Previously on Daisy Jones and The Six...
You got one great song.
Now all we need is ten more.
[Graham] Is that world-famous rock star Billy Dunne?
I thought he'd just dry out,
things would go back to the way they used to be.
It's the club where I work.
This is a New York address.
I feel like we've seen every bloody front man
in the whole of California.
Not everyone.
You can't, you can't just
walk back in here like nothing happened.
You burned a lot of bridges when you canceled that tour, man.
It's a no on this one, Teddy. All right, I'm sorry.
What is this song?
I thought it was something, but...
What would you do with it?
[Teddy] Daisy Jones,
- Billy Dunne. - I like your song.
She's ruining the great fucking song I wrote, Teddy.
You wrote a good song, not a great one.
We'll try your version, and then we'll get the original,
all right? We don't need to argue.
♪ Oh ♪
♪ We can make a good thing bad ♪
♪ Oh...
[Camila] How was it?
It was a nightmare.
Probably the best day of my life.
[♪ Patti Smith: "Dancing Barefoot"]
♪ She ♪
♪ Is benediction ♪
♪ She ♪
♪ Is addicted to thee ♪
♪ She ♪
♪ Is the root connection ♪
♪ She ♪
♪ Is connecting with he ♪
♪ Here I go ♪
♪ And I don't know why ♪
♪ I fell so ceaselessly ♪
♪ Could it be he's taking ♪
♪ Over me ♪
♪ I'm dancing barefoot ♪
♪ Heading for a spin ♪
♪ Some strange music ♪
♪ Draws me in ♪
♪ Makes me come on ♪
♪ Like some heroine ♪♪
[indistinct chatter]
[door bells chime]
All right.
[groans] Oh, my God.
[chuckles]
♪ Is it out of our hands...
- [slurps loudly] - Wait, is that...
Guys, guys.
- Guys. Hey, hey, hey. - Holy shit. What's the station?
- What? What? - [Graham] What's the station?
What's the radio station you're listening to?
- It's KHJ. - Thank you.
- Thank you, thank you. - [laughs]
That's us. That's us on the radio.
You better turn that up, this is the best part!
♪ Easy but it isn't slow...
[teen girl] Hey, is this the one with "Look at Us Now"?
[cashier] It is now.
Oh, shoot, I don't think I have enough.
Damn.
♪ Make a good thing bad ♪
Hey.
♪ Oh...
Oh, thanks.
Don't mention it.
♪ Now where do we stand ♪
♪ Baby, baby, baby ♪
♪ No, no...
[indistinct chatter]
♪ And if this is your way ♪
♪ Tell me, tell me now ♪
- [dishes clatter] - [woman] Oh!
♪ You've been crying in the dark ♪
- Oh, my God. - ♪ We unraveled ♪
- ♪ A long time ago... - Oh, my God.
♪ We lost and we couldn't let it go...
[Daisy gasps]
♪ I wish it was easy, but it isn't so ♪
♪ So, babe ♪
- ♪ Oh... - Hey, hey, baby.
- Oh, God. - [music stops]
[Camila] Uh, we were listening to that.
I wrong a song about hope,
survival, um,
[chuckles] the perseverance of love.
Uh, and she turned it into this celebration
of-of doubt,
uncertainty.
I mean, I fucking hated that song. [laughs]
Uh, but, apparently, I was the only one.
[Camila] Oh, poor baby has a number one single.
It must be so hard.
Well, you think it's frustrating, too,
- don't you, Jules? - [Julia fusses]
See, Jules agrees with me.
Smells good in here. Mmm.
- [Camila] Uh-uh. You can wait. - Mm-mm.
- Save some for the rest of us. - Hey, hey.
- [Eddie] Oh, there we go. - They live in the back house.
So that Camila doesn't have to feed you vultures.
When's the last time anyone went through the mail?
- I thought that was your job. - My job?
Also, that pile of stuff in the sink
is getting pretty big.
- Hey. - [Graham laughs]
Uh, guys...
[Graham] What?
Does anyone know what these are?
- Mm? - What?
- Mm-hmm. - Oh! They're mine.
[overlapping chatter]
Yes! [laughs]
[Camila] What?
[laughter, cheering]
I'm rich! I'm rich!
$600 went a real long way in those days.
- Oh, my God! - [all cheering]
[Billy] Even though I wrote most of the songs,
we split the publishing evenly.
I thought, "Why not?" You know? I mean...
we were family.
First thing I bought? A surfboard.
Couple of amps. Fuzz pedal.
Stock market, obviously.
Oh, there was this beautiful fur vest
in a shop down in Venice.
[♪ Lou Reed: "Satellite of Love"]
♪ Satellite of love...
- Hey, Billy, wait, did you...? - Yes.
[laughing] Did you buy us a house?
Wait, hold on.
No, no, I-I rented us a house.
♪ Satellite ♪
♪ Of love...
- Oh, Billy. - I almost went for some place bigger,
- but I didn't want to... - It's perfect.
Yeah?
What's perfect about it?
That it's ours.
♪ I love to watch things on TV...
How soon does it kick in?
Depends on the person.
♪ Satellite of love...
- Whoa. - [laughs] Come on.
Now I-I feel like, on a molecular level, you know,
the me and the canyon, we are...
we're-- Ha!
No, we're the same, man.
[chuckles]
Warren's feeling it.
[laughs]
Yeah, I got nothing. I mean...
Oh...
[Graham] How should I put this?
With Billy and Camila out of the house,
I think that we all just felt a little bit, uh, freer.
Oh, shit.
♪ Of love...
I can't feel my heart.
♪ Of love ♪
♪ Ah-woo ♪
♪ Satellite...
It's-it's beating.
Are you sure?
Yeah.
I'm sure.
♪ Of love...
Don't move your hand.
Okay. I won't.
[laughs]
I really miss drugs.
I wanted to get back into the studio right away.
Cut a new album. Turn the page.
You know?
But that song wouldn't quit.
We got asked to join the bill
at the Diamond Head Festival in Hawaii.
It was our first show since, um...
Well...
[Warren] Hey, Steve Miller Band,
The Dead? Shit, these guys are all here?
Where are we?
[Warren] Right there, brother. [laughs]
Check it out.
[whoops]
Whoa. Hey, take a look.
Check it out, dude.
[all laughing]
♪ She was wearing her lipstick heavy ♪
♪ And he was driving a '50 Chevy ♪
♪ As the summer sun was sinking in...
We were on at 1:00 in the afternoon.
But, hey, at least we were invited.
♪ Thought that love was never-ending ♪
♪ No one there to tell him ♪
♪ What to do ♪
♪ He said, ooh ♪
♪ Baby, baby, take a chance...
[indistinct chatter, laughter]
- Hey. - Hey.
- You cool? - Yeah, I'm cool.
It's been a while, you know?
We didn't get the chance to sound check.
I-I-I, you know, I just feel if we had more time...
Hey, you got this.
♪ There's only so much screaming ♪
♪ You can take ♪
♪ And he said, ooh...
All right, huddle up, everybody.
- Ah, ah, sunburn. - Are we ready?
- [Billy] All right, who are we playing for? - Roberto Clemente, baby.
[Graham] This one's for Mom.
[Warren] Free beer.
Of course it wasn't just us that they wanted on the bill.
Pittsburgh on three. Ready?
One, two, three.
[all] Pittsburgh!
[cheering, applause]
[announcer] Let's hear it for Jody Stephenson!
[cheering, applause]
So how you feeling? You nervous?
No.
You played for this kind of crowd before?
No.
All right, well, it's a lot of energy.
Just don't worry about it.
You just-just got to go out there, sing...
Is this a pep talk for me or for you? 'Cause I'm fine.
We're playing it fourth.
I'll introduce you when you come out, okay?
- 'Kay, sounds good. - [crowd cheering]
[Cheech] All right!
We all know and love this next band
from their hit single "Look at Us Now."
[crowd cheering, screaming]
[Cheech] Let's give it up
for The Six!
[crowd cheering]
Good luck, Daisy.
[playing "Flip the Switch"]
♪ Come on, you can't be serious ♪
♪ You can't even take a joke ♪
♪ You can promise that the boat won't sink, but ♪
♪ Will you ever let it float? ♪
♪ The sun is shining down on you ♪
♪ While the moon is getting bigger ♪
♪ Come on and flip the switch now, baby ♪
♪ Come on and pull the trigger ♪
♪ It's too late to turn on ♪
♪ Too late to flip the switch ♪
♪ Too late to pull the trigger ♪
♪ It's too late to turn on ♪
♪ Too late to flip the switch ♪
♪ Too late to pull the trigger ♪♪
[crowd cheering]
[song ends]
[cheering, applause]
Daisy. Daisy.
Hey, I said fourth.
Aloha.
She obviously did it on purpose.
I'm not exactly a patient person.
[crowd cheering]
[playing "Look at Us Now"]
♪ I don't know who I am ♪
♪ Baby, baby, baby ♪
♪ Do you know who you are? ♪
♪ Is it out of our hands? ♪
♪ Tell me, tell me, tell me ♪
♪ How we made it this far ♪
♪ Did we unravel a long time ago ♪
♪ Is there too much we don't want to know ♪
♪ I wish it was easy ♪
♪ But it isn't so ♪
♪ Oh ♪
♪ We can make a good thing bad ♪
♪ Oh ♪
♪ We can make a good thing bad ♪
♪ Now, where do we stand? ♪
♪ Baby, baby, baby ♪
♪ No one knows who you are ♪
♪ And if this was your plan ♪
♪ Tell me, tell me why ♪
♪ You've been crying in the dark ♪
♪ We unraveled a long time ago ♪
♪ We lost, and we couldn't let it go ♪
♪ I wish it was easy, but it isn't so ♪
♪ So, baby ♪
♪ Oh ♪
♪ We can make a good thing bad ♪
♪ Oh ♪
♪ We can make a good thing bad ♪
[crowd cheering]
♪ ♪
♪ How did we get here? ♪
♪ How do we get out? We used to be something ♪
♪ To see ♪
♪ Well, baby, look at us now ♪
♪ Oh, baby, look at us now ♪
♪ How did we get here? ♪
♪ How do we get out? ♪
♪ This thing we've been doing ain't working out ♪
♪ Oh ♪
♪ How did we get here? ♪
♪ How do we get out? ♪
♪ We used to be something to see ♪
♪ Oh, baby, look at us now ♪
♪ Baby, look at us now ♪
♪ Oh, we can make a good thing ♪
♪ Bad ♪
♪ Oh ♪
♪ We can make a good thing ♪
♪ Bad ♪♪
[crowd cheering]
Daisy Jones, everyone!
[crowd cheering]
And that was the part she was supposed to get off the stage.
[crowd] Daisy! Daisy! Daisy!
[crowd continues chanting]
You guys want me to stay for one more?
[crowd cheering]
They wouldn't let me leave.
[crowd continues cheering]
[band playing upbeat intro]
♪ ♪
♪ I put the man in the moon ♪
♪ I put the dial in the tone ♪
♪ I put the grease on the wheel ♪
♪ I put the sword in the stone ♪
♪ I lit the southern stars ♪
♪ I brought the heathens peace ♪
♪ Then I hid the bird in the bush ♪
♪ And someone called the police ♪
♪ And I know you don't mean it, I know you don't mean it ♪
♪ I know you don't mean it because you can't turn around ♪
♪ And look me in the eye ♪
♪ Turn around ♪
♪ Look me in the eye ♪
♪ Turn around, say it ♪
♪ To my face ♪
♪ Turn around ♪
♪ Say it to my face ♪♪
All right, was it just me, or was that, uh...?
- Not just you, dude. - Come on.
[chuckles] You were incredible out there.
I mean, every time you moved, they just lost it.
A girl flashed me.
Lifted her shirt, and there they were.
- Hey, can I talk to you? - Yeah.
I, uh...
I said we were playing it fourth.
Did you, uh, not hear me, or just choose to ignore me?
Oh, no, I just thought you'd already played three
'cause they all sound the same.
[Warren] God, I love you guys.
Your first single, and it hits number one.
I mean, how do you top that?
Well, this isn't our first single,
but, uh... Yeah, I mean, we have an album out,
Seven, Eight, Nine.
That's the one with the song?
I think we're just happy that everybody's digging the song,
and-and we're happy to be here.
Yeah. True, you know, it was,
it was, uh, great watching them sing our words.
Uh, that was pretty incredible.
[Cole] So, what do you two have planned for an encore?
Well, Daisy has her own stuff going on,
and, you know, we're not really looking for...
Uh, look, as much as we loved having her sing on our song,
uh, that was more... more of a one-time thing, so...
Well, I for one am sorry to hear that.
Thank you.
[Cole] Thanks for your time.
You're a real fucking asshole, aren't you?
What?
- "Singing your song"? - I gave you credit.
You didn't give me shit.
Those were my words you were singing.
You know what?
Have a nice life.
Motherfucker.
- [engine rumbling] - [laughs]
Karen.
You know...
it wouldn't be the craziest thing in the world.
What?
Billy...
Did you see what happened back there?
Yeah. It was amazing.
The crowd loved us. They loved her.
She came out at the wrong song,
and then she wouldn't leave, all right?
She wanted to be the center of attention the whole time.
I don't know, man. There's just, there's just
something about the two of you together, it's...
She said she wrote the whole damn song.
Well, she did write the bit that everyone sings along to.
[Billy scoffs]
I'm not saying she's untalented. I'm just saying...
I'm saying she's a powder keg. All right? I'm saying...
What?
What I'm saying is...
I don't think we'd survive her.
Billy would never admit that he needed anybody.
So, yeah, we had that in common. [chuckles]
[Daisy vocalizing]
[Daisy] The point is, I was pissed.
And the thing about anger is it's an excellent motivator.
[groans]
Fuck.
[Daisy] ♪ He told her that I'm ♪
♪ You're the type of guy ♪♪
[grunts]
[whispers] Chain smoking.
Chain smoking.
Wow. [chuckles]
♪ You're ♪
♪ A dick, you're a dick ♪♪
- [muttering indistinctly] - [music playing on TV]
[Simone vocalizing]
[TV announcer] Ladies and gentlemen, The Chanterelles.
[mutters] What?
♪ All that I can do ♪
♪ All that I can do is wait ♪
♪ Is wait ♪
♪ And if I can't understand ♪
♪ Maybe I can still relate ♪
♪ Relate ♪
♪ Yeah...
Is that...?
That's my voice.
I'm gonna fucking kill him.
[Simone] Daisy...
[Daisy] They can't just use your voice. That's bullshit!
♪ They walk right out the door...
- Daisy. - [door opens]
Daisy, no, no, no, no. Wait, wait, wait.
I'm gonna kick his fucking teeth in.
- Daisy. - I'm gonna burn his fucking
- studio down, that's what I'm gonna do. - Hey, Daisy, stop.
Give me the keys.
[scoffs]
I love you.
Give me the keys.
I could've just sat on his lap for maybe two more minutes.
- You know, maybe that wouldn't have... - Fuck that, Simone. Fuck that.
I-I know, I know. It's just that...
Maybe I just need to get out of here.
"Get out of here"? Like, what are you...
To where?
I'm going to New York.
I told you what that woman said at the party.
- It's... - [chuckles]
"That woman"?
[chuckles]
It's just...
the way that she talks about it, you know? It's like...
- What? - Different.
[sighs]
Maybe that's what I need, you know?
A new scene.
A fresh start.
Somewhere where nobody knows me.
[chuckles] You think it's crazy.
I don't think it's crazy.
I had this... moment
when I was up on stage
with Billy Dunne and the rest of them,
where I got this, like, this-this rush.
You know?
And for 25 minutes...
...I was the happiest that I'd ever been.
And that's what I see in your face
every time "that woman"...
- [laughs] - ...calls you on the phone.
[chuckles]
[cries]
And if we can feel like this all the time?
Both of us,
I don't care how crazy it is, we should do it.
[Simone chuckles]
So, that's what I did.
[♪ Aerosmith: "Sweet Emotion"]
This is it. [chuckles]
I don't know what I'm gonna do without you.
You'll never be without me.
♪ Sweet ♪
All right.
I know.
♪ Emotion...
[Daisy] She was my only real friend in the world.
Call me when you get there.
♪ Emotion...
And just like that, she was gone.
♪ You talk about things that nobody cares ♪
♪ Wearing out things that nobody wears ♪
♪ You're calling my name ♪
♪ But I gotta make clear...
[Daisy] I thought being around people
would make me feel less lonely.
[water splashes]
So I moved into a hotel.
I was wrong.
[playing gentle melody]
♪ You're the type of guy ♪
♪ Who has a Virgin Mary ♪
♪ Leaning on his bed ♪
♪ And you're the type of guy ♪
♪ Who has 100 double meanings ♪
♪ In his head ♪
♪ Affectations put you in your place ♪
♪ The painting leaves you empty ♪
♪ I ♪
[Daisy] I had the number one song in the country.
♪ And I'm that same type...
[Daisy] And not a single person
that I wanted to celebrate with.
♪ I'm that same type of guy ♪
♪ I'm that same type of guy ♪♪
- Hey! - [groaning]
Oh, God.
Ugh. I-I live here.
My parents live here.
[interviewer] You were arrested, weren't you?
Breaking into your childhood home?
I mean, people write all kinds of things about me
that aren't true.
- [vocalizing] - [keys jingling]
They made a mistake, and, uh... [chuckles]
I'm not supposed to be in here.
Basically, they, uh... [scoffs]
I was...
You don't have to explain anything to me.
I'm just curious, why did you call me?
I mean, you're from here, aren't you?
You must have people.
I'm from Mars, Karen. I don't have people.
I don't even know how she got my number.
I mean, I have the whole album figured out in my head already.
Good. And how are you hearing it?
I want... big, electric guitars, tons of harmonies,
driving rhythms that make you want to dance.
I'm-I'm tired, Teddy.
I'm tired of the singer-songwriter thing.
Hmm.
What?
Sounds like some friends of mine.
- I'm not talking about The Six. I'm... - Good.
- "Good"? - Yeah,
'cause... I don't think they'd be right for you anyway.
Well, I certainly don't either.
Why not?
I mean, why wouldn't you
think that The Six would be right for me?
We just... [scoffs] wrote
the-the biggest song of the summer together.
Daisy, you're not just a-a musician,
or a songwriter,
or-or-or just a great performer.
What you are...
is a front man.
They already have one of those. Hear what I'm saying?
Yeah, I hear what you're saying.
He doesn't like to share. I get it.
Sure.
[Cole] So, what do you two have planned for an encore?
Well, Daisy, uh, well, she has her own stuff going on,
and, you know, we're not really looking for...
Uh, look, as much as we loved having her sing
on our song, uh, that was more...
more of a one-time thing.
So...
[Cole] Well, I for one am sorry to hear that.
[weatherman] So, moving on to the weather,
we're looking at some mild temperatures...
What's that face for?
Nothing.
- What? What? What? I wanna know. - Nothing.
- No, it's just I... - Tell me.
I mean, you could've given her a little credit, right?
[weatherman] There is a very slight chance of rain,
as the National Weather Service is monitoring a tropical...
- [scoffs] - Okay.
Then don't ask for my opinion if you don't want it.
[weatherman] ...for some fun in the sun through early next week.
Love you. I'm gonna get ready for the party tonight.
Back to you in the studio.
Look, you got to have an ego to be a rock star. Right?
It's what makes them good.
But I wasn't gonna let his ego stop him
from becoming great.
[interviewer] So, what did you do?
Well, everybody needs a little push sometimes.
[Graham laughs]
Well, let's just say we took a vote.
What, if Daisy should join the band?
Yeah, but not what Billy thinks, what you think.
Whoa. Well, I think whatever's good for Billy
- is good for me. - Oh, God.
- Enough. - [laughs]
- Oh, my God, put my jacket back on. - It's not gonna stay.
No, I need shoulders. It's the look.
[laughing] It's not gonna stay on you.
Just don't ask any questions.
- Go, go. - [Karen laughs]
[indistinct chatter]
- Hello? - Hello, hello.
Oh, my God, wait, are we the first to arrive?
[Camila] Yes, you are. And thank God,
because I'm nowhere near ready.
Karen, will you do me the biggest favor?
- Will you throw these out on the tables outside? - Um, yeah.
And, oh, put rocks on them, or else they'll just,
- they'll turn into kites. - Okay. Rocks. Right.
- Thank you. - [silverware clinking]
Oh.
Hi.
Hello.
So, are we gonna talk about it?
- Talk about what? - What's going on with you two?
- Nothing. - Nothing?
Oh. Okay.
- No, I'm not gonna talk to you about... - Do you want to hear
- my advice? Tell her how you feel. - No, I don't.
- No, I'm not going to... - Graham, come on.
What's the worst that can happen?
- Uh, the band breaks up... - Okay.
- ...and everyone hates me,
and I look like an absolute idiot.
So...
Seems kind of worth it to me.
[Karen] God, this place is gorgeous.
- Oh, yeah, you want one? - Yeah.
- Okay. Sure. - Need to get away from that place.
Oh, yeah, really. There you go.
- Hey. - Hey.
You good?
Yeah, I'm good.
Okay. [chuckles]
What's next?
♪ ♪
♪ Do we really gotta know? ♪
[Eddie] That's where Crosby used to live.
And over there, Lookout Mountain.
That's where Mama C lived.
Who lives there now?
Uh, Dr. Kestenbaum.
He's a podiatrist, he's a really cool guy.
Who's thirsty?
- Yeah. - Let's get in there, brother.
Mwah.
[indistinct chatter]
Have a good one, man.
Hello.
So, you still chicken?
Don't you have to pour drinks for people or something?
- Oh, yeah. Yeah, I do. - Mm-hmm.
Yeah. Thank you.
[engine rumbling]
[music playing in distance]
Oh! Damn it. Fuck.
Excuse me. Sorry.
Okay, you don't care. You don't care.
- [indistinct chatter] - [music playing]
[both laughing]
- Daisy! Oh, my God. - [Daisy] Hi.
Hi. Hi. I didn't think you would come.
I brought a pineapple.
Um, apparently it's a traditional housewarming gift,
- or so says Hawaiian Airlines inflight magazine. - [Camila] It's wonderful.
I brought a bottle of wine, but I dropped it on the floor.
That's okay, we've got wine and beer.
What do you want? What do you... Do you need anything?
- [Daisy] Yeah, no, I'm good... - There's a whole bar situation
- behind the kitchen. You want to say hi to the band? - Sure. Yeah.
Hi, Billy.
Cam.
What the hell is she doing here?
Um, I invited her.
- And why? - To see if she'd come.
And 'cause I want to meet her.
[indistinct chatter]
Uh, hey, I, uh...
[clears throat]
I guess I owe you an apology.
You guess?
I said some things after the festival, and...
and I'm sorry about that.
Anyway, uh, thank you for playing with us.
The crowd seemed to love it, so...
You're welcome.
And thank you for coming tonight.
- What happened to your hand? - [clears throat]
I cut it.
I was trying to break into my parents' house.
Turns out they don't live there anymore.
Daisy was talented.
There was never any question about that.
[interviewer] What was the question, then?
You know, uh... [clears throat]
a lot of people are talking about us
making more music together.
- Oh, yeah? - Mm.
What do you think about that?
Well, do you want me to join your band?
[chuckles]
I mean, sure.
Why?
That's what I thought.
Daisy?
Daisy, just hold on a second. Hey...
Would you mind calling me a taxi?
Why don't you come back in for a little?
He doesn't want me here.
Doesn't matter. I want you here.
You changed my life, my family's life.
We wouldn't even have this house
if it wasn't for you, Daisy.
Look, this is very sweet,
and I-I appreciate this,
but I-I don't like him,
and I have somewhere I have to be.
No, you don't. I mean, I don't know.
Maybe you do. Maybe you...
put on an outfit and called a fucking cab
and brought us a pineapple just so you could come here
and say hi and leave.
Or maybe there's a part of you that-that really wants to see
where this can go.
If you leave now, you're never gonna know.
None of us will.
He's really lucky to have you.
When we get your guitar fills on it, it's gonna be like...
- [music stops] - [groaning]
Hey, what the hell? The power's out.
- Camila... - Hey.
Here it is.
Ah, my mom is crazy paranoid about earthquakes,
so she made us buy all this stuff.
Here, I'll light, you distribute.
Perfect plan.
Hello, hello.
[indistinct chatter]
[Julia crying]
[crying]
It's okay. It's okay.
Hey, hey, it's okay.
[crying continues]
It's okay.
Shh, shh, shh, shh.
Good for a drink? [chuckles]
I mean, it's crazy. Today of all days.
Oh, I, uh... She was crying, and I...
Hey, baby, hey.
You okay?
[Julia sobs, stops]
It's all right. Hey, hey.
You a little afraid of the blackout, sweetie?
It's okay. You're gonna have to
stay down here with me because Daddy is, too.
Huh? [chuckles]
I think she likes you.
- Thanks. I appreciate it. - Sure.
[playing "Ooh La La"]
[shushing]
♪ ♪
♪ Poor old granddad ♪
♪ I laughed at all his words ♪
♪ I thought he was a bitter man ♪
♪ He spoke of women's ways ♪
♪ They'll trap you, then they use you ♪
♪ Before you even know ♪
♪ For love is blind and you're far too kind ♪
♪ Don't ever let it show ♪
♪ I wish that I knew what I know now ♪
♪ When I was younger ♪
♪ I wish that I knew what I know now ♪
♪ When I was stronger ♪
♪ And you want her lips, you get her cheek ♪
♪ It makes you wonder where you are ♪
♪ If you want some more and she's fast asleep ♪
♪ Then she's twinkling with the stars ♪
♪ Poor young grandson, there's nothing I can say ♪
♪ You'll have to learn, just like me ♪
♪ And that's the hardest way ♪
♪ Ooh-la-la ♪
♪ Ooh-la-la-la, la-la-la ♪
♪ Ooh-la-la ♪
♪ Ooh-la-la-la, la-la-la, yeah ♪
♪ I wish that I knew what I know now ♪
♪ When I was younger ♪
♪ I wish that I knew what I know now ♪
♪ When I was stronger ♪♪
[cheering, applause]
- What have I been saying this whole time?! - [Graham laughing]
[Graham] Anyhow, right?
- Did you feel that? Did you hear it? - Yeah. Okay.
- All right, all right. Yeah, you're right. - So good. So good.
[panting]
What?
[laughs]
Sorry. Sorry.
- No, I'm... - I just... No.
You just... You just surprised me.
[Karen sighs]
I mean, you know that I've always...
Ever since that first night at The Staircase.
I know.
[chuckles weakly]
Never gonna happen for us, is it?
I think you're amazing.
- [cheering, applause] - [music resumes]
[brakes squeak]
♪ ♪
Hey.
You in the band?
Uh, yeah. Yeah.
[laughs] Thought so.
- Hi, I'm Caroline. - Graham.
[chatter continues]
[engine idling]
[whispering] Hi. Oh, sorry.
[wincing]
You know it's not just the engine.
She really feels safe with you.
Yeah.
Can I say something?
Sure.
Billy, you and Daisy...
- I know. - No, but it's-it's...
It's exactly what you wanted.
And it's exactly what you need to get to where you want to go.
I know. I know.
I know.
Hey, look at me.
Look at me.
What?
I'm gonna love you no matter what.
- Okay? - Okay.
- [water running] - [clattering]
What did you put in those mai tais?
- [Camila laughs] - God.
[Camila] Good morning.
[Daisy sighs]
- [Camila chuckles] - What?
I don't know if I need to say this, but, um,
I'm going to, just in case.
Billy and I and Warren and Graham and Eddie and Karen,
you know, we... we're family,
Daisy, you know.
And families, they... they take care of each other.
Do they?
Um, that just...
that hasn't been my experience.
Well, this one does.
We'll take care of you, you take care of us.
Okay?
[Camila] Trust isn't easy.
In fact, it's one of the hardest things
you will ever have to do.
But you have nothing without it.
So, yeah, I chose to trust them.
Did I make a mistake?
I don't know, you tell me.
♪ ♪