\h\h\h\h\h\h\h- Previously on - Truthfully, I took the job
to be closer to family.
\h\h\h- Dr. Dulles, you have a visitor.
- Hi, Dad.
- This is written by \h\h\ha Dr. Dulles.
Does that name mean anything \h\h\h\h\h\h\h\h\h\h\hto you?
- Uh, not really.
\h\hI mean, I'm pretty sure he was gone before my time.
- Just got those satellite images back from my friend.
These are the rescue efforts \h\h\h\h\h\h\h\h\hat the Pit.
This is where Silo 12 \h\h\h\h\his located.
\hWhy doctor this and not the Pit?
- What's more top-secret \h\h\h\h\h\hthan the Pit?
- What is out there?
\h\h\h\h- Some secrets are better left buried.
[Len's "Steal My Sunshine"]
♪ ♪
[engine rumbling]
♪ ♪
- ♪ I was lying on the grass ♪
♪ Of Sunday morning \h\hof last week ♪
♪ Indulging in my self-defeat ♪
[tire bursts]
- ♪ My mind was thugged, \hall laced and bugged ♪
♪ All twisted, wrong, \h\h\h\h\h\hand beat ♪
[tires squeal]
\h♪ A comfortable three feet deep ♪
♪ ♪
♪ Now the fuzzy stare from not being there ♪
[music stops]
[soft ominous music]
♪ ♪
[crow cawing]
[phone beeps]
♪ ♪
[dog barking in distance]
♪ ♪
[TV playing indistinctly]
[insects buzzing]
[ominous music]
[door clicks]
- Hey.
Hey, everything cool?
- Uh, I'm sorry to bother you.
- No, no, no, no.
It's no bother.
How can I help you?
- I, uh--actually, I hit \hsomething on the road,
and I blew a couple tires.
- Oh, no.
- Yeah.
Just up over there.
- Yeah.
Did you, um, call a tow?
- I tried.
I just can't get any service.
- [laughs] Yeah.
\h\hYeah, the cell service is, uh, pretty spotty around here.
Yeah.
But you know, you're welcome \h\h\h\hto--to use my phone.
\h\h\h\h\h\h\h\h- Oh, uh, I don't want to intrude.
Um-- - No.
- Would you maybe just--
could you call for me?
Would that be okay?
- Oh, sure, dude.
No problem.
[vacuum whirring]
Hey, Chuck, it's Arlo.
- Or you can get two tins \h\h\h\h\h\h\hfor $39.99.
\h- Yeah. Hey, um,
I got a dude over here \h\h\hthat needs a tow.
[TV continues indistinctly]
- Yeah.
Yeah, that's right, \h225 Rieber Road.
You got it.
Oh, okay.
Hey, buddy. \h\h- Hmm?
- He wants to talk to you.
- Oh, uh--
[insects buzzing]
[vacuum whirring]
Thanks.
♪ ♪
Hello?
♪ ♪
- The commercial said it could \h\h\h\h\hcut through anything.
Let's find out.
[dramatic music]
♪ ♪
[engine rumbling]
[pensive music]
♪ ♪
- Good morning, Morales.
- Good morning.
- Morning.
- What cup are you on?
- Three.
It's still early.
Milk, one sugar? \h- No, I'm good.
I got five hours \hof broken sleep
on a lumpy motel mattress, \h\h\h\h\h\hso good to go.
- You never did need \h\hmuch to recharge.
I always envied that.
\h\h\h\h- I am sure it's taking years off my life,
but it's got its upsides.
Can we talk?
- Of course, yeah.
Is everything okay?
- Yeah, yeah.
- Should I be nervous?
- [laughs] Uh, it depends.
I know about Silo 12.
♪ ♪
\h- Bex, I told you there are certain things that I can't--
- No, what you told me was \h\h\hthe blast at the Pit
was no accident.
How was Silo 12 involved?
- Who's asking, you or Hassani?
\h- You want me to trust you, yet you keep stonewalling me.
That's not how trust works.
- This isn't about trust.
- The hell it's not.
\hThere is so much that you're not telling me,
yet you want my loyalty \h\h\h\h\h\hin return.
It's not a good look, Oliver.
I can't help here if I don't \hknow what I'm dealing with.
- I'm trying to protect you.
When it comes to the Pit, information is dangerous.
- Yeah.
So is being kept in the dark.
- There you are.
We got a hit.
[phone ringing]
- Dad.
All I'm seeing is his chin.
There he is.
Hey, Dad.
- That's not my son.
\h\h\h- Come on, Dad, just let the nurse--
- I don't take orders \h\h\h\h\h\hfrom you.
[notification whooshes]
- I'm sorry, Shane.
\h\h\hI thought seeing you might calm him down, but--
- No, it's--it's fine.
\h\h\h\h\hUm, listen, I got to get to work,
but if you could just, uh, give me a call if anything comes up.
And thanks for trying.
- Will do.
Oh!
- Let go of me!
This place is a prison.
[somber music]
♪ ♪
- Ready when you are, sir.
- A man named Lucas Niles \h\h\hwas found washed up
on a riverbank in Missouri.
He's currently in a coma \hat the local hospital.
\hDNA taken from under his fingernails matches
a Pit inmate named \h\h\hArlo Brandt.
A compulsive consumer, \h\h\h\hBrandt suffered
from a psychological condition in which his sense of self was
\hbased solely on his material possessions.
\h\h\hHe was a unique case of conspicuous consumption,
as defined by Thurston Veblen.
- Thorstein Veblen.
\h\h\hUh, he was a 19th-century sociologist who studied people
\h\h\hwho were fixated on material possessions
as a way of elevating their social status.
- Only in Brandt's case, \hhe was a home shopper.
He packed his farmhouse \h\h\h\hwith every item
he could buy over the phone.
\h\h\h- Screams shopaholic more than serial killer, doesn't it?
- Well, initially \hmurder was just
a way to fund his addiction.
\hHe'd booby trap the road to lure
stranded travelers \hlooking for help.
He would kill them, and then \h\hhe would strip their cars
\h\h\hand sell them for parts on eBay.
\h\h\h\h\hBut over time, the killing itself became
his ultimate form \hof consumption.
- What's more valuable \h\h\h\h\hthan a life?
- It took four U-Hauls \h\h\h\h\hto clear out
\h\hhis possessions, and a dozen coroners
to cart off the corpses.
In the Pit, Brandt underwent \h\h\h\hsomething called MDT,
or Material Detachment Therapy, \h\h\ha treatment through which
\h\h\h\h\h\h\h\hhe was denied all possessions of any kind.
- Literally nothing?
- [sighs] I guess the idea was \h\h\h\h\h\hif he could control
\h\h\hhis urge to possess, then the same could be done
for his urge to kill.
- If he was denied \h\hall possessions
\h\h\hwhile incarcerated-- well, all stimuli, really--
then the outside world is \hgoing to overwhelm him.
He's gonna need to self-soothe. \h\h\h\h\h\h\h\h\h\h\h\h\h- Mm.
Something tells me that means \h\hmore than a warm blanket
and a pint of Ben and Jerry's.
- All right, let's roll.
[tense music]
Thank you.
♪ ♪
[wind chimes tinkling]
- [breathes deeply]
- Greetings, friend.
I haven't seen you here before.
Are you new to meditation?
- No.
I've been refining my practice \h\h\h\h\h\hfor many years now.
- I commend your strength, \h\h\h\h\h\h\h\h\hbrother.
I know that's not easy.
[ominous music]
♪ ♪
- Unclutter your life,
unclutter your mind.
- Mm.
\h\h\h\h\hRenunciation, the key to inner peace.
\h\h\hIt's so rare to find someone who really gets it.
- Yes.
Yes, it is.
- [chuckles]
[dramatic music]
♪ ♪
\h\h\h- ♪ And you may "Onfind yourself ♪e"] \h\h\h\h\h\h\h\h\h\h.
♪ Living in a shotgun shack ♪
♪ And you may find yourself ♪
♪ In another part \h\hof the world ♪
♪ And you may find yourself ♪
[metal clangs]
\h\h\h♪ Behind the wheel of a large automobile ♪
[phone ringing]
♪ And you may find yourself \h\h\hin a beautiful house ♪
♪ With a beautiful wife ♪
♪ And you may ask yourself ♪
♪ Well, how did I get here? ♪
♪ Letting the days go by ♪
- Unclutter your life, \hunclutter your mind.
- Let me out of here!
[metal clangs]
- ♪ Once in a lifetime ♪
♪ Water flowing underground ♪
\h\h\h\h\h\h[phone ringing] ♪ And you may ask yourself ♪
♪ How do I work this? ♪
♪ And you may ask yourself ♪
\h\h♪ Where is that large automobile? ♪
♪ And you may tell yourself ♪
- Peace lies in simplicity.
- I'm starving!
- Feed me and I'll feed you.
- ♪ Letting the days go by ♪
♪ Let the water hold me down ♪
♪ Letting the days go by ♪
♪ Water flowing underground ♪
♪ Into the blue again ♪
♪ After the money's gone ♪
♪ Once in a lifetime ♪
♪ Water flowing underground ♪
[clangs]
♪ Same as it ever was ♪
- All growth comes through sacrifice.
The material world \his an illusion.
Unclutter your life, unclutter your mind.
- ♪ Letting the days go by ♪
♪ Water flowing underground ♪
♪ Into the blue again ♪
both: Unclutter your life,
unclutter your mind.
- ♪ Water flowing \h\hunderground ♪
♪ Same as it ever was ♪
[tense music]
♪ ♪
- This is so messed up.
- It's Skinner's box.
- Odell called it material \h\h\h\hdetachment therapy.
\h- He can call it whatever he wants.
\h\hThey turned his cell into an operant conditioning box,
like the kind you use for rats.
It creates a reward loop.
\h- And apparently it gets you ripped.
♪ ♪
- Are those hair clippers?
- All right, I'm out.
[beeps]
- Did you see how calmly \hhe took those clippers?
- Yeah, because he was conditioned to.
- You know, in the Pit,
this guy was considered \h\h\ha success story.
\hYeah, doctors bragged about him like they'd cured cancer.
- Well, they can teach him to stay calm in a 9-by-12,
but he's not in a box anymore.
He's in Missouri.
[plane roaring]
- [grunts]
[phone buzzing]
Hey, what's up?
Nope, I got a case \hof the 2020 Cab.
It was on sale!
I cannot say no to a good deal.
Mm-hmm. \hOkay.
Okay. Okay.
Ciao.
[ominous music]
\h\h- Pardon me, ma'am, I think you dropped this hand blender.
- No, I don't think so.
- Well, it fell from your cart.
- Sorry, I didn't buy that.
- Oh, well, lucky you.
I guess that means it's free.
- Okay.
[laughs nervously]
If you insist.
\h\h\h\h\h[thuds] [glass shatters]
♪ ♪
- He's lucky to be alive.
He could wake up any minute, \h\h\h\h\h\h\hor not at all.
- Thanks, Doc.
- Thank you.
- Lucas Niles. He's a realtor.
Last seen two days ago showing \h\h\ha five-bedroom McMansion
\h\h\h\h\h\habout 50 miles from where they found him.
- Shins are lashed.
Cuts and bruises on the feet.
- I'd say he ran through \h\ha few miles of brush
before reaching the river.
- And his wrists were bound, too.
\h\h\h\h\h\h\h- Yeah. He was held captive?
- Yeah, at least one or two days.
[phone rings]
Hey, Oliver.
I was actually just \h\hgonna call you.
\h\h\hWe need a list of anyone who was recently
reported missing in the area.
- Already on it.
A woman named Tracy Miller was \h\h\h\h\hjust reported missing
by her husband after she failed \h\hto come home from shopping.
Cops won't engage 'cause it hasn't been 24 hours.
- Okay, what makes you think \h\h\h\h\hshe was abducted?
\h\h- The husband found her cell phone smashed
in a Super Big Buy parking lot.
\h\h\h\h\h\h\h\h\h- Well, that's never a good sign.
\h\h\h\h\h\h\h\h\h- Mm-mm. We tried to hack the CCTV,
but it's not online.
- We're on our way.
[phone buzzes]
- [sighs] God.
- Answer that if you have to.
- No, it's all good.
[phone beeps]
♪ ♪
- Smells like wine.
The husband found \hher phone here.
I'm guessing Arlo knocked \h\h\h\h\h\h\h\hher out,
\hand then took her in her own vehicle.
- Hey.
\h\h\h\hManager says the security cameras
haven't worked in months.
- Of course not.
- Before, he just chose his \hvictims at random, right?
\hHe killed whoever had the bad luck of driving down that road
and hit those spike strips.
Maybe he's doing \hthe same thing.
\h\h\h\h\h\h\h\h\h\h\h\h\h- No. Random was trained out of him.
\hBy curing him of his obsessive materialism,
\hthe Pit armed him with restraint and discipline.
\hBefore, he was content just murdering any driver
who fell into his trap.
\h\h\h\h\hBut now he is operating with intent.
He is choosing these people.
[breathes deeply]
\h\h\h\h\hReal estate agent and a soccer mom who was shopping.
They both have money?
[phone beeping]
Hey, you said the last place \h\h\h\h\h\h\hLucas was seen
before he was abducted was \h\h\h\h\h\hshowing a home.
Who was he showing \h\h\hthat home to?
- You think it was \h\h\hTracy Miller?
- Why would he target \h\h\h\hTracy Miller?
- Because Arlo doesn't do \h\h\h\h\hrandom anymore.
He found a connection between Lucas Niles and Tracy Miller.
\h\h\h\hThe question is, what is that connection?
- The name of the client \h\h\h\h\hwas Gus Morgan,
but I found messages between Lucas Niles and Tracy Miller
from the previous day.
\h\h\hTracy looked at the house before Gus.
- Nicely done.
- You think that's who Arlo \h\h\his gonna target next?
\h\h\h- We need to know where Gus is right now.
- Already on it.
He owns a hardware store \h\h\h\h\h\h\h\hin town.
You are 20 minutes away.
\h\h\h\h\h[Johnny Nash's "I Can See Clearly Now"
♪ ♪
- ♪ I can see clearly now ♪
♪ The rain is gone ♪
♪ ♪
\h\h\h♪ I can see all obstacles in my way ♪
♪ ♪
♪ Gone are the dark clouds \h\h\hthat had me blind ♪
♪ It's gonna be a bright ♪
♪ Bright sunshiny day ♪
[tense music]
♪ It's gonna be a bright, \h\hbright, sunshiny day ♪
♪ ♪
- Ain't she a beaut?
18-gauge lithium ion battery.
Can't keep those puppies on the shelf, let me tell you.
- It must be a slow day.
\h- Oh, just means you get my full attention.
It feels really good \hin the hand, right?
What's your project?
- My project?
- I mean, what you working on?
[clicks]
- Purpose.
- Okay.
Right.
\h\hWell, it's good for decks and such.
Uh--
you know, you're not \h\h\hsupposed to be
doing that until you buy it.
\h\h\h\h- I have an important question to ask you, Big Gus.
- Yeah?
♪ ♪
- You ever stop to ponder
how the things that we own \h\h\h\h\hend up owning us?
[door clicks]
- Hey, Dad.
\hMom's on her way over, so I'm going to the mall.
- Oh, thanks.
You know, why don't you--
- Is this your son?
- Easy.
- I can see how much \h\hhe means to you.
- We'll do whatever you want.
Just please, don't hurt us.
- Don't worry.
I promise the pain \hwill be worth it.
[tense music]
♪ ♪
[drama♪ ♪ music]
- That's Tracy Miller's car.
♪ ♪
\h\h\h\h\hGo. Go. [doorbell chimes]
- Clear.
Yeah.
- Clear.
♪ ♪
Signs of a struggle.
- No Big Gus.
- Arlo must have taken him.
[doorbell chimes]
- Freeze!
- Oh.
Who are you all?
Well, what's happened?
Where's my husband?
\h\h\h\h- Sorry, ma'am, we're with the police.
\h\h\hWhen's the last time you spoke to your husband?
- 30 minutes ago.
Uh, no.
No, wait.
I--I called my son because \hhe was working here today
with his father.
Um, will somebody please tell me what's going on?
- Of course.
You guys wait for me outside.
I'll be right there.
\h\h\h\h\h\hCome with me. I'll explain everything.
\h\h\h\h- You think Tracy was with Arlo when he came here?
\h\h\h\h\h\h\h\h\h\h- No. He would have taken her,
\h\h\h\h\h\h\hhidden her, and then come here alone.
- Those tires might \htell us something
\h\habout where he's keeping the victims,
assuming they're still alive.
- Okay, let's not go there yet.
[ominous music]
♪ ♪
\h\h\h\hHey, just found this underneath the driver's seat.
- It could be Tracy's.
- Time stamp is four hours ago.
Zen Garden Meditation Center.
Can you get Hassani?
\h\h- He seemed like a super grounded guy.
\hLike, really in touch with himself, you know?
- How so?
- Most people come here \hlooking for answers.
Arlo already had them.
He felt like a kindred spirit.
- Yeah, that's not the flex \h\hyou think it is, buddy.
\h\h- I just mean he wasn't all wrapped up in money and things.
- Well, that's weird 'cause \h\h\hit looks like he used
money to buy things from you.
\h\h\h- He just wanted to support the center.
- So what did he buy, exactly?
- We sell robes and slippers \h\hto help fund our mission.
Like the one I'm wearing now.
- People actually buy those?
- Yes.
\h\hHe was gonna donate them to the center where he practices.
- How many did he buy?
- Twelve.
[tense music]
I'm sure it's more \h\hthan he needed.
\h\h\hHe just wanted to support the cause.
[line ringing]
- Bex, what have you got?
\h\h- Okay, I think Arlo's keeping his victims alive.
He bought 12 robes.
The question is why.
- Let's hope you're right.
\hWe just dug up some more therapy footage.
\h\h\h\hThere's some stuff from a couple of weeks ago
you should take a look at. \h\h\h\h\h\h\h\h\h\h- Okay.
\h\h\hSend it over. - Morales just did.
- Thank you for your help.
- What's the latest?
- Odell just sent a video \h\h\hof Arlo at the Pit.
[phone beeps]
[soft eerie music]
♪ ♪
- Good morning, Arlo.
- Good morning, Doctor.
- I'm curious why you chose \hnot to sit in the chair.
- The chair feels... \h\h\h\hsuperfluous.
\h\h- What, you don't think you'd be more comfortable?
\h- Your question implies that I should find value in comfort.
- Well, don't you?
I think most people do.
\h\h- In my experience, comfort serves primarily
as an obstacle to growth.
- And growth is something \h\h\h\h\h\hyou do value?
- It is the only thing I value.
What else is there?
\h\h- [chuckles] Excellent point.
\h\h\h\h\h\hYou know, it pleases all of us
\h\h\hto see how well you're responding to your treatment.
- Why?
- Well, because we want \h\hto help you, Arlo.
Your well-being is \himportant to us.
\h\h- Then this must be very rewarding for you.
- It can be.
More importantly, \hhow do you feel
you're responding to your progress?
- Progress?
♪ ♪
\h\h\hThe truth is, we have no choice but to progress.
That's how life works.
It progresses.
I like to think that I have.
Grown, that is.
I can see, certainly now,
how very sick I was.
Whether it was my environment \h\h\h\hthat made me this way
or just bad wiring,
I certainly had
an unhealthy attachment \h\h\h\h\h\h\hto things.
[dramatic music]
♪ ♪
- [muffled] I'll give you \h\h\hanything you want.
Just let my son go!
Please!
[muffled crash]
[discordant music]
♪ ♪
[muffled speech]
- I can blame it \hon television,
good advertising, magazines.
But it doesn't matter \h\hwhether you blame
the drug or the addict.
\h\h\h\hYou still have to treat the disease.
[metal creaks, bangs]
Right?
♪ ♪
And I certainly was...
sick.
\h\hMy identity was tied up in things--
owning, possessing, consuming.
I reduced my value to things \h\h\hthat could be bought,
\h\h\h\h\h\h\h\hpurchased, things that could be held.
I thought these were the paths \hto happiness, but now I see
I was merely seeking \h\h\hto fill a void
that never really needed \h\h\h\h\hto be filled.
\h\h\h\hThe void was imaginary because I was already enough.
We all are.
Each and every one of us has \hthe capacity for happiness
locked deep inside.
The question is whether we have
the will to access it.
Or, like me...
\h\hbe fortunate enough to find someone willing
\hto create a place where they can find peace and happiness.
- He's recreating the Pit.
[dramatic music]
[te- Dad!sic]
- Felix!
[whimpers]
Everything's gonna \h\h\hbe all right.
I promise.
[grunting]
- Change is hard.
But that's how you know \h\h\h\h\hit's working.
And you are all here
so I can help you with that change,
so I can give all of you
the gift that was given to me--
- [weeping]
- In a place just like this.
♪ ♪
Unclutter your life,
unclutter your mind.
- [weeping]
- Say it.
\h\h\h\h- [whimpers] Unclutter your life,
unclutter your mind.
- Louder.
- Unclutter your life, \hunclutter your mind.
[sobs]
- Unclutter your life. - Unclutter your life.
- Unclutter your mind.
all: Unclutter your life, \h\hunclutter your mind.
Unclutter your life, unclutter your mind.
\h\h\h\h\h\h\h\h\h\h- Good. all: Unclutter your life--
- [chuckling] Good.
all: Unclutter your mind.
Unclutter your life, unclutter your mind.
[thunder crackles]
- Why would someone who escaped \ha prison want to rebuild it?
- Because he's not kidnapping \h\h\h\hpeople to kill them.
He's treating them.
- By trying to help them with the type of therapy
he thinks helped him. \h\h- Yeah, exactly.
Material detachment therapy \h\h\h\h\h\hworked so well
that Arlo thinks it's the only way
to achieve real peace.
He wants to share his clarity \h\h\h\hwith people who link
their identity to possessions.
\h\h\h\h- Isn't that pretty much everyone?
- He's out to teach the world a lesson.
[phone beeps] \h\h\h\hHey.
\h\h\h\h\hWe think that Arlo's abducting people to treat them.
And in order to give them his \htwisted version of therapy,
\h\hhe's gonna need someplace secluded.
- And close enough \hto the riverbank
where Lucas Niles was found, assuming he escaped on foot.
- On it.
\hThere's an abandoned farmhouse 8 miles east.
- That's got potential.
- No, the Pit was a cold place.
\h\h- He's gonna want something more stark.
- Nothing warm or homey.
- Somewhere impersonal.
- Like a warehouse \h\hor a factory.
- Something industrial.
- Okay.
Well, based on the distance, \hthere's a number of options
our escapee could have \h\h\hmanaged on foot.
\h\h\h- A condemned shipping warehouse.
\h\h\h\h\h\h\hThat's not bad. - Yeah, that's a possibility.
\h\h\h- There's also an abandoned sawmill
\h\h\h\h\hand a defunct water treatment plant.
\h\h\h\h\h\h\h- Okay. All stark, industrial.
\h\h\h\h\h\h- I don't know. There'd be a lot of sawdust
around a mill, even an old one.
I would have seen some \h\h\h\hin their tires.
\h\h- Right, and this has only been closed for a few months.
Okay. How about the other two?
\h\h- Uh, six years for the warehouse,
\h\h\h\h\h\h\h\h\h\htwo for the water treatment plant.
\h\h- Maybe start with the one that's been vacant the longest.
- Or the most remote.
- Wait.
\h\h\hThe water treatment plant's not just closed.
It's for sale.
- Uh, let me guess.
The realtor also sells \h\hhigh-end mansions?
- That he does.
- Lucas Niles.
Nice work.
\h\h\h\h- Sending you the coordinates now.
- Hey, Morales, can you also get a schematic on the plant?
\hEntrances, exits, anything like that?
- On it.
- Let's move.
[suspenseful music]
- Please!
\h\h\h- To begin our journey, we must let go of the stories
we tell ourselves.
- What the hell does \h\h\hthat even mean?
[tense music]
♪ ♪
[hair clippers buzzing]
[glass shatters]
[clippers buzz, turn off]
♪ ♪
- What was that?
- He rigged the road.
- It's an improvised \h\h\h\halarm system.
He knows we're coming.
\h\h- So much for the element of surprise.
- Shh.
[tense music]
♪ ♪
Don't be afraid of the dark.
Fear is only temporary.
[lights clanging]
[omino♪ ♪music]
- This place is huge.
- [breathing heavily]
He kept them in there.
- [groans] They're all locked.
We're gonna have to bust one open.
- He didn't go in.
He went down.
- Just like the Pit.
- Looks like we're going underground.
- Keep your head on a swivel.
- Always do.
[door creaks]
[suspenseful music]
♪ ♪
[knob rattles]
♪ ♪
[tense music]
♪ ♪
[footsteps approaching]
- Shh.
♪ ♪
[chains rattling]
[clangs]
[creaking, banging]
♪ ♪
[panicked breathing]
\h\h- Tracy, it's time for me to set you free.
[loud bang]
[dramatic music]
♪ ♪
- [screams]
[thuds]
Help us, please!
- You're safe now.
Go through there. \h\h\hIt's okay.
\hDon't worry. We'll get him.
\hCover me. - Got you.
- Everyone out! \h\h\h\h\hOut!
Out the back.
Through the door, up those stairs.
Hey, you're okay. \h\h\hI got you.
I got you. \hCome on.
- My son!
Please find my son.
- The man who took you, \h\h\h\hwhere'd he go?
- Up those stairs.
- Get him and the others \h\h\h\h\h\h\hto safety.
We'll get Arlo.
- Morales, he's heading east.
- There's another exit.
Far east side of the facility.
- Stay close.
[suspenseful music]
♪ ♪
- [breathing heavily]
Which way, Morales?
- I don't know.
He could have gone either way.
You're gonna need to split up.
- Okay.
Watch yourself.
[distant bang]
[water dripping]
♪ ♪
[gunshot bangs]
- [panting]
It's over, Arlo.
Let him go. \h\h\h- No!
No!
He needs this!
I can help him.
I can help all of them.
- They don't want your help.
They want to go.
Don't you?
Come on, ask him yourself.
- Please, let me go.
- Keep him talking, Bex.
- Get there, Hassani.
♪ ♪
- You really want to help him-- \h\hyou got to let him choose.
- You're right.
He can choose.
He can choose life--
- [grunting]
- Or death.
\h- Arlo, you do not - You don't know me.
You don't know me!
- [exhales]
I do.
I know the growth you've made, \h\h\h\h\hthe work you've done.
You're a changed man, Arlo.
- You're just saying that!
- No. No, I'm not.
[breathing heavily]
\hLook, I know how hard it is to really change.
I'm not perfect.
I make mistakes all the time.
[tense music]
♪ ♪
- Like what?
\h\h\h\h\h\h\h- Hassani, where the hell are you?
- I'm almost there.
- I trust people I shouldn't.
I want to believe in people,
even when I know I shouldn't.
- You're right.
Change is hard.
And I don't think \hyou can do it.
- [grunts]
- [grunting]
- [grunts]
[screaming]
- Up against the wall, now!
- [coughs]
[clangs]
[somber music]
♪ ♪
- Just got word Lucas Niles \h\hwoke up from his coma.
If he hadn't run off for help,
we would have never \h\hgotten to Arlo.
- Well, he saved \ha lot of lives.
- I wish we could \htell him that.
- This is a win, Bex, \h\h\h\h\ha big one.
But we got bigger things \h\h\h\h\hto worry about.
Where are you with Odell?
- We'll see.
He said he wants to talk.
- Good.
[pensive music]
♪ ♪
\h\h- Oh. Hey, Doc.
Sorry, I was at work.
I couldn't take your call.
Um, how bad a fall was it?
- It's not easy to hear,
but your father's condition \h\h\h\h\h\his progressing.
He needs to be moved \hsomewhere that can
offer a higher level of care.
\hThere's a nursing home with an excellent Alzheimer's ward
in Colorado, and-- \h\h\h\h\h- Mm-mm.
He needs to be close.
Not Colorado.
- I know it's hard, \h\h\hbut accepting
what's happening to your father--
- It's not about accepting.
- Okay.
Then what's it about?
- [breathes deeply]
Answers.
Thank you.
[somber music]
\h\h- Shane. - Hey, Betty.
♪ ♪
- Excuse me.
Um, who was that speaking with Dr. Dulles just now?
- That was his son.
And you are?
- I'm Sarah Dulles.
I'm Dr. Dulles's daughter.
He doesn't have a son.
[ominous music]
♪ ♪
[upbeat country music]
♪ ♪
- What's going on in Silo 12?
- I wasn't allowed \hto ask questions,
especially about 12.
- I know you, Oliver, \hand the man I know
\h\hwould never hide his head in the sand.
- Who says I did?
[tense music]
\hIt was clear that certain inmates were being treated
with experimental therapies.
I got that.
And sometimes an inmate \h\h\h\hwould be taken.
for more extensive research \h\h\h\h\houtside the Pit.
\h\h\h\h\h\h\h\h- Yeah. Where were they taken?
- The Pit's located in the middle of a nuclear array--
\h\h28 silos, 6 of which have been decommissioned.
This one is the Pit,
and this one...
is Silo 12.
- The tunnels are \hall connected.
- Only one is the Pit, \hbut they're all part
of the same facility.
- So what's so special \h\h\h\habout Silo 12?
- It's where this all started.
- Oliver, where what started?
- The prison break.
\hJust before the blast, I received a phone call.
\h\h\h- Do you want to live in the lie?
\h\hOr do you want to know the truth?
- There was a breach \h\h\h\h\hat Silo 12.
- A breach, okay. \h\h\h\h\hBy who?
- Thank you.
An armed security force.
A dozen men, maybe more.
- The AG, she knows about this?
\h- Why do you think she was sent to sell
a cover-up about a gas leak?
- And the armed security force, \h\h\h\hyou think that they are
the ones that blew up the Pit?
- I think it's a hell \h\hof a coincidence.
♪ ♪
- We need to see Silo 12.
[drama♪ ♪ music] \h\h\h\h\h\h\h.