[crow caws]
[Don Arturo] Where we once saw good will,
we have found lies, deceit and betrayal.
[sobbing]
Evil has slipped through our defences
and I feel that it is now too late.
Salvador,
truly you are a good soldier to our cause.
I need you to be my eyes in this school,
to be the eyes of God.
But be careful, one does not need to see it to believe it,
but to believe in order to see it.
[Elvira reading] "An order of capture, dead or alive,
for Beatriz of Osuna,
founder of the Crow's Nest, for affronts to God and for witchcraft,
plus the search and destruction of her heretical book
'Draco Musca'."
Hello?
Is someone there?
[spooky choral music]
[ringing tone then voice message beep]
León,
where are you?
There was someone in the archives. I'm being threatened.
Call me.
[music reaches a climax]
[classical theme music]
THE BOARDING SCHOOL LAS CUMBRES
[girl whispers in Spanish] El Internado Las Cumbres.
[deep sigh]
Good morning, my love. How are you?
My head's really hurting.
I think I need some fresh air.
Of course, my love, of course. [hushing]
[crow caws]
[sirens]
[Eric] Oi, oi, oi! The fuzz! - What do you mean the fuzz?
The fuzz are here! The police are here.
[Ansias] Hide the gear. Last time they took it all.
[chuckling]
Let's tell them everything.
- How? We don't have the Corax reports. - But we have Manu.
[Eric] Manu! Look at him, he doesn't even care.
[PA system] Students are reminded that morning exercises are obligatory.
And Paul?
[Mario shouting] Ya... One...
Two...
One...
Two...
Block!
At ease. One... Two...
[students] Ya! Ya!
When I woke he wasn't in the dorm.
Didn't he sleep in his bed?
Your stupid friend likes taking night-time strolls.
What are you looking at? Do you want to go visit him in the fridge?
No, sir.
Ready!
One...
Two...
Paul?
Paul, are you there?
Amaia!
Yeah, it's me. What happened?
They caught me following Manu.
Why were you following him? Where did he go?
To the sanatorium.
He doesn't even know that place exists.
He went through the passage by the stairs.
Are you sure about this?
Yes, Amaia, and he was carrying the rifle.
- What do you mean? What rifle? - The one that you had.
Manu and I hid it in the laundry room to help us when we get out of here.
- Brilliant. - Manu is hiding something.
- I don't understand. - Me neither.
But we can't trust him, do you understand?
[heart monitor machine beeps]
[electrostatic humming]
- Darío, what are you doing? - Hush.
[pupils chatter]
What's wrong?
Did you take the rifle from the laundry room?
Yes, and two bazookas and a helicopter.
Manu, I'm being serious.
Didn't you and Paul hide a rifle there yesterday?
Hey, listen Manu, you have to talk to the police before they go.
Tell them where they kept you.
I don't know where they kept me or how to get back there, OK?
I don't have any proof.
Wait, you do have proof, you're covered in marks.
- That's all you need. - Mara treated me like I was crazy,
like I was a junky and it was my fault.
I can't do anything.
[Eric] Mmmm...
You can't
or you don't want to?
Manuel, you're not the only one who's been through stuff here, you hear me?
I don't know what they're doing to our brains but whether you believe it or not
I ended up on top of a window and I nearly jumped.
Great. Then you go tell them that. They'll just laugh at you.
- You're an arsehole! - Hey! What's your problem?
What? Motherfucker!
Come on, bitch!
[Amaia] What are you doing? Guys! Stop!
[Paz] Manu! Stop it!
Get off him! Stop!
[Mara] What is this?
Go on, carry on, carry on. hit each other, that's it.
Don't want to stop? Then hit each other. Fight!
Fight!
Very good.
Are you done now?
Is that it?
Then get to your places and let's start.
[sarcastically] Very good! A bit weak, no?
All yours.
I'm Salvador,
your new Latin teacher.
[pupils whispering and chuckling]
What's so funny?
Ah, yes, of course.
If you are all that interested in talking about my arm,
my lack of arm, let's talk about it.
Just for today, ask whatever you want,
and I will answer without exception.
You have five minutes.
[Julio] I've got a question.
How do you manage a cheeky wank?
[laughter]
With the other hand!
[laughter]
Really? You can't think of anything more interesting?
For example, how I lost the arm?
I'd have told you I was deactivating an anti-personnel mine in the Bosnian war.
and that there are wounds to the soul
that hurt more than losing an arm.
Open your books to page 13.
Happy Birthday to you!
It's my birthday?
Seventeen.
[sighs] And I confess I feel older every time it's your birthday.
Come on. Make a wish.
Very good.
Give Daddy a kiss.
Hi, Fran.
Hi, Inés. How are you?
Fine. A bit dizzy.
[Darío] Enough with the questions, Fran.
When did I get home?
You suffered a bit of a breakdown.
A couple of days ago.
That makes this a double celebration:
firstly for your birthday,
and also the fact that you're here with us.
Don't you remember anything?
[Darío] This is a party, not an interrogation.
- I don't know. - Last night? This morning?
Do you know what, darling, go and get changed or we'll be late for school.
We'll have time to celebrate just the two of us.
[Fran] What happened?
She remembered? That's why you intervened.
I don't have to explain anything to you, Fran.
But what did she remember that worried you so much?
Listen, the intervention you did is very weak,
it won't help you Darío.
In a controlled environment like the boarding school
and without anyone saying otherwise, she will continue being Inés Mendoza
and that will stabilize her.
Darío, our objective is for her to remember,
to know what's in her head, not to erase her memory!
I know perfectly well what our fucking objective is, Fran.
I also know that I am in charge of this investigation.
If you don't like how I do things,
you can go out the same door you came in.
[suspenseful music]
León?
THE PYRENEAN GAZETTE
[Amaia] Here!
"The killing of innocents:
Five girls have been found dead in the vicinity of The Peaks Sanitorium."
[microfiche whirs]
[dramatic music sting]
The five girls died 15 years before her.
MYSTERIOUS MURDER AT CEMETERY
The crime is being repeated, like in the painting from the Middle Ages.
[Paz] The gown, the eyes gouged out...
It's like Alba and Rita, but in the 20th century.
He looked at me.
The killer looked at me. I can't get it out of my head.
[Paz sighing] Fuck.
I deserve punishment, I promise not to break the rules again.
[students] We're grateful to this institution for showing us the way.
Wanna tell us anything?
[PA system] Paul and Adèle Uribe, come to the headmaster's office.
Paul and Adèle Uribe.
Paul Uribe, didn't you hear that you're being called?
Why are they calling us?
[Officer] Your mother, Patricia Brun, has escaped from prison.
The French police have alerted Europol, they believe she may try to contact you.
You may be tempted to protect her.
That's natural, she's your mother.
But she is also a criminal, a dangerous one.
- You understand that? - Yes.
If my mother turns up, we'll report her.
Paul, this is serious.
- Did I say something funny? - Behave.
I hope you find her soon.
It isn't fair that she's free while we're locked up in this place.
You should show some gratitude for this school.
Yeah! "Grateful to this institution for showing us the way." Load of shit!
[sigh]
See what we must contend with every day, officer?
This is a particularly difficult case.
The fact that their mother is a criminal explains a great deal.
Do you love your mother, miss?
- What did you say? - Do you love your mother?
Young man, show your teacher some respect.
Why do you treat us like shit then?
Paul Uribe...
Sorry, Officer. This is our bread and butter.
- Go on, get out. - I don't want to.
And why aren't you helping?
Why not spend a day here and see what happens at this school?
- I said get out now! [Paul] Come on.
This place is rotten and no one does anything!
Paul, I have to show you something.
[Paul] What?
It's Mum's book. I'm not interested.
Wait, Paul. It's this.
Look.
What? Mum and Darío knew each other?
Fuck.
[sad piano music]
Hey, hey, hey...
Happy birthday. Hmm?
Have a great day.
Inés? Are you okay?
Where were you?
At home, a little unwell. But I'm better now.
Paul told us everything.
What?
About the photos you found of...
The other night, when Paul and Adèle came to dinner.
You don't remember?
Inés, what did Darío do to you?
Okay come with us.
[projector whirring]
[Inés gasps]
[dramatic music sting]
[playing mournful tune on piano]
[Paul] Is that you with León? Did you know each other?
It says "Alicia Bernal".
It doesn't make sense. I mean...
I'm starting to remember now.
I remember that this is impossible.
Yes, but it's happening.
It's too much.
Stop it!
Inés, why is your past creeping into my head?
I don't know. I don't understand.
I'm sorry.
Maybe León can explain.
[dramatic music reaches a climax]
Have you seen León?
Have you seen the music teacher, miss?
No, I haven't.
Are you feeling okay?
[heart monitor beeping]
What happened? What am I doing here?
It's okay, León. It's okay. I'm trying to help you.
How did you do this?
I don't remember.
[Fran] Relax. And trust me.
Okay?
[machines whirring]
[electrical hum gets louder]
[heart monitor beeps very fast]
[electrical hum fades]
[heart monitor beeps slow to normal]
[Fran] How did you do this?
[León] This is my house and I won't leave until I see her.
[Fran] She's just asleep.
Her neural activity is completely normal.
[Darío] Not again.
Not again, daughter, please.
Please, Inés...
I agreed to all this because Darío told me he could help us.
Yes, and it's true, León.
But did you see him? He's gone mad. I'm getting her out of here.
Listen, that's not a good idea.
Out of my way.
Where are you going to go, when she's like this?
Listen to me, no-one knows more about the human brain than Darío Mendoza.
Only he can do something as difficult as helping her recover her memory.
I don't know if he can help her. The question is does he want to help her.
OK, I know Darío is very personally involved, but trust me,
the treatment is working.
Nothing! Nothing is working!
You're not well either, León. And you know it.
Think, please, think!
I can help, give me time, let me speak to him.
If you take her now, you haven't got a chance.
Please.
[muffled voice] León? León?
León, do you hear me?
[Fran] I managed to bring you back.
For now, for the moment,
it's short-term memory,
but it won't end there.
Your deterioration is fast, León. Very fast.
Then you'll lose your recent memory, and finally, your long-term memory.
Each time it'll get harder.
Why are you helping me?
Because you're right.
Darío has gone mad.
[crow caws] [school bell rings]
- Where are you keeping the rifle? - What are you saying?
And the door to the sanitorium?
Calm down, man, it's me.
I will, when you tell me where the fuck the rifle is
Again with the rifle! Fuck!
- Did you see if it was there? - Of course I did.
Was it?
[Pelayo] Good morning.
Sit down.
The Vitruvian Man,
the famous drawing that Leonardo Da Vinci left us in 1490.
Da Vinci argued that God used mathematics
to create both nature and human beings.
He made a diagram that explained man's place in the world,
the door to a new understanding:
it's just the beginning.
Lines, proportions, angles, radii...
put together, they're a complex mathematical code.
Like an encrypted treasure map that no one has yet solved.
[music building tension]
I'm sure that you'll have...
some sort of remedy for this.
What happened?
Low moments.
But it's in the past.
I want to try and make things right.
[Mara] You have no idea how much I regret my mistakes.
Such relief!
Thank you.
[music builds]
You loved him a lot?
I'm sorry.
I'm sorry for everything that has happened.
I am so, so sorry.
I'm sorry.
[footsteps leaving]
[tense music reaches climax]
[sighs]
You were right, father.
I think that now...
...I'm feeling a bit better.
To forgive, is to free a prisoner,
and discover the prisoner was you.
[sentimental piano music]
[wind howls outside]
[electrical beeps]
We're running out of time.
I'm losing my memory too.
And you're still lost.
I'm scared...
...that all of this will go wrong and we'll disappear forever.
But I refuse...
I refuse to let the life we built over all these years just evaporate.
You asked me if we were killers...
...and I promised to tell you. [sighs]
[crows cawing]
[spooky piano music]
That should have been the day of my death.
But you didn't allow it.
You sent up lanterns to summon your people,
the Crow's Nest,
you wanted them to save my life
just like they had saved you from the Spanish flu when you were 15.
We owe our lives to the Crow's Nest.
[a bell tolls]
[bell tolls]
The bells sounded a death knell that night.
We had to hide the fact that the lodge had prevented my death
and that, thanks to their science, neither you nor I would ever age.
[fire crackles]
[sentimental music]
Do you want to marry me?
[mild gasp and laugh]
Every day.
[masked man] You're united forever.
Do you understand what that means?
All you have is one another.
[romantic music reaches climax]
[León] We had to leave our lives behind.
Flee where no one would know us.
But the enemies of the Crow's Nest had seen the lanterns...
[Inés] Excuse me.
...and didn't hesitate to send out a macabre warning.
History repeats itself.
Every time the lodge has used its knowledge to overcome time and death,
death has been their response.
[screams]
The punishment has always been the same:
[whimpers]
[bones cracking]
The killing of innocents.
"Sometimes we have to pay high prices for what's important."
You said that to me.
One life for another.
No, we're not killers.
But the death of that girl has always followed us.
[mournful piano music]
[flames whoosh and fire crackles]
[PA] Students are reminded that they have 15 minutes to wash before going to bed.
Thank you for warning me.
Now get to bed, it's late. Go on.
All clear.
[laughs] [Paul] What are you doing?
Don't you think it's so unfair that they can and we can't? Hmm?
You're crazy.
Thank you.
Here.
No, I've had a shit day that not even this can fix.
Okay,
but worrying about it non-stop won't help either.
And there are things that help.
For those shitty days.
[gasps]
No, babe, I know Eric.
I don't know. He's having a shit time.
I've never seen him like this.
And it's not just Manu, you know.
Eric is also having a really bad time.
[dramatic music sting]
[rope creaking]
[gasps]
Amaia! I'm here! What's wrong? What's wrong?
[cries]
[Paz] No, it's okay.
Babe, breathe. Breathe...
What is it?
[gasps]
[coughs]
What's happened?
Hold on...
Where are you going?
[sighs]
I can't. I'm sorry.
Seriously?
What's wrong?
Nothing.
[dramatic sting] [gasp]
[Paul] Shit! - Paul?
Shhh!
I'm sorry.
[PA] Students are reminded that they have five minutes left before bedtime.
- Did you see? - Yes. But I don't know what he's doing.
Well, it's nothing good.
[door creaks]
- Which way did he go? - How should I know?
[whoosh]
[tense music builds to a climax]
[slippered feet running away]
[Adèle] Why? [Manuel] She saved my life.
[Adèle] Paul!
[Paul] With my sister? [Patricia] Let him go now!
What are you doing here?
Sorry. They followed me.
You're helping her?
Paul, let me explain.
[Paul] What? That you've escaped from prison
or that you're a murderer?
- Calm down and listen. - No!
- Let's go. [Adèle] Paul! No!
Screw you! You're gonna listen to me.
[muffled sounds underwater]
[dog barking]
[Manuel] When I escaped from Room 3, they followed me with dogs.
[dog barking]
They were about to put me back in that hole.
And your mother, she saved me.
[dog barking]
[muffled scream]
[dog whimpers then falls silent]
[gasps]
[Manuel] You're bleeding badly. - Yes. You'll have to help me.
Go that way. Go that way. It's safe.
How can I help you?
And who are you?
Can you keep a secret?
- When I realised Darío was here... - Your friend?
Your friend Darío Mendoza, isn't that right?
What are you saying, Paul?
Paul, listen... Adèle...
He betrayed me, I'm not a murderer.
- You have to believe me. - Why should we?
Because I've come to prove that I'm innocent
and get you out of here. I swear.
Then go tell it to the police.
- Let's go. - Hey...
Hey, I'm sorry, okay?
Hate me if you want.
But it won't change that she's come to help us close down this fucking school.
Where's she gone?
[rain and thunder]
Celia,
don't you recognise your friend?
Patricia?
Your daughter said you were dead.
Well, I guess not yet.
Will you help me, or are you still a scaredy cat?
[tense music builds to a climax]
♪ ["Corre" by Natalia Lacunza] ♪
Subtitling: DUBBING BROTHERS