No one wants to hear your voice.
Previously on Daisy Jones and The Six...
[Chuck] Your brother?
Billy Dunne is gonna be in this band?
Stop. Stop. Stop.
Why don't you, uh,
show us how it's done?
[Daisy] I just didn't want to be that girl anymore.
[Billy] We're The Dunne Brothers.
For now.
[Billy] You give me your number,
- I'll write you a song. - Wow.
Does that line ever work?
[Simone] Question is, what are you doing in the crowd
and not on that stage where you want to be?
[Graham] Hey, you sounded great up there.
Thanks, man.
- I'm Graham. - Karen.
[Rod] California, my friend, that is the place you got to be.
You want to be signed to a label? You want to work
- with Teddy Price. - You know Teddy Price?
I'm not the muse, okay?
I'm the somebody.
[♪ Patti Smith: "Dancing Barefoot"]
♪ She ♪
♪ Is benediction ♪
♪ She ♪
♪ Is addicted to thee ♪
♪ She ♪
♪ Is the root connection ♪
♪ She ♪
♪ Is connecting with he ♪
♪ Here I go ♪
♪ And I don't know why ♪
♪ I fell so ceaselessly ♪
♪ Could it be he's taking ♪
♪ Over me ♪
♪ I'm dancing barefoot ♪
♪ Heading for a spin ♪
♪ Some strange music ♪
♪ Draws me in ♪
♪ Makes me come on ♪
♪ Like some heroine ♪♪
All rock stars are like orphans, you see.
Searching for that deeper connection to the music.
And-and so you, Teddy, you became a... a father figure
to the kids that you worked with.
I hadn't planned on being anyone's father, Merv.
[both laugh]
I just wanted to make records.
♪ ♪
- [both mutter] - [buzzer sounds]
Oh, here he is.
Hey, that's him. That's him.
Rod, hey.
Uh, it's, uh, Billy Dunne
and the, uh... The Dunne Brothers.
We met at The Staircase in Pittsburgh, you know?
You said I could call.
[woman] All right. Thank you!
But you didn't call.
You're just... here.
Um, could we have...
uh, ten minutes of your time?
[distant chatter]
[Billy] Obviously,
- we, uh... we need gigs. - [Eddie] Yeah, on the Strip,
- if possible. - The Whisky, the Troubadour.
Yeah, and-and-and a place to stay.
Yeah, I mean, we pooled our savings together,
- but it's not much. - We're probably gonna need some money.
I mean, just to get us off the ground, you know?
[Billy] And, uh, Teddy Price to produce us.
- That's-that's, uh... - That would be huge.
It's really important.
Sure. Yeah, man.
Anything else?
- Uh, I think that's... - Pretty much.
- That's all, yeah. - [laughter]
That was all we came up with.
Are you a bunch of fucking idiots?
Do you really think that's how this works?
You show up in town and someone hands you a key to the city?
- A sit-down with Teddy Price? - [Billy] You said...
You know, when we were back in Pittsburgh, you said...
I'm a tour manager, not a band manager.
So, unless you guys are planning a world tour in the near future,
I don't think I'm your guy, man.
We're not asking for handouts.
- We'll work our asses off, man. - Listen to me.
You seem like nice people, and...
if you're the band I'm thinking of...
...your set was kind of tight.
- [chuckles] - So what I'm gonna do is,
I'll make a call, one call, to my guy over at Filthy's.
Filthy's? Is-is that a club?
It's more of a... bar than a rock club,
- but it's on the Strip. - Man, look, that's-that's amazing.
- Sweet. - Thank you.
And that's all I can do.
- Right on. - Thank you. - It's a great start.
I mean, that's-that's more than we can ask for.
Now, if there's nothing else...
- Yes, sir. - Mm-hmm. - Yes.
- Thank you. Thank you for your time. - Thanks, man.
Okay.
Uh, oh, there is just, um, one more thing.
Um...
So, I mean, uh, you know, the thing is, I mean, all of us,
we're, uh... we're really impressed.
Um, you know, not just me, and, uh,
maybe now is a good time to... you know, for a...
change of scenery or a...
I didn't ask her.
Karen, this is Billy Dunne.
Hi...
Billy Dunne.
Hi. Look, uh, how would you like
to be in the band?
Guys, it's burning.
[sizzling]
Guys, it's burning!
[Karen sighs]
Sorry.
Minor kitchen emergency.
[laughing] It's okay.
What were you saying?
Uh, well, I was just saying,
the, uh... The Dunne Brothers would love
to have you join our band.
In Pittsburgh?
No, actually. We're in L.A.
We have some gigs lined up on the Strip.
We're renting a house.
In Laurel Canyon. Tell her that it's in Laurel Canyon.
- Shh. - Stop.
So, what do you say, Karen?
You want to be in the best band in the world?
[♪ The Allman Brothers Band: "Trouble No More"]
♪ But you don't do me no good...
Let me speak to that girlfriend of yours.
Uh... [whispers] Cami.
Hi, Karen.
Be honest with me.
They worth it?
I wouldn't be here if they weren't.
[Karen] I've been in bands since I was 15.
Always looking for the one that would go the distance.
Let's just say that the Winters...
♪ Well, goodbye, baby...
...weren't that.
And like my mother always told me,
don't put down roots in bad earth.
[soft clinking]
[clinking continues]
[door creaks open]
[chopping and clinking]
- [gasps] Daisy! What the fuck? - [gasps] Oh, my God.
You-you-you... you just broke into my house like that?
Like, Jesus Christ!
I didn't break in. I used the key
- sticking out of the flower pot. - Don't do that
- ever, ever again! - I'm sorry.
I brought wine.
The least you could do.
[sighs]
- Oh, my God. - Here you go.
- You fucking scared me. - Wine.
- Mmm. - Okay.
What are you cooking that's, like, so important
- you just had to break in? - Smells good, doesn't it?
Smells like you want to smell it forever,
every night...
in your apartment cooked by me.
You left home?
I can't stay with them anymore.
And you did say you were looking for a roommate.
- Yeah, to help with rent. - I can help with rent.
- You can? - Yeah.
With what money?
- I'll get a job. - Oh. Okay.
Well... not as a cook, you won't.
Jesus, that is bad.
- Ooh. It is pretty bad. - [laughs]
[both laugh]
[Camila] They say it takes two to make a house a home,
and some things are really just that simple.
So that first house,
it wasn't perfect, but we made it work.
Didn't matter to us that it smelled like wet clothes
or that an old lady had died in it the week before.
We got it cheap, we got it fast, and
we got to live in Laurel Canyon.
[guitar strumming gentle melody]
[camera whirring]
[Billy humming]
You're distracting me.
Can I see that?
- Why? - Just...
just let me have a look.
[camera whirring]
[laughing] No. No.
[laughing] Come on. What? You can
film me all you want,
and I can't shoot just one second of you?
- [laughs] - One second.
Oh, man.
I love you.
[Billy laughs]
[♪ Grand Funk Railroad: "I'm Your Captain (Closer to Home)"]
♪ Heaven help me, heaven help me ♪
- ♪ Take this stranger from my boat ♪ - [lively chatter]
♪ I'm your captain, I'm your captain ♪
Ugh.
♪ Though I'm feeling mighty sick ♪
♪ Everybody listen to me ♪
[shouting indistinctly]
♪ And return me to my ship...
[indistinct chatter]
Ahoy. [clears throat]
♪ I'm your captain, yeah, yeah, yeah, yeah ♪♪
[mutters]
First impressions.
Not great.
[knocking]
Hi.
- Wow. - Yeah.
None of the boys would touch this room,
so we thought we'd give it to you.
- Is it haunted? - Yeah, by, uh,
horrendous, horrendous taste.
But we did have a gig on the Strip, so that was something.
- Guys, this is exciting. - Whoa, look at this place.
- All right, boys. - Need a hand?
[Karen] Filthy McNasty's, lovely.
[Camila] Oh, come on, guys. It's not so bad.
[indistinct chatter]
[sighs] Hey, what do I always say?
The smaller the club, the bigger we play, right?
Pittsburgh on three.
Ready?
One, two, three.
- [all] Pittsburgh! - [whoops]
[Billy] Those eight, nine months in McNasty's,
sure, hardly anyone ever saw us play, but
that was where we really fell in love as a band, you know?
[♪ "Look Me in the Eye"]
♪ I put the man in the moon ♪
♪ I put the dial in the tone ♪
♪ I put the grease on the wheel ♪
♪ I put the sword in the stone ♪
♪ I lit the southern stars ♪
♪ I brought the heathens peace ♪
♪ Then I ate the bird in the bush ♪
♪ And someone called the police ♪
♪ And I know you don't mean it ♪
♪ I know you don't mean it ♪
♪ I know you don't mean it because you can't ♪
♪ Turn around and look me in the eye...
[Billy] Only problem was, we didn't get paid.
Like, at all.
♪ Turn around and...
And even when people started coming to our gigs...
♪ And turn around and say it to my face...
...they still weren't
the people we needed.
[line ringing]
[woman] Hello. Capitol Records.
Hi. Is Mr. Bones Howell there, please?
No. Sorry. He's very, very busy.
Oh, I'm sure he's a very, very busy man,
but if likes good music, The Dunne Brothers are going
to be playing a set on the 17th
down at McNasty's, and I was wondering if...
No. He's out of town till the 18th.
Oh, well, that's convenient because they're going
to be playing on the 18th, too.
[line clicks]
Hello?
[dial tone]
[♪ "Flip the Switch"]
♪ Come on, you can't be serious ♪
♪ You can't even take a joke ♪
♪ You can promise that the boat won't sink, but ♪
♪ Will you ever let it float? ♪
♪ The sun is shining down on you ♪
♪ While the moon is getting bigger ♪
♪ Come on and flip the switch now, baby ♪
♪ Come on and pull the trigger ♪♪
[Teddy] You just got to be patient, man.
[Don] Now, Teddy,
- come on. - Look, not everything catches on right away.
You already know that. I mean, just give it a chance.
How many in a row is it, Teddy?
Six, seven straight?
Six.
Six in a row that didn't work.
Uh, they did work. They just didn't sell.
They have to sell, Teddy. How do you think we keep the lights on?
Look, okay, Don. All right, so, look, what,
- you-you're gonna fire me? - Oh, come on.
Don't be that way.
Look, Dean Martin wants to cut another Christmas album.
- Motherfuck. - Hey, Dino loves you.
You know he does.
Why not just take some easy shots for a change?
Enjoy your life.
Think about it.
You don't have to decide right now, but just...
just think about it.
[door opens]
[door closes]
[indistinct chatter]
[Eddie] What happened with that producer you went up to?
- The one with the parrot? - Parrot guy passed on us.
Wow.
That is bleak.
Might want to save half that toast for tomorrow, Eddie.
This is barely enough to cover the rent.
Fuck.
[music playing faintly]
Fuck it, man. Maybe... maybe old Chuckie was right, huh?
Maybe... maybe this was all just a big mistake
and that we should have just stayed at home with our moms,
saved money on rent, become dentists.
I mean, I've sent out hundreds of photographs,
and not a single fucking paper has responded.
I mean, should I just quit?
No one said it was gonna be easy.
[Warren] Also, while we're talking about stuff,
how come I'm the only one without a bed in the house?
Well, you could've taken Karen's room.
No, I couldn't have. That room is haunted.
- It's not haunted. - [overlapping chatter]
And I'm getting pocket toast, so...
Why are we still called The Dunne Brothers?
I mean, three of us aren't Dunnes,
and the last time I checked, I'm nobody's brother.
So you want to change our name?
I personally think that's a great idea.
I'm just saying what everybody's thinking.
Well, the name is the name, so...
- That's how people know us. - [Eddie] Yeah,
but it's not exactly doing much for us, though.
How about Immaculate Reception?
- No, that is awful. - We're not changing the name.
I mean, listen, if we're throwing stuff out there,
Hercules is still on the table.
- No! - Stop it!
- [overlapping chatter] - [Karen] Let it go.
Deliverance, Espionage, Poison.
The six of us will never agree on a name.
All right? So let's just...
What about The Six?
But there's five of us, you know.
Well, won't people get confused?
- Well, we can't be The Five. - Why?
'Cause The Dave Clark Five, 'cause The Jackson 5.
- Everybody's The Five. - I like The Six.
Sure as hell better than Hercules.
[Camila laughs]
- Daisy, you've got ten more minutes. - Sorry, Dave.
[laughing] Enough with the Hercules, man.
[speaks indistinctly]
[man] Tell him you're on the list!
- [♪ "A Song for You"] - [Simone] ♪ I... ♪
♪ Love you in a place ♪
♪ Where there's no space or time ♪
♪ I love you for my life ♪
♪ 'Cause you're a friend of mine ♪
♪ And when my life is over ♪
♪ Remember when we were together ♪
♪ We were alone and I was ♪
♪ I was singing this song to you ♪
♪ We were alone and I was ♪
♪ Singing this song ♪
♪ To you... ♪
[song ends]
[cheering and applause]
Thank you.
That was track two of my record.
I got some copies for sale by the bar.
And now I'd like to introduce a friend of mine.
Gonna take you for a spin around the universe.
Come on up, Daisy Jones.
[scattered cheering and applause]
Hi. I'm Daisy.
[microphone feedback]
[♪ "Two Against Three"]
♪ The days were wide open ♪
♪ At the heart of all my joy ♪
♪ Boys were invincible lovers ♪
♪ Just begging to be destroyed ♪
♪ They're up in the morning ♪
[both] ♪ Regretfully sobbing and gone ♪
♪ I'm bathed and going back to bed ♪
♪ This was never any cause for alarm ♪
♪ It seems you have a choice to make ♪
♪ The shell is white and yours to break ♪
♪ Either way, it's just as well ♪
♪ All I need's a promise I can keep ♪
♪ To myself ♪♪
[song ends]
[applause and cheering]
[Teddy laughs]
That's what we have to ask.
Hey.
Daisy Jones, Teddy Price.
You two should talk.
Ellemar Records.
- You interested? - In what exactly?
Working on some music together.
Well, I don't know.
What do I need you for?
Uh, well...
I just like what I heard.
And, uh, I think, with a little bit of my help,
I could take you to the next step.
- All you need is some shaping, and you could... - Shaping?
Yeah. I mean, I'm saying...
Look, you're new, right?
And nobody is all the way there their first time out.
I don't think I want to be shaped.
But it was nice to meet you.
[Merv] She actually walked away?
Sure did.
But sometimes the back of somebody
is the best way to see who they are.
[♪ Pugsley Munion: "Second Time for Me"]
That's Teddy Price.
Um... hey.
Hey, hey, hey. Billy.
[honks horn]
- What? - Teddy fucking Price
just walked in behind you.
Right there.
- Teddy Price? - Yeah, he just went in there behind you.
Give me the shit.
Give me the...
Give me... Give me the shit.
- Come on. Go, go, go, go. - Okay, okay.
[indistinct chatter]
[cash register bell rings]
Thanks.
Uh, Mr. Price?
I, uh, I-I love Blue Elsewhere.
Oh, not a lot of people know that one.
Thank you very much.
Uh, my name's Billy Dunne.
You and Memphis Marlon were the reason
I picked up the guitar.
I-I'm sorry, I just... I think you're a genius.
- Billy? Is that your name? - Yes, sir.
You're making me uncomfortable.
- I'm in a band. - And there it is.
Is there any chance we could play for you sometime?
You know, just-just one song.
I...
I don't have a... I'm sorry.
Okay.
Please?
You don't want me, kid.
Call Lou Adler.
I just don't make that kind of music.
Mr. Price, look, look.
If I were you and some kid came up to me in a market
and asked me to listen to his band,
I'd say, "Thanks, but no thanks," just like you are.
But I'd be making a big mistake.
You know you only get one chance at this.
Yes, sir.
Are you ready?
Absolutely.
Thank you.
- What'd he say? What'd he say? - He gave me his card.
He gave me his card.
- Dude! Oh... - [Billy laughs giddily]
Shit. Whoa.
♪ The sun is shining down on you ♪
♪ While the moon is getting bigger ♪♪
Fuck.
Why don't you try that one "Daybreak"?
- That's a Bowie rip-off, Cam. - Okay.
How about "Blind Alley"?
No, it's not good enough.
- It's just not. - Okay.
- [keys jingle] - Where are you going?
I'm gonna get some more.
Oh, no, no, no, no, no. Come here. Come here.
[keys land on table]
Come on. Hey, look at me.
Is there anything you don't think is horrible?
No. Honestly, no.
- Hmm. - Uh...
There's one we've been knocking around.
Yeah?
- It's not like the others... - I want to hear it.
- It's not ready, I'm telling you. - Billy.
All right.
♪ Just like the moon ♪
♪ That silver nail ♪
♪ Holding the sky ♪
♪ Above the world ♪
♪ Your face, a song ♪
♪ Half lit by fire ♪
♪ Lights up the world ♪
♪ And its desire ♪♪
It's... I don't know.
Don't stop.
That's the one.
[Eddie] Seriously, the ballad?
He's gonna think we're Andy fucking Williams.
[Graham] I'm still shaky on that chorus, too.
[Eddie] What if we only get one song?
[Billy] Well, then, this is the one we get, Eddie.
We just, uh, we wanted to say thank you
for this opportunity.
We're The Six, and this is "Silver Nail."
One, two, three, four.
What can I say?
- They knocked my [bleep]ing socks off. - [Merv laughs]
Oh, can I say [bleep]?
[laughs]
- [tires screech] - [whoops]
[all laughing]
We did it.
[Graham] Finally,
we were on our way.
People think we played one song for Teddy Price
and he gave us a deal.
Not true.
[crowd inside cheering]
For months he put us through the wringer.
But it was worth it.
You sounded good tonight.
Yeah, good but not great.
I mean, my voice cracked during "Flip the Switch."
Eddie's chasing Warren on time every damn song.
[chuckling]
What?
I booked you into a studio next week,
and the label agrees it's high time
you kids cut an album.
- Shut up. - Nope.
- Shut up. - It's true, it's... No, don't hug me, don't...
- [Billy laughing] - Oh, you're wet. Aw, Billy.
- Serious? - Yes.
- What's happening? - We're making an album!
- [all cheering] - No, be cool, be cool. Be cool. Be cool.
You stalking me now?
Simone said I might find you here.
I want to work with you.
You know, I've heard that from a lot of music producers, Teddy,
- and it wasn't always music that they were interested in. - No?
Ask around, that is not me.
Now, look, maybe I wasn't 100% clear with you
at the Troubadour.
Your songs, they aren't songs.
Did you want to order something?
I mean, you got some great beginnings to 'em,
yeah, of course, but I'm always in
the same place at the end
- as I am at the start. - I see.
You just don't take me anywhere.
Well, maybe you don't know how to listen to 'em right.
Did you think about that?
Maybe I don't want my songs to fit in a box
with a bow on it, Teddy.
Yeah, well...
- maybe you're right. - What's that for?
Your time.
[woman] 46 up.
By the way, this is a song.
[♪ Dusty Springfield: "Son of a Preacher Man"]
If Teddy saw something in you, he just wouldn't let it go.
♪ Billy-Ray was a preacher's son ♪
♪ And when his daddy would visit he'd come along ♪
♪ When they gathered round and started talkin' ♪
♪ That's when Billy would...
Do you want to try a different position?
Yeah, actually.
[Daisy grunts]
[dog barking nearby]
Oh.
[Daisy] It was the first time that I had ever
wanted to live up to somebody else's
expectations of me.
[♪ "Look Me in the Eye"]
♪ I put the man in the moon ♪
♪ I put the dial in the tone ♪
♪ I put the grease on the wheel ♪
♪ I put the sword in the stone ♪
♪ I lit the southern stars ♪
♪ I brought the heathens peace ♪
♪ Then I ate the bird in the bush ♪
♪ And someone called the police ♪
♪ And I know you don't mean it, I know you don't mean it ♪
♪ I know you don't mean it ♪
♪ Because you can't ♪
♪ Turn around ♪
♪ And look me in the eye ♪
♪ Turn around, look me in the eye ♪
♪ Turn around, say it to my face ♪
♪ Turn around and say it to my face...
[Billy] Everything had gone so slowly, and then suddenly
it was just all happening so fast.
We recorded our album in six days,
had two weeks off,
then it was time to hit the road.
By the time we get back,
I'll have enough money to buy us our own place.
You know, maybe further up the hill, or the beach.
I think we could do the beach.
Billy, I'm pregnant.
I've been wanting to tell you, but...
there's never really a right time for this kind
of stuff, is there?
And between the rehearsals and-and the album,
and you're going on a tour now and...
- Camila, it's... - No.
I don't even know what you want.
We never talked about this, you and I.
We never once talked about this.
What the hell are we gonna do?
I know what we're gonna do.
We got married that night.
Guys, come on, we got to take a photo.
Let's go, just... Come on, get in, get in there.
It's your wedding night, come on.
- Your lens cap is on. - All right, ready.
One, two and three.
This is the only photo of us
from our wedding.
Mescaline is a powerful drug.
[chuckles]
[laughs] It's a nice wedding, right?
I mean, I haven't been to many weddings,
but it kind of feels like a good wedding.
I'm really happy for you.
Thank you.
Oh, sorry. I'll see you in a second. It's my wedding.
- [indistinct chatter] - [♪ Todd Rundgren: "I Saw the Light"]
[Billy] I wish you were here, too.
♪ So we walked along ♪
Yeah... all right, I'll tell her, I'll tell her.
♪ Though I knew that there was something wrong...
I love you, too. Bye.
♪ About you...
You didn't tell her.
- About what? - She's gonna be a grandma.
♪ And the answer was plain to see ♪
You're gonna be a dad, you son of a bitch.
- [Graham laughs] - ♪ 'Cause I saw the light ♪
♪ In your eyes ♪
- ♪ Though we had our fling ♪ - ♪ We had our fling ♪
♪ I just never would suspect a thing ♪
♪ Suspect a thing ♪
♪ Till that little bell began to ring ♪
- ♪ Began to ring ♪ - ♪ In my head ♪
♪ In my head ♪
♪ But I tried to run...
[interviewer] What do you remember about the tour?
♪ It wouldn't help me none ♪
♪ 'Cause I couldn't ever love no one ♪♪
- [sighs] - [Billy] I, uh...
It was, it was a long time ago. I don't...
I remember everything.
[phone ringing]
[rings]
Hello?
[Billy] Hey, baby.
- Hi. Hi. - [moans]
Where are you?
Uh, we're in Phoenix.
Yeah, everyone's still asleep.
Why? What time is it?
What are you doing up so early?
I-I know I was supposed to call yesterday.
Uh, I-I couldn't get to a phone, um...
[chuckles] Baby, you did call me.
Don't you remember?
- Did I? - Yeah.
I'm so sorry.
- It's fine, it's fine. - I, I don't know what's going on.
We just... We just miss you is all.
[chuckles]
We? Who's we? What...
Me and the baby.
Billy?
[line ringing]
[Karen] Hello?
Karen. Hi.
Hi, it's me.
Um, is-is Billy there?
No, uh, um,
I'm-I'm not sure where he is.
Is everything okay, Karen?
Camila, uh, listen... I've got to run.
[line clicks]
[knock on door]
Hey!
What?
Uh...
[Graham] Hey, hey, Camila...
Just wait. Just wait! Listen. Listen to me.
- Hey... - Get off!
[Camila gasps]
[Billy] Shit. Shit.
[groupie] Who the fuck is that?
- [Billy] Okay, okay. - [groupie] Billy...
You two been covering for him this whole time? Yeah?
Fuck you. Fuck you!
Cami!
What the fuck did you guys do?
[Eddie] I mean, it broke my heart, what he did to her.
Some people just don't know how lucky they are.
[shower running]
[shower turns off]
[sighs]
[door opens]
[snorting deeply]
What the fuck do you think you're doing, Billy?
What the fuck is wrong with you?!
If you think that I'm going to let you ruin
our life, my life...
I don't give a fuck what you do until this baby comes,
but when it does, you are gonna show up for me.
Look at me!
You are gonna show up for me, for this child,
and you're gonna keep showing up
for the rest of your goddamn life.
Do you understand? Do you understand?!
Clean yourself up.
[door opens, shuts]
[sighs]
[door opens]
[Billy] I thought I'd be able to handle it.
Get it out of my system.
My brother was always great at lying to himself.
[♪ "Look Me in the Eye"]
♪ Turn around, look me in the eye ♪
♪ Turn around and look me in the eye ♪
♪ Turn around, say it to my face ♪
♪ Turn around, say it to my face ♪♪
♪ ♪
[song ends]
[cheering and applause]
Thank you, San Diego!
You're beautiful, each and every one of you.
We're gonna...
We're gonna see you soon, all right?
[man] Hey, where you going?
[audience booing]
You fucking called him?
- Billy, I didn't. I swear. - It's good to see you, too.
Hey, man.
What are you doing here?
[Simone] Three, two, one.
[♪ "Nobody Needs"]
♪ ♪
♪ I've been riding with this monkey ♪
♪ On my back ♪
♪ Trying to keep two wheels ♪
♪ On the track...
[Teddy] I was just coming to check on you,
but, uh,
plans have changed.
♪ Nobody needs ♪
Camila's had the baby, Billy.
♪ Nobody needs ♪
It's a little girl.
♪ Nobody needs a ♪
Let's go meet your daughter.
- ♪ Family ♪ - Come on.
Come on.
♪ Though impossible ♪
♪ It's still alive in me ♪
♪ And a hope like you will always ♪
♪ Prove to be ♪♪
[Teddy] He'll see you in Seattle.
[car door closes]
[engine starts, revs]
[tires squealing]
- I need you to pull over. - All right.
[retching]
[engine shuts off]
[Teddy sighs]
The girls are waiting for you, man.
- I can't do it. - Oh, no. You got to do this.
- No, I can't. - You got to.
I said I can't.
I can't have her meet me like this.
Ah, there's not gonna be a second chance here, son.
Get the fuck out of my car.
I said, get the fuck out of my car!
[Billy sighs]
I hadn't planned on being anyone's father, Merv.
- [laughs] - I just wanted to make records.
I guess some things are out of your control.
I'm sorry, Teddy. I can't do it.
[crying] Teddy. Teddy, I c...
It's all right, man. Get back in.
- I can't do it. - Come on.
I'm sorry.
Then there's someplace else we got to go.
[engine starts, revs]
[doorbell rings]
[Billy] Same old tired rock and roll tale.
Drinking, the drugs, the loneliness.
[interviewer] Yeah, but that's usually
the end of the story.
For you, it was just the beginning.
♪ ♪