[HUMMING]
GONE FISHING.
[HUMMING]
[FOGHORN BLOWS]
THE LONESOME FOGHORNBLOWS.
Oh, dear.
LUCY?
LUCY, THIS ISPETE MARTELL.
LUCY, PUT HARRY ON THE HORN.
SHERIFF,IT'S PETE MARTELLAT THE MILL.
I'LL TRANSFER ITTO THE PHONE
ON THE TABLEBY THE RED CHAIR,
THE RED CHAIRAGAINST THE WALL,
THE TABLE WITH THE LAMP ON IT,
THE LAMP THAT WE MOVEDFROM THE CORNER.
THE BLACK PHONE, NOT THE BROWN PHONE.
[RING]
MORNING, PETE. HARRY.
SHE'S DEAD.
WRAPPED IN PLASTIC.
HOLD ON. HOLD ONA SECOND, PETE.
WHERE?
YOU STAY RIGHT THERE.
I'M ON MY WAY.
GET DR. HAYWARDTO MEET ME ATTHE PACKARD MILL,
THE DOCKBELOW THE DAM.
TELL ANDY TO GETHIS BUTT UP THERE.
WHAT IS IT?
WE GOT A BODYUP THERE.
LUCY, NOT A WORDABOUT THIS TO ANYONE
TILL YOU HEAR FROM ME.
IT'S OVER HERE.
YOU WANT FORENSICS FIRST?
NO. SHE'S BEENIN THE WATER.
WE BETTER TAKESOME PICTURES.
WHO IS SHE?
ANDY, PICTURES.
SORRY.
THEN WETURN HER OVER.
SURE. OK.
[SOBBING]
OH, ANDY.
OH, MY GOD, ANDY.
SAME THING AS LAST YEARIN MR. BLODGETT'S BARN.
GIVE METHE CAMERA.
SORRY.
IS THIS GOING TO HAPPENEVERY DAMN TIME?
I'M SORRY.
I'M SO SORRY.
OK. WHY DON'T YOU GOTO THE CORONER'S VAN
AND BRING BACKTHAT STRETCHER?
OK.
SORRY.
HARRY, LET'S...
ROLL HER OVER.
GOOD LORD, LAURA.
LAURA PALMER.
OHH.
LAURA.
LAURA, SWEETHEART, I'M NOTGOING TO TELL YOU AGAIN!
YES, I AM.
LAURA!
OHH.
FOR GOODNESS SAKES.
LAURA, NOW MEANS NOW.
LAURA.
[KNOCK KNOCK]
LAURA!
LAURA, HONEY,ARE YOU DOWNSTAIRS?
[TELEPHONE RINGS]
[RING]
HELLO?
BETH, IT'S SARAH.I WENT TO WAKE LAURA,
AND SHE'S NOT HERE.
IS SHE WITH BOBBY?
MAYBE. HE RUNSEVERY MORNING
THEN GOES TOFOOTBALL PRACTICE.
CAN YOU, UM, FIND OUT?
C-CAN YOU REACH HIM?
I'LL CALL THE SCHOOL.
I'VE GOT THE NUMBEROF THE FIELD OFFICE.
THANKS. THANKS, BETH.
I'M WONDERING IF MAYBESHE WENT OUT WITH LELAND.
HE HADAN EARLY MEETING.
OH, I'M SURE THAT'S IT.
EITHER THAT,OR SHE'S WITH BOBBY.
SURE.
I'LL--I'LL CALL UPTO THE HOTEL. THANKS.
HMM.
NO. BOBBY HASN'TSHOWED UP FORPRACTICE YET TODAY.
COME TO THINK OF IT,
HE'S BEEN LATEEVERY DAY THIS WEEK,MRS. PALMER,
AND LAST WEEK.
MAYBE EVENTHE WEEK BEFORE.
ARE THEY READYTO SIGN?
YOU'RE NOTGOING TO MENTION
WE HAVEN'TACQUIRED ACCESSTO THE PACKARD LAND?
[SPITS INTO FIRE]
SORRY.
AHEM.
WE HAVE...
SOLID INFORMATION...
THE PACKARD SAWMILLIS GOING TO GO BELLY UP
WITHIN A YEAR.
WE'LL BE ABLETO GET IT FOR A SONG.
ONE VERSE, NO CHORUS.
NOW...
LET'S GET OUT THERE...
AND GET THOSECHEESE-EATERSWHERE THEY LIVE.
OHH, BENJAMIN.
WHOLESOME ENVIRONMENT,
MUCH LIKE YOUR OWN.
[TRANSLATINGTO NORWEGIAN]
WITH A QUALITY OF LIFETO RIVAL THE VERY BEST
THAT THIS COUNTRYHAS TO OFFER,
AND THAT IS WHAT
THE GHOSTWOOD COUNTRY CLUBAND ESTATES WILL BE.
[SPEAKINGNORWEGIAN]
NOW...
WHEN I FIRSTSPOKE TO SVEN,
HE WAS NATURALLYVERY CONCERNED
ABOUT THE QUALITYOF AIR HERE.
[SPEAKINGNORWEGIAN]
IF YOU'LL PERMIT ME,SVEN, TO REPEAT
WHAT YOU TOLD ME THISMORNING AFTER YOUR RUN--
"MY AIR SACS HAVENEVER FELT SO GOOD."
[SPEAKINGNORWEGIAN]
YOUR WIFE'SON THE PHONE, BEN.
SHE SAIDIT'S URGENT.
[SPEAKINGNORWEGIAN]
[LAUGHTER]
EXCUSE ME A MOMENT,GENTLEMEN.
I'LL BE RIGHT BACK.
UH, MAKE ITSNAPPY, HUH?
YEAH.
SO...
HERE IN TWIN PEAKS,
HEALTH AND INDUSTRY...
GO HAND IN HAND.
[SPEAKINGNORWEGIAN]
I'LL TRANSFER YOUTO THE HOUSE PHONE.
OK. THANK YOU.
[RING]
SARAH, WHAT IS IT?
IS LAURA WITH YOU?
NO. WHY?
SHE DIDN'TGO WITH YOU?
NO. HONEY,WHAT'S WRONG?
WHAT'S THISALL ABOUT?
SHE WASN'T HERETHIS MORNING.
WELL, SHE'S, UM...
PROBABLY WITH BOBBY.
I CAN'T FIND BOBBY.
WELL, THERE YOU ARE.THAT'S IT.
LET'S NOT WORRY.
I MEAN, THEY'REPROBABLY TOGETHER.
SHE WOULD'VELEFT A NOTE.
SHE WOULD'VE TOLD ME.
HONEY, HONEY,TAKE IT EASY, PLEASE.
EXCUSE ME. I'M LOOKINGFOR LELAND PALMER.
HE'S ON THE PHONE.
Sheriff Truman.
WHAT? WHO?WHAT DID YOU SAY?
OH, MY GOD.
OH, GOD!
LAURA!
NO.
LAURA!
OH, LELAND, PLEASE,WHAT IS IT? TELL ME.
LELAND...
IS THISABOUT LAURA?
I'M AFRAID IT IS.
LELAND?
TELL ME.
OH...
MY BABY.
NO!
OH! NO!
NO!
OK?
LELAND, WE'RE READYWITH THE CONTRACTS.
LELAND.
WHAT'S WRONG?
MY DAUGHTER'S DEAD.
AAH!
[SOBBING]
OH!
NO!
AAH!
WHAT KEPT YOU, HEIDI?
I COULDN'T START MY CAR.
TOO BUSY JUMP-STARTINGTHE OLD MAN, HUH?
AREN'T YOU GERMANSALWAYS ON TIME?
I THOUGHT THE ONLY TIMEYOU CARED ABOUT, BOBBY,WAS MAKING TIME.
YOU HEADING OUT, SHELLY?
YEAH. I'M HEADING HOME.
I'M GOING TO PRACTICE.I CAN DROP YOUBY YOUR PLACE.
THAT WOULD BE GREAT.THANKS.
HERE'S A TUNEFOR YOU, GALS.
OK.
NORMA...
I'LL SEE YOUIN MY DREAMS.
NOT IF I SEE YOU FIRST.
DON'T DO ANYTHINGI WOULDN'T DO.
[MUSIC PLAYS]
I THINK SHEKNOWS ABOUT US.
NORMA?
MMM.
NO. FAT CHANCE.
I THINK SHE'S HOT TO TROTFOR YOU HERSELF.
IT'S HAPPY HOURIN FRANCE.
COME ON, COWBOY,LIGHT YOUR FIRE.
RIGHT.
JUST A LITTLEPICK-ME-UPBEFORE HOMEROOM?
I THOUGHT I WASYOUR LITTLE PICK-ME-UP.
BABY...
YOU ARE MORE LIKEA THREE-STAGE ROCKET...
A POCKET ROCKET.
AND WHAT STAGEARE WE IN NOW?
ARE YOU SURETHAT YOUR OLD MAN
IS STILL ON THE ROAD?
HE CALLED LAST NIGHTFROM BUTTE.
THAT'S A LONG WAYS AWAY.
HE AIN'T GOT A PHONEIN HIS TRUCK.
SO QUIT WORRYINGAND START SCURRYING,MR. TOUCHDOWN.
[SCREECH]
BUTTE.
BACK UP.
I'LL CALL YOU LATER.
LELAND,I'M SO SORRY.
17 YEARS OLD.
LEE, I HATE TO PUTYOU THROUGH THIS.
NO. I HAVE TO SEE HER.
I HAVE TO SEE WHAT WASDONE TO MY LITTLE GIRL.
OK.
OH, GOD.MY BABY.
THAT'S MY LITTLE GIRL.
GOD. GOD.
LET'S GET OUT OF HERE.
I CAN'T...
[BELL RINGING]
HAVE YOUSEEN LAURA?
NO, NOT YET.
NICE DAYFOR A PICNIC.
UH, YEAH.
BOBBY BRIGGS,THEY'RE LOOKINGFOR YOU.
WHO IS?
THE SHERIFF IS.
WELL, HERE I AMIN SCHOOL.
HEY, SNAKE.
HEY, MAN.
SOMETHING'S UP.
WHERE?
THINK I'M KIDDING?
WHAT, ME WORRY?
BOBBY,YOU'RE WANTEDIN THE OFFICE.
WHO WANTS MEIN THE OFFICE?
RIGHT NOW,YOUNG MAN.
WATCH OUT.
HERE. FRANKLIN.
HERE.A GRIMES.
DONNA HAYWARD.
AUDREY HORNE.
HERE.
YO.ES HURLEY.
EXCUSE ME.
UH, ROOM 106?
MM-HMM.
IS THERE A BOBBY BRIGGSIN THIS CLASSROOM?
NO, UM...HE'S IN 107?
107.
COULD I SPEAK TO YOUFOR A MOMENT, PLEASE?
CERTAINLY.
UM, THERE'S A...
UH...
AAH!
THE PRINCIPAL'SMAKING AN ANNOUNCEMENT.
YES?
THANK YOUFOR YOUR TIME.
LAURA.
THERE WILL BEAN ANNOUNCEMENTFROM THE PRINCIPAL.
I SAID--
I GOT UP EARLYLIKE ALWAYS,
I WENT RUNNING LIKE I ALWAYS DO,
I WENT FOR BREAKFASTAT THE DOUBLE R
AND DIDN'TGO TO PRACTICE
BECAUSE I DIDN'TFEEL LIKE IT.
WHY DIDN'T YOUFEEL LIKE IT?
WERE YOU UPSETABOUT SOMETHING?
SOMETHING TROUBLINGYOU, BOBBY?
WANT TO TELL USABOUT IT?
LOOK, PLEASE,WHAT DID I DO?
WHAT'S GOING ON?
THERE'S RUMORSALL OVER SCHOOL.
MAYBE IT'S BEST THATTHEY HEARD IT FROM YOU.
WHY DON'T YOUGO AHEAD AND MAKETHAT ANNOUNCEMENT?
NOW?
NOW'S THE TIME.
EXCUSE ME.
WHAT IS IT, SHERIFF?
WHAT'S GOING ON?
NOW, BOBBY,YOU LOOK AT ME.
YOUR GIRLFRIENDLAURA PALMER'SBEEN KILLED.
SHE WAS FOUNDJUST AFTER DAWN.
NOW, SHE WAS WITH YOULAST NIGHT,
AND YOU WEREN'T WHEREYOU WERE SUPPOSEDTO BE THIS MORNING.
HAVE THESE FELLOWSADVISED YOUOF YOUR RIGHTS?
YES, BUT IDIDN'T KNOW WHY.
LAURA'S DEAD?
YES.
DID YOU UNDERSTANDYOUR RIGHTS
AS THEY WEREEXPLAINED TO YOU?
YOU THINKI KILLED HER?
WE'LL HAVE YOUMAKE A PHONE CALL.
YOU CAN CALLYOUR PARENTS,
AND THEY CAN ARRANGETO GET A LAWYER
TO BE WITH YOUWHEN WE TALK AGAIN.
ANDY, TAKE BOBBY OUTTO MAKE HIS CALL.
I LOVED HER.
AND SHE LOVED ME.
YOU THINK BECAUSE I WASN'TAT FOOTBALL PRACTICE
THAT I KILLED MY GIRLFRIEND?YOU ARE CRAZY!
YOU GET OFF ME.
BOBBY, WE'REGOING TO TALKABOUT THIS LATER.
MAY I HAVEYOUR ATTENTION, PLEASE?
THIS ISPRINCIPAL WOLCHEZK.
I AM DEEPLY SADDENEDTO HAVE TO TELL YOU
THAT EARLY THIS MORNING,
YOUR CLASSMATELAURA PALMER WAS FOUND DEAD.
THIS IS A TERRIBLE MOMENTFOR ALL OF US.
FOR ALL OF US WHO KNEW HER--HER FRIENDS...
HER FAMILY...
IT IS VERY IMPORTANT
THAT WE ALL TRY TO HELP EACH OTHER
THROUGH THIS DIFFICULT TIME.
THE POLICE HAVE ASKED METO ASK EACH OF YOU...
IF YOU HAVE ANY INFORMATIONABOUT LAURA'S ACTIVITIES...
AFTER SCHOOL YESTERDAY...
OR YESTERDAY EVENING...
PLEASE COME FORWARD.
I AM DISMISSINGALL CLASSES FOR THE DAY,
BUT BEFORE WE LEAVE,
I WOULD LIKETO ASK EACH OF YOU
TO JOIN MEIN A MOMENT OF SILENCE...
FOR LAURA...
AND HER DEAR MEMORY.
OH...
GOD.
[SOBBING]
AAH!
OH...
YOU CAN TALKTO HER NOW, HARRY.
DO YOU KNOWWHAT TIME IT WAS
WHEN YOU LAST SAW LAURA,MRS. PALMER?
WHAT TIME?
YES.
UH, IT WOULDHAVE BEEN ABOUT 9:00.
YES. 9...
O'CLOCK.
P.M.
SHE CAME HOMEFROM BOBBY'S.
SHE WAS GOINGUP THE STAIRS.
THOSE STAIRS...
RIGHT THERE.
[FOOTSTEPS]
WHO'S UPSTAIRS?
YOUR HUSBANDAND ONE OF MY MEN.
I CAN TELL FROM THE SOUNDSTHAT IT ISN'T HER.
HER DIARY?
UH-HUH.
DO YOU KNOW WHERETHE KEY TO THIS IS, SIR?
DO YOU HAVETO TAKE THAT?
WE'LL RETURN ITAS SOON AS POSSIBLE.
DID SHE SAYANYTHING TO YOU?
NO.
SHE SAID GOOD NIGHT.
AND I SAID...
G--
GOOD NIGHT, SWEET--
SWEETHEART.
[TELEPHONE RINGS]
[RING]
MRS. PALMER,
CAN YOU REMEMBER--
DID SHE MAKE OR RECEIVEANY PHONE CALLS?
I HEARDHER PHONE RING...
ONCE.
ABOUT WHAT TIMEWAS THAT?
I DON'T KNOWWHO IT WAS.
HARRY.
THAT WAS LUCY. GOT A CALL FROM A GUY
THAT WORKS AT THE MILL--JANEK PULASKI.
SAYS HIS DAUGHTER DIDN'TCOME HOME LAST NIGHT,
AND SHE DIDN'T SHOW UPAT SCHOOL TODAY EITHER.
2 x 4s...4 x 8s...
2 x 4s... 4 x 8s...
DID YOU HEAR ME?
YOU CAN'T DO THATTO MY WORKERS.
DON'T WALK AWAYFROM ME LIKE THAT.
YOU'RE NOTGOING ANYWHERE,
AND YOU'RE NOT GOING TOTELL ANYBODY ANYTHING.
KATHERINE...
I'M SORRY IF THISOFFENDS YOU,
BUT I'M THE OWNEROF THIS SAWMILL.
YOU KNOW NOTHINGABOUT THIS MILL.
THAT'S WHYI'M RUNNING IT.
I'VE NEVER TAKENTHIS AUTHORITYBEFORE,
BUT MAYBEI SHOULD HAVE.
YOU'RE NOTSHUTTING US DOWN.
KATHERINE, I HAVETHE FINAL SAY-SO.
PETER...
PUSH THE PLUG.
PETE, DON'T YOU DARE.
OH, KATHERINE,PLEASE.
SHORTY, TELL THE BOYSTO PULL THE PLUG.
THAT'S RIGHT.
[WHISTLE BLOWS]
MAY I HAVEYOUR ATTENTION?
THIS IS JOSIE PACKARD.
I'VE DECIDED THAT TODAY,
IN THE LIGHT OF WHAT HAS HAPPENED,
ALL WORK HERE WILL STOP.
...
THIS MORNING, AS YOU KNOW...
THE BODY OF MISS LAURA PALMER...
WHAT'S YOUR NAME?
FRED TRUAX.
YOU'RE FIRED.
JUST NOW, YOUR COWORKERAND FRIEND MR. JANEK PULASKI
HAS LEARNEDTHAT HIS DAUGHTER,
ONE OF LAURA'S SCHOOLMATES,
IS MISSINGSINCE LAST NIGHT.
TODAY, ALL WORK HEREWILL STOP.
THE MILL WILL SHUT DOWN.
PERHAPS YOU CAN SPEND THE DAYWITH YOUR FAMILIES.
THANK YOU ALLFOR YOUR ATTENTION.
WHAT THE HELL?
[PUMP BELL RINGS]
LAURA'S DEAD.
YEAH, I HEARD.
SHE WAS THE ONE.
BUY YOU A COFFEE?
CAN'T DO IT.
IF YOU SEE DONNA,COULD YOU GIVETHIS TO HER?
YOU BET.
ED!
THEY SAID THOSE DRAPESWOULD BE READY BY 10:00!
NOW, I WANT THOSE DRAPESUP BY NIGHTFALL!
DIANE,FEBRUARY 24th.
ENTERING THE TOWNOF TWIN PEAKS,
5 MILES SOUTHOF THE CANADIAN BORDER,
12 MILES WEST OF THE STATE LINE.
I'VE NEVER SEENSO MANY TREES IN MY LIFE.
AS W.C. FIELDS WOULD SAY,
I'D RATHER BE HERETHAN PHILADELPHIA.
54 DEGREES ONA SLIGHTLY OVERCAST DAY.
WEATHERMAN SAID RAIN.
IF YOU COULD GET PAIDTHAT KIND OF MONEY
FOR BEING WRONG60% OF THE TIME,IT WOULD BEAT WORKING.
MILEAGE IS 79,345,GAUGE IS ON RESERVE.
RIDING ON FUMES HERE.
I GOT TO TANK UPWHEN I GET INTO TOWN.
REMIND ME TO TELL YOUHOW MUCH THAT IS.
LUNCH WAS, UH, $6.31AT THE LAMPLIGHTER INN.
THAT'S ON HIGHWAY 2NEAR LEWIS FORK.
THAT WAS TUNA FISH SANDWICH ON WHOLE WHEAT,
SLICE OF CHERRY PIE,AND A CUP OF COFFEE.
DAMN GOOD FOOD. IFYOU'RE EVER UP THIS WAY,
THAT PIE'SWORTH A STOP.
OK, LOOKS LIKE I'LL BEMEETING UP WITH A, UH...
SHERIFF HARRY S. TRUMAN.
SHOULDN'T BE TOO HARDTO REMEMBER THAT.
HE'LL BE AT CALHOUNMEMORIAL HOSPITAL.
WE'RE GOINGTO SEE THAT GIRL
THAT CRAWLED DOWNTHE RAILROAD TRACKSOFF THE MOUNTAIN.
I'LL BE CHECKINGINTO A MOTEL.
I'M SURE THE SHERIFF CAN RECOMMEND A CLEAN PLACE,
REASONABLY PRICED.
THAT'S WHAT I NEED--CLEAN PLACE,REASONABLY PRICED.
OH, DIANE,I ALMOST FORGOT.
I GOT TO FIND OUT WHATKIND OF TREES THESE ARE.
THEY'RE REALLY SOMETHING.
MR. COOPER?
YES?
SHERIFFHARRY S. TRUMAN.
DALE COOPER, FBI.PLEASURE.
GOOD TO MEET YOU.
HAVE ANY TROUBLEFINDING THE PLACE?
NO, THE DIRECTIONSWERE FINE.
I CAME OUT OVER HIGHWAY 2 NEAR LEWIS FORK.
I STOPPEDAT A LITTLE PLACE CALLEDTHE LAMPLIGHTER INN.
HAD A SLICE OFCHERRY PIE. INCREDIBLE.
WE'RE SURE GLADTO HAVE THE FBI HERE.
KIND OF LUCKY IN A WAY
THAT RONETTE STEPPEDACROSS THE STATE LINE.
THE WHOLE TOWN'S BADLY SHAKEN UP.
SURE. NICE QUIET PLACE,SOMETHING LIKE THIS.
SHERIFF, LET ME STOP YOU
IN THE HALLWAYJUST A SECOND.
THERE'S A FEW THINGSWE GOT TO GET STRAIGHT.
IT'S BEST TO TALKABOUT IT UP FRONT.
WHEN THE BUREAU'SCALLED IN,THE BUREAU'S IN CHARGE.
YOU'LL BE WORKING FOR ME.
SOMETIMESLOCAL LAW ENFORCEMENTHAS A PROBLEM WITH THAT.
I HOPE YOU UNDERSTAND.
LIKE I SAID, WE'REGLAD TO HAVE YOU HERE.
SHERIFF...
WHAT KINDOF FANTASTIC TREES
HAVE YOU GOT GROWINGAROUND HERE?
BIG, MAJESTIC...
DOUGLAS FIRS.
CAN SOMEONEGET ME A COPY
OF THE CORONER'S REPORTON THE DEAD GIRL?
THE AUTOPSYHASN'T BEEN DONE YET,
BUT I'LL TAKE YOUDOWNSTAIRS TO THE MORGUE
WHEN WE'REFINISHED HERE.
THAT WOULD BE FINE.
DR. SHELVY, THISIS FBI AGENT COOPER.
GLAD TO KNOW YOU.
DOCTOR.HOW'S THE GIRL?
SHE'S IN SHOCK,SUFFERING FROM EXPOSURE.
CAN I SEE HER?
ALL RIGHT.THIS WAY.
WAS SHE RAPED?
SEVERAL TIMES.
ONE PERPETRATOR?
WE'RE WAITINGFOR THE RESULTS.
IS THERE ANY CONNECTIONTO THE DEAD GIRL?
SAME HIGH SCHOOL.
AS FAR AS WE KNOW, THEYHARDLY KNEW EACH OTHER.
NO CONNECTION.
I'D LIKETO QUESTION HER.
THIS GIRL DOESN'TEVEN KNOW WHERE SHE IS
OR IF SHE IS.
WHAT EXACTLYARE YOU SAYING?
WE NEED A CAT SCAN,
AND WE'RE NOT EQUIPPEDFOR THAT HERE.
MY OPINION--SHE MAYHAVE NEUROLOGICAL DAMAGE.
SHE'S JUST NOTRESPONSIVE AT ALL.
I'D LIKE TO EXAMINEHER FINGERS.
ALL RIGHT.
THEY'VE ALREADYSCRAPED FOR PARTICLES.
NO, THAT'S NOT WHATI'M LOOKING FOR.
OH, NO, THERE'SNOTHING HERE.NOT A THING.
NO. DON'T...DON'T GO THERE.
DON'T. DON'T GO THERE.
RONNIE.
RONETTE?
PULL HIM OUTOF THE WATER.
HE'S GOT A BIG MOUTHTHAT STARTS TALKING TO ME.
HEY.
HARRY.
DR. JACOBY.
TERRIBLE.TERRIBLE TRAGEDY.
YES.
THIS IS SPECIAL AGENTDALE COOPER.
GARY COOPER?
AGENT COOPER.
AGENT. FBI.
RIGHT.
DR. LAWRENCE JACOBY,AGENT COOPER.
LAURA WAS...A PATIENT OF MINE.
LISTEN, YOU'REGOING TO THE MORGUE.
DO YOU MINDIF I JOIN YOU?
YES, I DO.WHY WOULD YOUWANT TO?
SORT OF AGAINSTPROCEDURE, DOCTOR.
WELL,NO OFFENSE,I...
I THOUGHTI COULD BEOF SOME HELP.
YOU STILL COULD BE.
AT ANOTHER TIME.
OH, I-I UNDERSTANDCOMPLETELY.
OH, BY THE WAY,
LAURA'S, UH...LAURA'S PARENTS...
THEY DIDN'T KNOWTHAT SHE WAS SEEING ME.
THAT GUY'SA PSYCHIATRIST?
YEAH.
I HAVE TO APOLOGIZE AGAINFOR THE FLUORESCENT LIGHTS.
I THINKIT'S A BAD TRANSFORMER.
THAT'S QUITEALL RIGHT.
AGENT COOPER, WE DIDSCRAPE THOSE NAILS
WHEN WEBROUGHT HER IN.
HERE IT IS.
OH, MY GOD, HERE IT IS.
WHAT?
WOULD YOULEAVE US, PLEASE?
UM, JIM.
WOULD YOULEAVE US ALONE?
OH, CERTAINLY.
FIND SOMETHINGTO GRAB THIS WITH.
I'M AT TWIN PEAKSCOUNTY MORGUE
WITH THE VICTIM.WHAT'S HER NAME?
LAURA PALMER.
I GOT HEREBEFORE THE AUTOPSY.
IT'S THE SAME THING.
WE'RE SEEING IT AGAIN.
WHAT DO YOUGOT THERE?
RING FINGER,UNDER THE NAIL...
LET'S SEEWHAT HE LEFT US.
IT'S AN "R."
DIANE, GIVE THISTO ALBERT AND HIS TEAM.
DON'T GO TO SAM.
ALBERT SEEMS SHARPER.BAG AND TAG THIS.
OK, COOPER, YOUGOING TO LET ME IN
ON WHATEVER'S GOING ON HERE?
SHERIFF, WE GOTA LOT TO TALK ABOUT.
HI, ED.
HEY, DONNA.
I'M SO SORRY.
HAVE YOU SEENJAMES YET?
HE CAME BY.
IS NO.OK?
DO YOU KNOWWHERE HE WENT?
I DON'T KNOW, HONEY.
HE TOLD METO GIVE YOU THIS.
WHAT THE HELLARE YOU DOING?
I'VE BEEN LOOKINGALL OVER FOR YOU.
BOBBY'S INA LOT OF TROUBLE.
HE'S MY BEST FRIEND.YOU'RE SUPPOSEDTO BE WITH ME.
DON'T TELL MEWHERE I OUGHT TO BE.
SECONDLY, LAURAWAS MY BEST FRIEND.
GET IN THE CAR.
MUFFLE IT, JUNIOR.
MIND YOUR OWN BUSINESS.
YOU'RE ON MY LOT,FRIEND.
ED, I'M NOT YOUR FRIEND.
DONNA, YOU GET TOTHE SHERIFF'S RIGHT NOW.
I SURE KNOW HOWTO PICK THEM, HUH?
ED, YOU WAITINGFOR THOSE DRAPESTO HANG THEMSELVES?
OK.
WELL, I KNOW HOWTO PICK THEM, TOO.
IF JAMES COMES AROUND,
TELL HIMI'M LOOKING FOR HIM.
YOU BET.
AND, DONNA,YOU TAKE IT EASY.
OK.
[THUNDER]
THAT'S THE VIDEOTAPEWE JUST SAW,
THE ONE WE FOUNDIN LAURA'S BEDROOM.
AT SOME POINT,I'LL WANT TO SHOW THISTO THE BOYFRIEND.
YOU SAY WHEN.
DID YOU COMPLETEYOUR FORENSICS?
YOU BET. ALL DONE.
NO KEY YET, HUH?
THEY'RE STILL LOOKING.
[PIECES SCATTERING]
WHY NOT?
DIANE, I'VE JUST OPENEDLAURA PALMER'S DIARY.
THIS IS THE, UH...
IT'S THE LAST ENTRY,DATED FEBRUARY 23rd.
IT READS...
"ASPARAGUSFOR DINNER AGAIN.
"I HATE ASPARAGUS.
DOES THIS MEANI'LL NEVER GROW UP?"
AND THEN SHE'S WRITTEN,
"NERVOUS ABOUTMEETING J TONIGHT."
THAT'S THE LETTER "J,"DIANE.
"J."
HMM.
YEAH, THAT ISTHE LAST ENTRY.
THAT'S SOMETHINGTO GET STARTED ON.
YEAH, THAT'SONE OUT OF 26.
YEAH, ONE OUT OF 26.
I'VE JUST TURNED BACK18 DAYS TO DAY 1.
WHAT'S TAPEDTO THE PAGE HERE
IS A PLASTIC ENVELOPECONTAINING A WHITE RESIDUE
AND WHAT LOOKS LIKEA SAFETY DEPOSIT BOX KEY.
SHERIFF, WE HAVETO VERY CAREFULLYREMOVE THIS KEY.
WE'RE GOINGTO RUN THIS ENVELOPE.
AND MY BET IS,
IT'LL TEST POSITIVEFOR COCAINE.
THAT'S IMPOSSIBLE.
YOU EVER BEENSURPRISED BEFORE?
MR. COOPER,
YOU DIDN'T KNOWLAURA PALMER.
WITH A COURT ORDER
TO OPEN THATDEPOSIT BOX,
MAYBE WE'LL BOTHDISCOVER SOMETHINGABOUT LAURA PALMER.
I'M HOLDING IN MY HAND
A BOXOF CHOCOLATE BUNNIES.
[THUNDER]
[WHIMPER]
LUCY?
ANDY,IS THAT YOU?
TELL HARRYWE FOUND WHERE...
IT HAPPENED.
WHERE RONETTE AND LAURA
WERE TAKEN AND TORTURED.
TELL HARRY...
I DIDN'T CRY.
ANDY, ARE YOU OK?
SWEETIE?
BUT, LUCY...
IT'S SO HORRIBLE.
ANDY...
SWEETIE.
OH, GOD.
YOU'VE BEEN ADVISEDOF YOUR CONSTITUTIONALRIGHTS, CORRECT?
YES.
DID YOU KILLLAURA PALMER?
NO.
SHE WAS STUDYINGAT YOUR HOUSE
UNTIL 9:30LAST NIGHT, RIGHT?
YEAH.
BOBBY.
YES, SIR.
DID SHE DRIVEHERSELF HOME?
YES.
YOU TWO HADA BIG FIGHT LASTWEEK, DIDN'T YOU?
SO WHAT?
IF I HAD A FIGHT WITH HER,
IF I SANG SONGS WITH HER,
WHAT DIFFERENCEDOES IT MAKE?
I DIDN'T KILL HER.
BOBBY, HERE'SHOW THIS WORKS--
WE ASK THE QUESTIONS,
AND YOU ANSWERTHE QUESTIONSTHAT WE ASK,
BRIEFLYAND TO THE POINT.
DID YOU SHOOTTHIS VIDEO, BOBBY?
NO.
WELL, IF YOU DIDN'T,THEN WHO DID?
DID YOU KNOW LAURAWAS SEEING SOMEONE ELSE?
THAT'S WHAT YOUFOUGHT ABOUT LAST WEEK.
LOOK AT THESE PICTURES.
LOOK HOW HAPPY SHE IS.
YOU EVER DO COCAINEWITH LAURA, BOBBY?
I DON'T DO DRUGS.
EXCUSE ME. WHATARE YOU CHARGINGMY CLIENT WITH?
THAT'S RIGHT.
YOU'RE A FOOTBALL PLAYER,AREN'T YOU, BOBBY?
BOBBY, IF YOU KNEWWHO SHE WAS SEEING,
TRUST US, NOW'STHE TIME TO TELL US.
ASK DONNA.SHE WAS THERE.
BECAUSEI'M ASKING YOU.
COME ON, BOBBY,GIVE ME A NAME.
HERE'S A HINT.
FIRST INITIAL "J."
"J."
NO.
SHE WOULDN'TDO THAT TO ME.
YOU DIDN'TLOVE HER ANYWAY.
LET HIM GO.
JULIE,THE NORWEGIANS ARE SIGNINGTHE CONTRACT AT 4:00
WHEN MR. HORNE RETURNS.
MAKE SURE THEY DO NOT HEARABOUT LAURA PALMER'S DEATH.
IT WILL BLOWTHE WHOLE DEAL.GOT IT?
OK, BOB.
OK.
JULIE?
WHAT WOULD HAPPEN IFI PULLED THIS OUT?
YOU WOULDN'T.
OH. OH. OH.
AUDREY, LOOKWHAT YOU'VE DONE.
AUDREY...
DID THEY SCARFTHAT WHOLE DAMNSMORGASBORD?
AUDREY,DON'T GO IN THERE.
I'M HUNGRY.
AUDREY, DON'TGO IN THERE. AUDREY!
[SPEAKING NORWEGIAN]
EXCUSE ME.
IS THERESOMETHING WRONG,YOUNG PRETTY GIRL?
THEY FOUNDMY FRIEND LAURA...
LYING FACE DOWNON A ROCKY BEACH.
COMPLETELY NAKED.
SHE'D BEEN MURDERED.
HEY, BUDDY.
SNAKE,WE'RE OUT OF HERE.
JUST A SEC.DONNA'S STILL IN THERE.
YOU STRAIGHTENEDHER OUT YET?
I DON'T KNOWWHAT'S UP WITH HER, MAN.
FORGET HER.I GOT IT FIGURED.
LAURA AND HER.
THAT COP MENTIONEDSOMETHING ABOUTTHE LETTER "J."
WE'RE LOOKING ATSOME FREAKING BIKER.
AND SOMEFREAKING BIKER'S
GOING TO GET HISHEAD BUSTED OPEN.
WHAT'S HIS NAME,
AND WE'LLFINISH THIS QUICK.
COME OUTSIDE.
ROBERT, I'LL BEHOME THIS EVENING
IF YOU NEEDA SYMPATHETIC EAR.
I DON'T NEED ANY DAMNSYMPATHETIC ANYTHING.
I HAVE NO IDEAWHAT'S GOING ON HERE.
LET'S JUST GO HOME.
YOU WERE ON A PICNIC,JUST YOU TWO,
WAY UP IN THE MOUNTAINS,
NOT ANOTHER SOUL AROUND.
IS THERE SOME LAWAGAINST HAVING A PICNIC?
DONNA, THIS ISINTERESTING TO ME.
BECAUSE WITH JUSTTHE TWO OF YOU OUT THERE,
I CAN'T FIGURE OUT
HOW THESE PICTURESGOT TAKEN.
UH, WELL, THAT'S EASY.
THERE WAS...
THIS, UM...
HIKER THAT CAME ALONG.
THIS WOMAN HIKERHAD A BACKPACK, AND...
UM, WE ASKED HER
TO TAKETHE PICTURES FOR US.
WHAT WAS HER NAME?
I DON'T KNOW.I DON'T THINKWE ASKED HER.
DONNA, WHOARE YOU PROTECTING?
NOBODY. THAT'SREALLY WHAT HAPPENED.
DOES THIS PERSON'S NAMESTART WITH THE LETTER "J"?
NO, SHE DIDN'TTELL US HER NAME.
DONNA, THISIS SERIOUS BUSINESS,
MORE SERIOUS THAN LAURAFALLING IN LOVE
WITH SOMEONEOTHER THAN HER BOYFRIEND.
MUCH MORE SERIOUSTHAN YOU KNOW.
AGENT COOPER, THE SHERIFF'S READY
TO ROLL UP TO THE SITE.
I'VE GOT SOMETHING ELSE FOR YOU HERE.
YOU CAN COME ON IN.
I KNOW LAURAWAS YOUR BEST FRIEND.
YOU'VE BEENTHROUGH A LOT TODAY.
WE'RE FINISHED HEREFOR THE TIME BEING.
OK.
GO AHEAD, LUCY.TELL AGENT COOPERWHAT YOU HEARD.
OK. AFTER YOU WERE DONEWITH BOBBY
AND HE WAS TAKENTO HIS CELL,
HIS PARENTS WERESTANDING BY THE DOORWITH HIS LAWYER.
BOBBY WAS RELEASEDAND SAW HIS FRIEND MIKE
DOWN BY THE WATER COOLER,
WHICH IS NEAR MY DESK.
WELL, I PRETENDEDTO BE TYPING,
BUT I WAS TYPINGWHAT THEY WERE SAYING.
THEY DIDN'T SAY EXACTLYWHO THEY WERE TALKING ABOUT,
BUT ANYWAY, HERE'SWHAT THEY WERE SAYING.
THEY SAID THE PERSONIS A BIKER.
YEAH.
LOOKS LIKE A HOG TO ME.
HOLY SMOKE.
THE NORWEGIANSARE LEAVING.
THE NORWEGIANS ARE GONE.
EVERYONE HERE HAVE GUN.
NOT GOOD!
YOU ARETHROWING AWAY
THE INVESTMENTOPPORTUNITYOF A LIFETIME.
BETTER THAN THROWINGLIFETIME AWAY.
YOU STAY OUT OF THIS.
THE NORWEGIANSARE LEAVING.
SHERIFF?
4:10 P.M. AT THE SCENEOF THE CRIME.
HERE'S SOMETHINGWE HAVEN'T SEEN BEFORE.
A MOUND OF DIRT1 1/2 FEET IN DIAMETER.
ON TOP IS A GOLD NECKLACEWITH A GOLD HEART.
CORRECTION--HALF A GOLD HEART.
AT THE BASE IS A TORNPIECE OF NEWSPRINT,
WRITTEN WITH THE WORDS,
WHICH APPEARTO BE IN BLOOD,
"FIRE. WALK WITH ME."
SHERIFF,WE'VE GOT TO FIND OUT
WHO'S GOT THE OTHER HALFOF THAT HEART.
[THUD]
MRS. HORNE...
MRS. HORNE,IT MIGHT HELP
IF YOU TALKTO JOHNNY YOURSELF.
SO YOU THINKIT MIGHT HELP.
WELL, YOU CAN TELL JOHNNYONE MORE TIME
THAT LAURA ISN'TCOMING THIS AFTERNOONTO WORK WITH HIM.
OR TOMORROW AFTERNOONOR ANY AFTERNOON.
NOW, WHAT IS SO DIFFICULTTO UNDERSTAND ABOUT THAT?
OH, IT FELL DOWN.
I KNEW LAURA--SHE WAS ALWAYS SO NICE.
WHEN DID SHELAST COME IN?
I COULDN'TTELL YOU EXACTLY.
UH, WE HAVESO MANY BOXES.
YOU DON'T KEEPRECORDS?
WE HAVE PLENTYOF PAPERWORK.
HOW LONG HAS SHEHAD THIS BOX?
I'D SAYABOUT SIX MONTHS.
I COULD CHECKFOR YOU.
WOULD YOU?
AND CLOSE THE DOORON THE WAY OUT.
OK.
THANK YOU.
FLESH WORLD.
MAN, OH, MAN.
THERE'S OVER$10,000 HERE.
THAT'S A LOTOF GIRL SCOUTCOOKIES.
HERE'S A PAGETHAT'S MARKED.
THERE'SYOUR CONNECTION--RONNETTE PULASKI.
I CAN'T BELIEVE IT.
BY NOON, LAW ENFORCEMENT OFFICIALS
WERE EMERGING FROM THIS RAILWAY CAR
THAT'S BELIEVED TO BE...
WOULD YOU TURNTHE TELEVISION OFF?
WHY? I WANTTO SEE THIS.
RONNETTE PULASKI...
SHELLY, TURN IT OFF.
WHO ESCAPED HER CAPTOR AND FLED TO SAFETY,
REMAINS HOSPITALIZED IN CRITICAL CONDITION AT--
SHELLY, SIT DOWN HEREA MINUTE AND HELP ME OUT.
WHAT KIND OF CIGARETTESDO YOU SMOKE?
WHATEVER'S AROUND.
NO, YOU DON'T.YOU SMOKE THESE.
WHAT ARE THESEDOING HERE?
I PICK UPDIFFERENT PACKS
FROM THE DINERALL THE TIME.
THERE'S TWO THINGS,SHELLY.
WHEN I COME HOME,THIS HOUSESHOULD BE CLEAN,
OK. I MEAN CLEAN.
AND YOU SMOKEONE BRANDFROM NOW ON.
IF I SEE TWODIFFERENT BRANDSHERE AGAIN,
I'LL SNAP YOUR NECKLIKE A TWIG.
YOU HAVE NOTHINGTO WORRY ABOUT.
THAT'S RIGHT.
[TELEPHONE RINGS]
BIG ED'S GAS FARM.THIS IS ED SPEAKING.
I KNOW I PROMISEDNOT TO CALL YOU THERE,
BUT I HAVE TO SEE YOU.
ED, I FEEL SO BAD.
IT'S OK.
WHY DON'T I, UH...
MEET YOUAT THE ROADHOUSEAROUND 9:30?
THANK YOU, ED.
I'LL SEE YOU TONIGHT.
ALL RIGHT, SWEETHEART.
I THINK I SAWA COTTONTAIL RABBIT.
MUST'VE BEENA SNOWSHOE RABBIT.
RIGHT.OE?
SNOWSHOE?SNOWSHOE RABBIT.
WHO'S THE BABE?
ONE OF THEMOST BEAUTIFUL WOMENIN THE STATE--
MRS. PACKARD.
YUP.ARD SAWMILL?
WHERE'S MR. PACKARD?
DIED IN A BOATINGACCIDENT LAST YEAR.
PRACTICALLYBUILT THIS TOWN.
BROUGHT HERFROM HONG KONGSIX YEARS AGO.
LEFT HER EVERYTHING,WHICH DIDN'TPLEASE HIS SISTER.
THAT'S HER THERE--THE ORIGINALDEEP FREEZE.
WHO'S THE GLAD-HANDINGDANDY?
BENJAMIN HORNE,LOCAL BIGWIG.
HE OWNSHALF THE TOWN.
HE'S NOT AFTER HER.
HE'S AFTER HER LAND.
WHO'S THE LADYWITH THE LOG?
WE CALL HERTHE LOG LADY.
LADIESAND GENTLEMEN,
IF I COULD HAVEYOUR ATTENTION.
IS THIS THING ON?
HANG ON, DWAYNE.
SIR.
HMM...HMM.
THANK YOU,MAYOR MILFORD.
AGENT COOPER?
THANK YOU, SHERIFF.
LADIES AND GENTLEMEN,FEDERAL BUREAUOF INVESTIGATION
SPECIAL AGENTDALE COOPER.
ONE YEAR AGO,ALMOST TO THE DAY,
IN THE SOUTHWEST CORNEROF THIS STATE,
THE BODY OF YOUNGTERESA BANKS WAS FOUND.
SHE HAD NO FAMILY.
NO ONE CAME FORWARDTO CLAIM HER.
IT WASN'T EVEN NEWS...UNTIL TODAY.
THERE ARE IRREFUTABLESIMILARITIES
THAT FOR OBVIOUS REASONSI CANNOT DISCUSS
THAT LEAD US TO CONCLUDETHAT LAURA PALMERWAS THE SECOND,
AND RONNETTE PULASKIWOULD'VE BEENTHE THIRD VICTIM
OF THE SAME KILLER.
THERE'S A CHANCETHE PERSON WHO COMMITTEDTHESE CRIMES
IS SOMEONEFROM THIS TOWN--
POSSIBLY EVENSOMEONE YOU KNOW.
YOU ARE THE LEADERSOF THIS COMMUNITY.
IT'S VITALLY IMPORTANTTHAT THIS NOT TURNINTO A WITCH HUNT.
I'D STRONGLY SUGGESTA TEMPORARY CURFEW
FOR THOSEUNDER 18 YEARS OF AGE.
KEEPING YOUR KIDSOFF THE STREETS NOW
MAY TEACH THEMA DEGREE OF CAUTION
THAT MAY PROTECT THEMIN THE WEEKS TO COME.
I WILL REMIND YOUTHAT THESE CRIMESOCCURRED AT NIGHT.
WHEN I LEFTTHE HOUSE,
SARAHWAS SLEEPING.
LELAND MADE ITTHROUGH THE DAYSOMEHOW.
I'M NOT SUREI COULD HAVE.
POOR DEAR.POOR SARAH.
EILEEN, THE BRUTALITY,THE...THE MADNESS OF IT.
I KNOW.
THEY'RE NOTRELEASINGMANY DETAILS.
WISELY, I SUPPOSE.
AT THE SCENEWHERE IT HAPPENED--
NO ONE ELSEKNOWS THIS--
THEY FOUND PARTOF A NECKLACE--
HALF OFA GOLDEN HEART.
IT WAS LAURA'S.
THEY KNOW THISBECAUSE SHE WASWEARING IT
IN A VIDEOOF A PICNICTHEY FOUND.
THE REASONI'M TELLING YOU THIS
IS THAT DONNAWAS IN THE VIDEOWITH HER,
AND SHE WON'T TELLTHEM WHO SHOT IT
OR WHO WASWITH THEM.
WHAT?
BUT THEY THINK
THE KILLER MAY HAVETHE OTHER HALFOF THE HEART.
DONNA, WHICHDO YOU LIKE BETTER--
"THE BLOSSOMOF THE EVENING"
OR "THE FULL FLOWER OF THE EVENING"?
NOW, LISTEN TO ME.THIS IS SERIOUS.
WELL, THISIS SERIOUS, TOO.
SHH. I'M GOINGOUT THE WINDOW.
YOU COVER FOR ME.
AREN'T YOU AWARETHERE'S A CURFEW?
THEY ANNOUNCED ITON THE RADIO.
THAT'S WHYI NEED YOUTO COVER FOR ME.
I SUPPOSETHIS WILL INCLUDE
A PHONE CONVERSATIONWITH MIKE--
MR. BONEHEAD BOYFRIEND. WOW.
NO, THIS ISABOUT LAURA,
AND IT'S REALLY,REALLY SERIOUS.
CHECK.
OK. THANK YOU.
OH, I'LL NEEDTO BORROW YOUR BIKE.
PUT AIRIN THE BACK TIRE, OK?
YEAH.
HARRIET, DON'T FORGETTO BRUSH YOUR TEETH.
ACTUALLY...
NOW THATSOME TIME HAS PASSED...
I LIKE "THE FULL BLOSSOMOF THE EVENING."
[CAR DOOR SLAMS]
HEY, SNAKE...
DON'T YOU TAKEANY OINK OINKOFF THAT PRETTY PIG.
DON'T YOU WORRYABOUT THAT.
HI, DR. HAYWARD.
I'D LIKETO TALK TO DONNA.
DONNA'S UPSTAIRSGETTING READYFOR BED, MIKE.
YOU'RE NOT DRINKINGAND DRIVING, ARE YOU?
WE'RE ALLPRETTY BROKEN UP
ABOUT WHAT HAPPENEDTODAY, SIR.
BESIDES, BOBBY'S DOINGMOST OF THE DRIVING.
I'LL SEEIF SHE WANTSTO COME DOWN.
MIKE, WOULD YOUMIND WAITING OUTHERE, PLEASE?
THE BEST-LAID PLANSOF MICE AND MEN.
SNAKE, MAN,LET'S GO!
WHERE'S YOUR SISTER?
DAD, I'M GOINGTO TELL IT TO YOU,
AND I'M GOINGTO TELL ITTO YOU STRAIGHT.
HARRIET.
SEE THAT WINDOW?
LATER.
DONNA'S NOT HERE.
YOU MEANSHE SNUCK OUT?
MAYBE YOU HAVESOME IDEAWHERE SHE WENT?
YOU MIGHT HELPFIND HER.
OH, WE'LL FIND HER.
DON'T YOU WORRYABOUT THAT.
ROADHOUSE.
LET'S GO!
SHERIFF, I GOT A CALLFOR YOU FROM DR. HAYWARD.
I EXPLAINED THATYOU'RE ON A STAKEOUT
AT THE ROADHOUSE,
BUT HE WANTSTO TALK TO YOU.
GO AHEAD,PATCH HIM THROUGH.
I'M GOINGTO PATCH HIM THROUGHTO YOU NOW, SHERIFF.
I'M PATCHING YOUTHROUGH NOW, DR. HAYWARD.
HARRY, MY DAUGHTER DONNA SNUCK OUT OF THE HOUSE.
I DON'T KNOW WHERE SHE'S GONE.
DOC, REST EASY NOW.
I'M GOING TO PUTOUT AN ALL POINTSFOR HER.
WE'LL KEEPOUR EYES PEELED.
THANKS, HARRY.
YOU BET.
LUCY, TAKE CAREOF THAT ALL POINTSNOW, OK?
ALL RIGHT, SHERIFF.
OF COURSEDONNA SNUCK OUT.
MEANING WHAT?
MEANING HOW ELSEWILL SHE LEAD USTO THAT BIKER?
RIGHT.
♪ WHEN I SAW ♪
♪ YOUR SMILE... ♪
SO, ALL AFTERNOON,I'VE BEEN HANGINGDRAPES.
DRAPES?
DRAPES.
LOTS OF THEM.
YOU KNOW HOW I FEELABOUT YOU, ED.
DON'T DO IT FOR ME.DO IT FOR YOURSELF.
IT'S TAMMY WYNETTE TIME,DARLING.
YEAH?
WHAT ABOUTYOU AND HANK?
I TOLD YOU.
I'M GOING TO LEAVE HANK.
BEFORE OR AFTERHE GETS PAROLED?
I LOVE YOU, ED.
I'M GOING TO DOWHAT'S BEST FOR BOTH OF US.
WHEN YOUR SWEETHEART'SHUSBAND IS IN THE JOINTFOR MANSLAUGHTER,
THE WORD PAROLE'SGOT A NASTY RING TO IT.
♪ FALLING ♪
♪ ARE WE FALLING ♪
♪ IN LOVE ♪
YOU KNOW WHYI'M WHITTLING?
OK, I'LL--I'LLBITE AGAIN.
WHY ARE YOUWHITTLING?
THAT'S WHAT YOU DO
IN A TOWN WHEREA YELLOW LIGHTMEANS SLOW DOWN,
NOT SPEED UP.
MIKE AND BOBBY.
THERE'S LIABLE TO BEA LITTLE TROUBLETHIS EVENING.
♪ THERE IS A LOVE ♪
♪ MEANT FOR ME ♪
♪ THE NIGHTINGALE ♪
♪ HE FLEW TO ME ♪
♪ AND TOLD ME ♪
♪ THAT HE'D CALMMY HEART... ♪
SCOTTY, MUTT AND JEFFJUST CRAWLED IN.
OH, WHATA WONDERFUL WORLD.
LOOKS LIKE SOONERTHAN LATER.
[TOOT]
WHY DON'T YOU WHISTLEFOR A LITTLE BACKUP?
I CAN SEE WHICH WAYTHE WIND'S BLOWING.
LUCY, GET USSOME BACKUP DOWN ATTHE ROADHOUSE NOW.
MAKE THATTWO BACKUP UNITS.
TELL DR. HAYWARD WEFOUND HIS DAUGHTERAND SHE'S FINE.
ALL RIGHT, SHERIFF.
DONNA!
WHAT ARE YOUSNEAKING AROUND FOR?
EVERYBODY'SLOOKING FOR YOU.
GET YOUR HANDS OFF ME!
YOU'RE EXACTLYTHE SAME.
GET YOUR HANDSOFF ME!
NO!
GET YOUR HANDSOFF ME!
LET ME GO!
THAT'S ENOUGH!
YOU HEARD HIM.LET ME GO!
LIGHTS OUT,MR. MONKEYWRENCH!
♪ MY HEART FLIES ♪
♪ WITH THE NIGHTINGALE... ♪
YOU GUYSGOT IT COVERED?
RIGHT. NO SWEAT.
DON'T WORRY.I'LL TAKE YOU TO JAMES.
[SIRENS]
JOEY PAULSON.THAT'S A "J."
NO, HE'S TAKING HERTO SOMEBODY ELSE.
SO YOU WANT METO FOLLOW THEM ATA DISCREET DISTANCE?
HARRY,YOU'RE ALL RIGHT.
HOLD ON!
YOU THINKTHEY SPOTTED US?
GIVE ME A DOUGHNUT.
HARRY,I THINK WE LOST THEM.
[SNIFFS]
MAN, SMELL THOSE TREES.
SMELL THOSE DOUGLAS FIRS.
I THINKI HEAR THEM.
WHAT'S DOWN THERE?
AN OLD LOGGING ROAD.
THE ONLY ACCESSIS 5 MILES BACKAT THE PACKARD MILL.
I TOLD DOC HAYWARDHIS DAUGHTER WAS OK.
MY FAULT, HARRY,NOT YOURS.
THANKS, JOE.
NO PROBLEM, JAMES.
JAMES...
THEY'RE LOOKINGFOR YOU.
I'M GOINGTO TALK TO THEM,
BUT I THINK THEY'REGOING TO LOCK ME UP.
WHY?
I DON'T HAVE AN ALIBIFOR LAST NIGHT.
I WAS WITH HER.
WHAT HAPPENEDLAST NIGHT?
IT WAS KINDOF LIKE A NIGHTMARE.
DONNA, SHE WASA DIFFERENT PERSON.
WHAT ARE YOU SAYING?
I'M TELLING YOUTHERE WERE THINGSSHE WAS INVOLVED WITH,
THINGS SHE LET HERSELFGET PULLED INTO,
THINGS SHE THOUGHT YOU'D HATE HER FOR.
SHE SAID, "THERE ARETHINGS ABOUT ME.
EVEN DONNADOESN'T KNOW ME."
I KNEW HER.
I KNEW HER BETTER THAN SHE THOUGHT I DID.
DONNA,
SHE SAID SOMETHING ABOUT A GUY GETTING KILLED.
WHO?
SHE DIDN'T SAY,
BUT SHE SAIDBOBBY TOLD HER
THAT HE KILLEDTHIS GUY.
OH, MY GOD.
THIS IS WHYI HAD TO SEE YOU.
IT ALL MAKES SOME KINDOF TERRIBLE SENSE
THAT SHE DIED,THAT SOMEONE KILLED HER.
I DON'T KNOW.I CAN'T EXPLAIN IT.
I DIDN'T KNOWWHETHER TO BELIEVE
ANY OF THISLAST NIGHT.
SHE WASN'TMAKING ANY SENSE.
I COULDN'TCALM HER DOWN.
I COULD HARDLY KEEP HER ON THE BIKE.
WE CAME TO THE LIGHTAT SPARKWOOD AND 21,
AND SHE...
SHE PUT HER HANDSAROUND MY NECK...
AND...
SHE SCREAMEDSHE LOVED ME.
I LOOKED INTO HER EYES.THEY WERE CLEAR,
LIKE SHE WAS LAURA AGAIN.
SHE WAS SO SAD.
SHE SOUNDED SO DESPERATE...
AND SHE RAN OFF.
I LET HER GO,AND SHE DIED.
OH, IT'S OK.
IT'S NOT YOUR FAULT,JAMES.
IT'S OK.
JAMES, IT'S ALL RIGHT.
JAMES.
OH, MY GOD.
I'M SORRY.
OH, MY GOD.
I CHANGED MY MIND.
I'M NOT SORRY.
JAMES.
OH, JAMES.
[DISTANT SIRENS]
THOSE ARE SIRENS.
I GOT TO GO TO THE POLICE.
I DON'T HAVE AN ALIBI.
AFTER SHE LEFT,I RODE AROUND MOST OF THE NIGHT.
THE NECKLACE YOU GAVE LAURA WITHTHE GOLDEN HEART,
YOU HAVE TO GIVE METHE OTHER HALF.
WHY?
THEY FOUND THE HALF WHERESHE WAS KILLED.
THEY THINK THE KILLER HAS THE OTHER HALF.
THAT,AND NO ALIBI...
I'LL GET RID OF IT.
NO.
I'LL HIDE IT.
ALL RIGHT.WE'LL BURY IT.
OK.
RIGHT HERE.
OK.
[DISTANT SIRENS]
I'LL TAKE YOU HOME.
WHAT GOES AROUNDCOMES AROUND.
ROUND AND ROUND.
THAT'S NOT JOEY.THAT'S JAMES HURLEY.
HE'LL DO.
JAMES, STAND AWAYFROM THE BIKE.
STAND AWAY FROM THE GIRL,
HANDS BEHINDYOUR HEAD.
HE DIDN'TDO ANYTHING.
SHE'S PROBABLY RIGHT.
JAMES.
HE DIDN'TDO ANYTHING.
LUCY, GET AN ARRESTFORM READY.
DOC, I'M GOINGTO RELEASE HER TO YOU,
BUT I WANT HER BACKFOR QUESTIONING
FIRST THINGIN THE MORNING.
ALL RIGHT, HARRY.
ANDY, HAWK, PUT JAMESBACK IN NUMBER FOUR.
JAMES.
IT'S GOINGTO BE ALL RIGHT.
YOU.
WE'LL BE BACKTO CHECK ON YOU LATER.
GOOD NIGHT,OFFICERS.
[DOOR CLOSES]
I'M SORRY, DAD.
DONNA, AFTERWHAT HAPPENED TODAY,
I'M SURE YOU UNDERSTAND
WHAT YOU PUT YOUR MOTHERAND ME THROUGH TONIGHT.
BUT I ALSO KNOW YOU WELL ENOUGH TO KNOW
YOU WOULDN'T HAVE DONE IT
UNLESS YOU HAD A GOOD REASON.
BUT WE ALSO HAVEA NOTHER PROBLEM
FACING US,YOUNG LADY--
WHERE'S YOUR SISTER'S BICYCLE?
UH, I LEFT IT AT THE ROADHOUSE.
WELL, WE'LL HAVE TO GO GET IT.
I, UH, UNDERSTANDYOU PROMISED HARRIET
YOU'D PUT SOME AIRIN THE BACK TIRE.
YES, I DID.
WE'RE SO THANKFULTO HAVE A DAUGHTER LIKE YOU.
A POLICEMAN'S DREAM.
YEP. LUCY SETS IT UPFOR US EVERY NIGHT.
SHERIFF, IS EVERYTHING OK?
THERE'S EXTRA JELLY DOUGHNUTS
FOR AGENT COOPER,
AND THERE'S SOME EXTRA DECAF.
YOU KNOW, ANDY'S BEEN DRINKING
SO MUCH CAFFEINATED COFFEE LATELY.
THANK YOU, LUCY.YOU CAN GO BACKTO WORK NOW.
AND NO LISTENING.
SHERIFF,THAT REMINDS ME.
CAN YOURECOMMEND TO ME
A GOOD INEXPENSIVEHOTEL OR MOTEL?
NOW, IT DOESN'THAVE TO BE FANCY,AND I MEAN THAT.
I CAN GET YOUA GOOD RATE UP ATTHE GREAT NORTHERN.
I'LL PROBABLYBE HERE FOR SOME TIME,
AND THESE MOTELSPROMISE YOU A GOOD RATE,
AND WHEN YOU GET THERE, IT'S A DIFFERENT STORY.
ALL I NEED IS A BED,A BATHROOM, A TELEPHONE,
AND SOMETIMESA TELEVISION
IN THE UNLIKELY EVENTTHAT I KNOCK OFF EARLY.
I CAN GET YOUA GOOD RATE UP ATTHE GREAT NORTHERN.
SOLD.
WELL, TOMORROWCOMES EARLY.
DIANE, IT'S 12:28 A.M.
IT LOOKS LIKEI'LL BE STAYING LOCALLY
AT A PLACE CALLEDTHE GREAT NORTHERN.
SHERIFF'SGETTING ME A RATE.
WHEN YOU LEASTEXPECT IT.
AR! AR! AR! AR! AR!
AAH!
HELLO, SHERIFF.
HEY, JO.
I UNDERSTANDYOU WANTED TO SEETHE SHERIFF UP HERE.
YES, I DID.
RIGHT OVER HERE.
HE'S HERE AGAIN.
LET'S GET TOGETHERAND TALK ABOUT IT.
ALL RIGHT.
IT MUST HAVE HAPPENED ABOUT THIS TIME,
24 HOURS AGO.
I'M AFRAID.
[SCREAMING]