women are guilty of first-degree murder.
- Hmm.
\h\h\hSecond chances are so rare, I think.
Why would I spoil that \h\h\h\h\h\h\hfor them?
- You know, we went through \hyour drawings at the Pit.
\h\h\h\h\h\h\h- Yeah? - Yeah, all of them.
They were very intimate \h\h\h\h\hand delicate.
It was a hard contrast \h\hfrom the brutality
of your crime scenes. \hIt was impressive.
- Yeah, well, when you care \h\h\h\h\habout something,
you put care into it. \h\h\h- Right, right.
Except that you put evidence \h\hof your crimes out there
for anyone paying attention \h\h\h\hto see, so that's--
\h\h\h\hthat's more pride. That's less care, you know?
But I mean, why not be proud?
You, you fooled everyone, \h\h\h\h\h\h\hdidn't you?
You made sure that nobody would \h\hgo looking for those girls,
because you did such \h\ha convincing job
\hof making sure they looked dead.
\hYeah, you waved your sketches under the noses of the doctors
\h\hyou were working with, and they would just call it
\h\hcriminal reverie or victim attachment.
\h\hYeah, never seeing it for what it actually was,
a confession.
- [chuckles]
\h\h- You've gone decades without talking about it,
\h\h\h\h\h\h\h\h\hthough, so why start now, right?
\h\h\h\h\hWhy not just let those girls go live
the lives that you gave them?
I mean, I get it, Roy. \h\h\h\h\hI understand.
If I were the one that freed them from their partners, I--
I wouldn't drop a dime \h\h\hon them, either.
\h\h\h\h\h\h\hNo, I mean, this is your life's work.
This is the biggest item \hon your savior résumé.
\h\hIt's the one thing that kept you going at the Pit,
and it's the one thing that'll keep you going
when we send you back.
[laughter]
Right.
It's just-- it's tricky, \h\h\h\h\h\h\h\h\hthough,
because we literally \h\hhave no leverage.
I mean, what could we \hpossibly do to you
that hasn't already been done? \h\h\h\h\hWe could arrest you.
\h\h\h\h\h\hCheck. We could kill you.
Check.
Uh, we could lock you up \h\h\hin total isolation
for the rest of your life. \h\h\h\h\h\h\h\h\h- Check.
- [chuckles] \h\hExactly.
\h\h\h\h\hWell. [clicks tongue]
\hIt's just too bad that it's all a load of crap, isn't it?
- What?
- You're not a savior, are you?
\h\hYou didn't free any of those women.
In fact, they used you
to kill their husbands.
\h\h\h\hAnd the one person that actually needed you to save her
\h\h\hwas your mother, but you couldn't do it,
could you? - Stop it.
- Because you were too weak. \h\h\h\h\hYou were too small.
You just-- \h\h- Stop!
I did free them,
and some are still free.
♪ ♪
- You went and visited them, \h\h\h\h\h\h\h\h\hdidn't you?
The other women.
Crystal wasn't the first one \h\h\h\h\h\hyou tracked down.
- Blue Ford Escape, \h\h\hIdaho plates,
registered to a Wendy Hosmer \h\h\h\h\hout of Twin Falls.
Not reported stolen yet.
\h\h\h\h\h\h\h- The Ford, it wasn't reported stolen
because you never stole it.
No, Wendy Hosmer \hgave it to you
\hbecause she was one of yours, wasn't she?
♪ ♪
[door clicks]
[soft dramatic music]
♪ ♪
Thanks, Roy.
♪ ♪
[engine rumbles]
[whistle blows]
[indistinct TV chatter]
Come on, come on, come on.
- He's about to get ejected.
- This isn't live? \h\h\h\h\h- Mm-mm.
- Why are we watching this, \h\h\h\h\h\h\h\h\h\h\hthen?
- Because it's on. \h\h\h\h- [laughs]
\h\h\h- We got her, and you were right.
Wendy Hosmer, formerly known \h\h\h\h\h\has Amanda Lewis,
assumed to have been murdered \h\h\hby Roy Barber in 1995.
He went to her home \h\hthree days ago,
and she gave him her car. \h\h\h\h\h\h\h- One down.
\h\h\h\h\hAll right. That's a good start.
- It's more than a start.
I accessed her computer, \hand surprise, surprise,
our sketchy friend Roy searched \h\hall the names of the women
he worked with in the past.
- We got them all? \h\h\h\h\h\h- Yeah.
[chuckles]
- Cool.
Hey, maybe they'll all make friends in prison.
\h\h\h\h\h\h\h- [laughs] - Great work, everybody.
\h\h\h\h\h\h- Hey, uh, my techs are starving.
Can we pass some of this out?
\h- But the game. - But the techs.
\h\h\h- Ugh. Take a piece.
\h- OK. - Nice.
- This one's got a bite out of it.
- That's all right. \hIt's still good.
\hHey, pal. - Hey, man.
This is an old game.
\h\hWhy are you watching this? - Uh, no, I don't know anymore.
[TV remote clicks]
- You know, I gotta say,
watching you today piecing this whole thing together,
it felt like old times.
You haven't lost a ste
\h\h\h\h\hWhat? - I don't know.
All this, the job.
I still haven't told Sam \h\h\h\h\hwhat I'm doing.
- Are you going to? \h\h- I don't know.
- How's she doing? \h\h\h- She's good.
She-- she graduated \h\h\hhigh school.
She's in college now.
You already knew that though.
- You said it when I first \hsaw you at the hospital.
- [chuckles]
Yeah, she, uh--
\h\h\h\hshe still sends me a birthday card every year,
to my place in DC.
I don't get a lot of cards anymore.
\hI assumed you knew. I wasn't trying to--
- It's OK.
Everyone should get a card \h\h\h\hon their birthday,
or a cupcake.
- [chuckles]
Listen, whatever you decide \h\h\h\h\h\h\hto tell Sam,
\h\h\h\h\h\hthis is what you're good at, you know?
See you in a bit.
♪ ♪
[phone ringing]
♪ ♪
- There's your face. \h\h\hI missed that.
\h\h\h\h\h- I know. I missed yours too.
\h\h\h\h- Wait. Where are you?
- I am in Wyoming.
I took some time off \h\h\hfrom the casino
because the FBI needed my help.
\h\h\h- Oh, are you sure that's such a good idea?
♪ ♪
\h\h\h\h\h\h\h\h\h\h\h\h- Yeah. No, this is where I should be.
\h\h\h\h- I know. I'm living proof.
- [chuckles]
♪ ♪
[phone beeps]
- I hope you're calling \h\hto congratulate me
on another job well done.
- I'm calling to ask you, \h\h\h\h\h\hwhat the hell
do you think you're doing? \h\h- It's been a long day.
Can we skip the guessing part?
- Do you have any idea \hhow many alarm bells
\h\h\hstarted ringing when you had your guy
pull those satellite images?
Your job is to ensure \h\h\h\hthe recapture
\h\h\h\h\h\h\hof any and all escaped inmates from the Pit.
- What is out there?
- I'm going to phrase this \h\h\has simply as I can,
Agent Hassani.
\h\h\h\h\hSome secrets are better left buried.
♪ ♪
[phone beeps]
It's done.
♪ ♪
\h- In my experience, a political solution
\h\his always better than a military one.
♪ ♪
Less cleanup afterwards.