DIANE, 7:15 A.M.
I'LL BE HEADING FOR THE SHERIFF'S AFTER BREAKFAST.
FROM THERE, WE'LL GO TO LAURA PALMER'S FUNERAL.
GOOD MORNING, COLONEL COOPER.
JUST AGENT, AUDREY.
SPECIAL AGENT.
WOULD YOU CARE TO JOIN ME FOR BREAKFAST?
I'M IN A HURRY.
FOR WHAT?
AUDREY, THAT PERFUME YOU'RE WEARING IS INCREDIBLE.
DO YOU REALLY THINK SO?
I DO.
PLEASE HAVE A SEAT.
WOULD YOU WRITE YOUR NAME DOWN FOR ME?
OK.
AUDREY, THERE'S SOMETHING YOU'D LIKE TO TELL ME.
THERE IS?
YOU SLIPPED THIS NOTE
UNDERNEATH MY DOOR NIGHT BEFORE LAST.
I DID?
I WANTED TO HELP YOU.
FOR LAURA.
YOU SAID YOU AND LAURA WEREN'T EXACTLY FRIENDS.
WE WEREN'T FRIENDS,
BUT I UNDERSTOOD HER BETTER THAN THE REST.
WHAT IS "ONE-EYED JACK'S?"
IT'S A PLACE UP NORTH.
MEN GO THERE.
WHAT ABOUT WOMEN?
WOMEN...
YOU KNOW, WORK THERE.
DID LAURA WORK THERE?
I DON'T KNOW.
LAURA WORKED AT MY FATHER'S DEPARTMENT STORE.
HORNE'S?
HE NAMED IT AFTER HIMSELF.
WHERE AT HORNE'S DEPARTMENT STORE?
AT THE PERFUME COUNTER.
SO DID RONETTE PULASKI.
REALLY?
AUDREY, THAT RIGHTWARD SLANT IN YOUR HANDWRITING
INDICATES A ROMANTIC NATURE.
A HEART THAT YEARNS.
BE CAREFUL.
I DO?
I'M GOING TO HAVE TO ASK YOU TO LEAVE NOW.
POLICE BUSINESS.
THANK YOU FOR TALKING TO ME.
TRUDY, 2 MORE COFFEES, PLEASE.
HARRY, LUCY...
IT IS AN ABSOLUTELY BEAUTIFUL MORNING.
SHORTSTACK OF GRIDDLECAKES,
MELTED BUTTER, MAPLE SYRUP, LIGHTLY HEATED,
AND A SLICE OF HAM.
NOTHING BEATS THE TASTE SENSATION
WHEN MAPLE SYRUP COLLIDES WITH HAM.
GRIDDLECAKES, SLICE OF HAM.
WHO KILLED LAURA PALMER?
HARRY, LET ME TELL YOU ABOUT MY DREAM.
TIBET?
NO. YOU WERE THERE.
LUCY, SO WERE YOU.
HARRY, MY DREAM IS A CODE WAITING TO BE BROKEN.
BREAK THE CODE, SOLVE THE CRIME.
BREAK THE CODE...
SOLVE THE CRIME...
IN MY DREAM,
SARAH PALMER HAS A VISION
OF HER DAUGHTER'S KILLER.
DEPUTY HAWK SKETCHED HIS PICTURE.
A ONE-ARMED MAN NAMED MIKE CALLED ME.
THE KILLER'S NAME WAS BOB.
MIKE AND BOBBY?
NO. DIFFERENT MIKE. DIFFERENT BOB.
THEY LIVED ABOVE A CONVENIENCE STORE.
THEY HAD A TATTOO--
"FIRE...WALK WITH ME."
MIKE COULDN'T STAND THE KILLING ANY MORE,
SO HE CUT OFF HIS ARM.
BOB VOWED TO KILL AGAIN.
SO MIKE SHOT HIM.
DO YOU KNOW WHERE DREAMS COME FROM?
NOT...SPECIFICALLY.
ACETYLCHOLINE NEURONS FIRE HIGH-VOLTAGE IMPULSES
INTO THE FOREBRAIN.
THESE IMPULSES BECOME PICTURES,
THE PICTURES BECOME DREAMS.
BUT NO ONE KNOWS WHY
WE CHOOSE THESE PARTICULAR PICTURES.
HOW DID THE DREAM END?
IT WAS 25 YEARS LATER.
I WAS OLD, SITTING IN A RED ROOM.
THERE WAS A MIDGET AND A BEAUTIFUL WOMAN.
THE MIDGET SAID MY FAVORITE GUM
WAS COMING BACK INTO STYLE
AND DIDN'T HIS COUSIN LOOK LIKE LAURA PALMER?
WHAT COUSIN?
THE BEAUTIFUL WOMAN.
SHE'S FILLED WITH SECRETS.
SOMETIMES HER ARMS BEND BACK.
WHERE SHE'S FROM THE BIRDS SING A PRETTY SONG.
THERE'S ALWAYS MUSIC IN THE AIR.
THE MIDGET DANCED. LAURA KISSED ME.
SHE WHISPERED THE KILLER'S NAME.
WHO WAS IT?
I DON'T REMEMBER.
DAMN.
HARRY, OUR JOB IS SIMPLE.
BREAK THE CODE, SOLVE THE CRIME.
[STATIC]
YEAH?
[STATIC VOICE]
YOU HANG ON. I'LL BE RIGHT THERE.
THAT WAS ANDY.
THERE'S A FIGHT AT THE MORGUE.
ALBERT.
I'VE NEVER MET A MAN
WITH SO LITTLE REGARD FOR HUMAN FRAILTY.
I'VE GOT COMPASSION RUNNING OUT OF MY NOSE.
I'M THE SULTAN OF SENTIMENT.
I'VE TRAVELED THOUSANDS OF MILES
AND APPARENTLY SEVERAL CENTURIES
TO THIS FORGOTTEN SINKHOLE
TO PERFORM SOME TESTS.
I DON'T ASK YOU TO UNDERSTAND THESE TESTS.
I JUST ASK YOU TO LEAVE SO I CAN FINISH MY WORK.
WE'RE BRINGING LAURA PALMER'S BODY TO THE CEMETERY.
WE'RE NOT LEAVING WITHOUT HER.
ALL RIGHT. ALL RIGHT. ALL RIGHT!
MR. ROSENFELD, PLEASE.
NOW, UH...
LELAND PALMER COULDN'T BE WITH US TODAY,
BUT I KNOW I SPEAK FOR EVERYONE,
THE PALMER FAMILY INCLUDED,
WHEN I SAY THAT, UH...
WE APPRECIATE AND UNDERSTAND
THE VALUE OF YOUR WORK.
BUT AS THEIR REPRESENTATIVE,
I MUST INSIST
THAT WE CONSIDER THE FEELINGS...
OF THE PALMER FAMILY AS WELL.
MR. HORNE...
I REALIZE YOUR POSITION IN THIS FAIR COMMUNITY
PRETTY WELL GUARANTEES VENALITY, INSINCERITY,
AND A RATHER IRRITATING METHOD
OF EXPRESSING YOURSELF.
STUPIDITY, HOWEVER, IS NOT A NECESSARILY INHERENT TRAIT,
THEREFORE, PLEASE LISTEN CLOSELY.
YOU CAN HAVE A FUNERAL ANY OLD TIME.
YOU DIG A HOLE. YOU PLANT A COFFIN.
I, HOWEVER, CANNOT PERFORM THESE TESTS NEXT YEAR,
NEXT MONTH, NEXT WEEK, OR TOMORROW.
I MUST PERFORM THEM NOW.
I'VE GOT A LOT OF CUTTING AND PASTING TO DO.
RETURN TO YOUR PORCH ROCKERS AND RESUME WHITTLING.
THAT DOES IT.
I'M TAKING CHARGE OF THE BODY.
WHAT THE HELL DO YOU THINK YOU'RE DOING?
GENTLEMEN!
WHOA! WHAT'S GOING ON?
THANK GOD.
THIS OLD FOOL'S OBSTRUCTING A CRIMINAL INVESTIGATION.
CUFF HIM.
HE WON'T RELEASE LAURA'S BODY FOR THE FUNERAL.
WHAT'S THE HOLDUP?
PLEASE, COOPER,
I DO NOT SUFFER FOOLS GLADLY
AND FOOLS WITH BADGES NEVER.
I WANT NO INTERFERENCE FROM THIS HULKING BOOB.
I'VE HAD ENOUGH OF YOUR INSULTS.
OH, YEAH?
WELL, I'VE HAD ENOUGH OF MORONS AND HALF-WITS,
DOLTS, DUNCES, DULLARDS, AND DUMBBELLS.
AND YOU CHOWDERHEAD YOKEL,
YOU BLITHERING HAYSEED,
YOU'VE HAD ENOUGH OF ME?
YES, I HAVE.
OH, THAT'S NICE.
HOW APPROPRIATE.
WAIT IN THE CAR, HARRY.
YEAH.
THE OLD RUSTIC SUCKER PUNCH, HUH?
A HAIL OF BULLETS WOULD BE NICE.
THE SHERIFF DIDN'T MEAN ANYTHING.
HE HIT ME.
WELL, I'M SURE HE MEANT TO DO THAT.
RELEASE THIS GIRL'S BODY
TO HER FAMILY IMMEDIATELY.
I WANT YOUR TEST RESULTS BY NOON.
THOSE ARE ORDERS.
THANK YOU, AGENT COOPER.
INVITATION TO LOVE...
STARRING MORTON HADLEY
AS CHET.
SOLENA SWIFT AS EMERALD
AND JADE.
EVANS ST. VINCENT
AS JARED LANCASTER.
AND JASON DEMBEAU...
AS MONTANA.
"MY DARLING DAUGHTER JADE...
"AND EMERALD...
"BECAUSE OF MY FINANCIAL DIFFICULTIES,
"I HAVE DECIDED TO END IT ALL TONIGHT.
"I HOPE YOU CAN GO ON WITHOUT ME.
YOUR LOVING FATHER, JARED."
UNCLE LELAND?
DADDY, IT'S JADE.
UNCLE LELAND...
I KNOW YOU'RE IN THERE.
MADELAINE?
MADDY?
IS IT YOU?
UNCLE LELAND...
I AM SO SORRY.
I'M SURE HANK APPRECIATES YOUR UNWAVERING DEVOTION.
YOUR HUSBAND HAS BEEN A MODEL PRISONER,
AN INSPIRATION TO GUARD AND INMATE ALIKE.
HE GREETS THE DAY WITH A SMILE
AND CONFOUNDS ADVERSITY WITH A KIND WORD.
HANK'S PAROLE HEARING IS SCHEDULED FOR TOMORROW,
BARRING UNFORESEEN CIRCUMSTANCE.
WITH YOUR FULL SUPPORT BEFORE THE BOARD,
HE COULD BE RELEASED SHORTLY THEREAFTER.
ANY QUESTIONS?
NO.
WILL YOU HELP FIND THE JOB
THAT HANK NEEDS TO EFFECT A SUCCESSFUL PAROLE?
YES.
HOW EXACTLY?
I OWN THE DOUBLE R, MR. MOONEY.
OH.
YOU'RE QUITE A GIRL, NORMA.
I'LL BET YOU GET ALL KINDS OF ROMEOS
BEGGING FOR FAVORS.
HOW DO YOU KEEP THEM AWAY?
I TELL THEM I HAVE A HOMICIDALLY JEALOUS HUSBAND,
WHO'S DOING 3-TO-5 FOR MANSLAUGHTER,
BUT HE EXPECTS TO BE
A PRODUCTIVE MEMBER OF SOCIETY REAL SOON.
THAT SHOULD CONCLUDE OUR SESSION FOR TODAY.
LOOK AT THAT! DUCKS ON THE LAKE!
SO, FILL ME IN ON LEO JOHNSON.
LEO'S ONE OF THOSE GUYS YOU KEEP ON A LIST.
SO FAR, WE HAVEN'T CAUGHT HIM.
MORNING, LEO.
WHO THE HELL IS HE?
THIS IS SPECIAL AGENT COOPER, FBI.
HE'D LIKE TO ASK YOU A COUPLE OF QUESTIONS.
SO ASK.
LEO...IS THAT SHORT FOR LEONARD?
THAT'S A QUESTION?
DID YOU KNOW LAURA PALMER?
NO.
HOW WELL DID YOU KNOW HER?
I SAID I DIDN'T.
YOU'RE LYING.
I KNEW WHO SHE WAS, OK? EVERYBODY DID.
DO YOU HAVE A CRIMINAL RECORD?
NOTHING. LOOK IT UP.
ILLEGAL U-TURN, APRIL 1986.
DRUNK AND DISORDERLY, NOVEMBER, 1987.
SEPTEMBER '88, AGGRAVATED ASSAULT.
CHARGES DROPPED.
I PAID MY DEBT TO SOCIETY.
WHERE WERE YOU THE NIGHT OF LAURA PALMER'S MURDER?
ON THE ROAD.
I CALLED MY WIFE SHELLY FROM BUTTE, MONTANA.
SHE'LL CONFIRM THIS?
IF YOU ASK HER.
ROBERT.
THIS MAY BE A GOOD TIME FOR A DISCUSSION.
YOU WANT TO TALK ABOUT CIGARETTES?
TODAY?
NO, BUT PUT IT OUT. IT'S A FILTHY HABIT,
ESPECIALLY FOR A VARSITY ATHLETE.
I'VE ATTENDED MY SHARE OF FUNERALS.
TOO MANY.
ANY TIME A MAN DIES IN WAR,
HE DIES TOO SOON.
LAURA DIED TOO SOON AS WELL.
YEAH. SHE DID.
WE HAVE A RESPONSIBILITY TO THE DEAD, ROBERT.
RESPONSIBILITY IS THE LINCHPIN OF OUR SOCIETY.
EACH MAN RESPONSIBLE FOR HIS OWN ACTIONS.
EACH ACTION CONTRIBUTING TO THE GREATER GOOD.
WHAT'S THE GOOD OF PUTTING SOMEONE IN THE GROUND?
IT'S MAN'S WAY OF ACHIEVING CLOSURE.
IN CEREMONY BEGINS UNDERSTANDING,
THE WILL TO CARRY ON,
WITHOUT THOSE WHO WE MUST LEAVE BEHIND.
ROBERT, IN YOUR LIFE,
YOU MUST LEARN-- YOU WILL LEARN--
TO CARRY ON WITHOUT THEM.
GREAT.
I REALIZE YOU EXPERIENCE AN ONGOING DISINCLINATION
TO ENTER FULLY INTO MEANINGFUL EXCHANGE.
THIS LEADS TO STALEMATE,
A DESIRE ON MY PART
TO FORCE CERTAIN WISDOM UPON YOU.
THIS ISN'T NECESSARILY A BAD THING.
SOMETIMES IT'S THE BEST COURSE AVAILABLE.
SON, DON'T BE AFRAID.
WE'LL ALL BE THERE TOGETHER.
AFRAID OF WHAT?
OF THE FUNERAL.
I'M NOT AFRAID OF ANY DAMN FUNERAL.
AFRAID?
I CAN HARDLY WAIT.
AFRAID?
I'M GOING TO TURN IT UPSIDE DOWN!
EVERYBODY READY?
AGENT COOPER.
THERE'S NO SIGN OF THE MAN WITH ONE ARM.
KEEP TRYING. HE'S OUT THERE SOMEWHERE.
IF ANYONE CAN FIND HIM, HAWK CAN.
TRACKER?
THE BEST.
ALBERT, WHAT HAVE YOU GOT?
ENOUGH FORENSIC SPADEWORK TO SAVE YOUR BUTT
AND GET MINE OUT OF THIS GODFORSAKEN BURG.
WHAT DO YOU GOT?
OK...
CONTENTS OF ENVELOPE FOUND IN PALMER DIARY--
COCAINE.
TOXICOLOGY RESULTS ALSO POSITIVE.
NEWSFLASH--
THE LITTLE LADY HAD A HABIT.
FIBERS OF TWINE EMBEDDED IN HER WRISTS AND ARMS,
2 DIFFERENT KINDS OF TWINE.
FIBERS FOUND IN THE RAILROAD CAR
MATCH HER WRIST SAMPLE,
THE SAME TWINE BOUND THE PULASKI GIRL'S WRISTS.
SHE WAS TIED UP TWICE
AT DIFFERENT LOCATIONS BEFORE SHE DIED.
ONCE HERE.
AND ONCE HERE.
LIKE THIS.
SOMETIMES MY ARMS BEND BACK.
WE'VE GOT TRACES OF PUMICE FOUND IN WATER
OUTSIDE THE RAILROAD CAR.
SOAP, INDUSTRIAL STRENGTH.
I FOUND IDENTICAL PARTICLES ON LAURA'S NECK,
NOT HER HOME-USE BRAND.
MY CONCLUSION--
THE KILLER WASHED HIS HANDS,
AND THEN LEANED IN FOR A KISS LIKE THIS.
GOOD LORD.
UH, DISTINCTIVE WOUNDS
FOUND ON LAURA'S NECK AND SHOULDER
APPEAR TO BE CLAW MARKS,
BITES OF SOME KIND.
AN ANIMAL?
LOOK, IT'S TRYING TO THINK.
FINALLY,
A SMALL PLASTIC FRAGMENT FROM HER STOMACH,
PARTIALLY DISSOLVED BY DIGESTIVE ACIDS.
I'M TAKING IT TO THE LAB FOR RECONSTRUCTION
AS LOCAL FACILITIES ARE EXTREMELY PRIMITIVE.
I NOTE WHAT APPEARS TO BE THE LETTER "J."
GOOD WORK, ALBERT.
WITH MORE TIME, WHO KNOWS WHAT I'D FIND.
SHERIFF? IT'S TIME.
EXCUSE US.
WE HAVE GOT A FUNERAL TO GET TO.
COOPER, MAY I HAVE A WORD WITH YOU ALONE?
THERE'S ONE MORE ITEM--
A REPORT CONCERNING THE PHYSICAL ASSAULT ON MY PERSON.
YOU'LL FIND IT'S QUITE ACCURATE.
IT REQUIRES YOUR SIGNATURE.
ALBERT, I'M NOT GOING TO SIGN THIS.
WHAT?
ALBERT, I HOPE YOU CAN HEAR ME.
I'VE ONLY BEEN IN TWIN PEAKS A SHORT TIME.
BUT IN THAT TIME, I'VE SEEN DECENCY, HONOR, AND DIGNITY.
MURDER ISN'T A FACELESS EVENT HERE.
IT'S NOT A DAILY STATISTIC.
LAURA PALMER'S DEATH HAS AFFECTED
EACH AND EVERY MAN, WOMAN, AND CHILD.
LIFE HAS MEANING HERE. EVERY LIFE.
I THOUGHT THAT WAY OF LIVING HAD VANISHED,
BUT IT'S HERE IN TWIN PEAKS.
SOUNDS LIKE YOU'VE BEEN SNACKING
ON THE LOCAL MUSHROOMS.
WITH YOUR BEHAVIOR TOWARDS THESE PEOPLE,
CONSIDER YOURSELF LUCKY I DON'T FILE A REPORT
THAT COULD BURY YOU SO DEEP IN WASHINGTON
YOU'D NEVER SEE THE SUN.
DIANE, IT'S 12:27 P.M.
I'D LIKE YOU TO LOOK INTO MY PENSION PLAN OPTIONS
REGARDING OUTSIDE REAL ESTATE INVESTMENT.
I MAY LOOK INTO PURCHASING A PIECE OF PROPERTY
AT WHAT I ASSUME
WILL BE A VERY REASONABLE PRICE.
LOVE ME?
YOU BET.
THIS A NEW ONE?
YES.
ISN'T IT BEAUTIFUL?
HOW DO I LOOK?
WELL, YOU LOOK FINE, NADINE.
OH, ED...
LAST NIGHT WAS WONDERFUL.
OH, MY DARLING ED.
YOU CAME BACK TO ME.
NOW I FEEL LIKE WE'RE REALLY TOGETHER AGAIN.
IN HIGH SCHOOL...
I USED TO WATCH NORMA AND YOU
AT THOSE FOOTBALL GAMES.
SHE WAS SO PRETTY.
YOU MADE SUCH A HANDSOME COUPLE.
BUT I KNEW...
EVEN THOUGH...
I WAS JUST A...
A LITTLE NOBODY...
JUST...
A LITTLE BROWN MOUSE.
I ALWAYS KNEW INSIDE...
ONCE YOU GOT TO KNOW ME,
WE'D BE TOGETHER FOREVER.
[MOTORCYCLE PULLS UP]
THAT'S NOT YOUR BIKE, IS IT, ED?
IT'S JAMES.
JAMES WHO?
OH.
MMM.
[DOOR OPENS]
WE DON'T WANT TO BE LATE. ARE YOU READY?
I'M NOT GOING.
IT'S LAURA, JAMES.
I CAN'T.
I JUST CAN'T.
JAMES!
YOU KEEP INDULGING HIM THIS WAY,
HE'S NEVER GOING TO CHANGE.
WE SHOULDN'T DISCUSS THIS WHILE JOHNNY'S IN THE ROOM.
JOHNNY DOESN'T KNOW WHAT DAY IT IS.
WE HAVE TO BE PATIENT.
YOU BE PATIENT. I HAVE WAITED 20 YEARS
FOR SOME SIGN OF LIFE.
YOU HEAR ABOUT THIS SORT OF THING.
TAKING IT IS A SPECIALTY OF THE HOUSE.
SYLVIA, I'LL MAKE THIS EXTREMELY SIMPLE FOR YOU.
JOHNNY CAN'T GO TO THE FUNERAL
IN THAT RIDICULOUS GETUP.
THEN LET THE GREAT DOCTOR SEE WHAT HE CAN DO.
YOU DO IT, THEN.
AM I GOING TO HAVE TO CALL DR. JACOBY
EVERY DAMN TIME I HAVE A PROBLEM WITH JOHNNY?
OH, THANK GOD.
ALL RIGHT, LET'S EVERYONE JUST GET INTO THE CAR.
I AM THE RESURRECTION AND THE LIFE.
HE THAT BELIEVETH IN ME, THOUGH HE WERE DEAD,
YET SHALL HE LIVE.
AND WHOSOEVER LIVETH AND BELIEVETH IN ME
SHALL NEVER DIE.
FOR NONE OF US LIVETH TO HIMSELF,
AND NO MAN DIETH TO HIMSELF.
FOR IF WE LIVE, WE LIVE UNTO THE LORD,
AND IF WE DIE, WE DIE UNTO THE LORD.
WHETHER WE LIVE, THEREFORE, OR WE DIE,
WE ARE THE LORD'S.
BLESSED BE THE DEAD WHO DIE IN THE LORD.
EVEN SO SAITH THE SPIRIT,
FOR THEY REST FROM THEIR LABORS.
THE LORD BE WITH THEE.
LET US PRAY.
O GOD, ENTRUST THIS CHILD LAURA
TO THY NEVER FAILING CARE AND LOVE,
AND BRING US ALL TO THY HEAVENLY KINGDOM
THROUGH THE SAME THY SON JESUS CHRIST OUR LORD,
WHO LIVETH AND REIGNETH WITH THEE
AND THE HOLY SPIRIT,
ONE GOD, NOW AND FOREVER.
AMEN.
I BAPTIZED LAURA PALMER.
I INSTRUCTED HER IN SUNDAY SCHOOL.
I, LIKE THE REST OF YOU, CAME TO LOVE HER
WITH THAT SPECIAL LOVE
THAT WE RESERVE FOR THE HEADSTRONG AND THE BOLD.
LAURA WAS BRIGHT,
SHE WAS BEAUTIFUL,
SHE WAS CHARMING.
BUT MOST OF ALL, LAURA WAS, I THINK,
IMPATIENT.
SHE WAS IMPATIENT FOR HER LIFE TO BEGIN,
FOR THE WORLD TO FINALLY CATCH UP
TO HER DREAMS AND AMBITIONS.
LAURA USED TO SAY THAT I TALKED TOO MUCH.
I'LL NOT MAKE THAT MISTAKE TODAY.
JUST LET IT BE SAID THAT I LOVED HER,
AND I WILL MISS HER THE REST OF MY DAYS.
AMEN!
THANK YOU, JOHNNY.
AMEN!
WHAT ARE YOU LOOKING AT?
WHAT ARE YOU WAITING FOR?
YOU MAKE ME SICK.
YOU DAMN HYPOCRITES MAKE ME SICK.
EVERYBODY KNEW SHE WAS IN TROUBLE,
BUT WE DIDN'T DO ANYTHING.
ALL YOU "GOOD" PEOPLE.
YOU WANT TO KNOW WHO KILLED LAURA?
YOU DID!
WE ALL DID.
PRETTY WORDS WON'T BRING HER BACK,
SO SAVE YOUR PRAYERS.
SHE WOULD HAVE LAUGHED AT THEM ANYWAY.
YOU ARE DEAD, MAN.
YOU'RE DEAD!
THAT'S ENOUGH, BOBBY, THAT'S ENOUGH.
YOU ARE DEAD!
GET OFF OF ME.
YOU'RE A DEAD MAN. DEAD!
YOU'RE DEAD, MAN! DEAD.
GET OFF ME!
OH.
AAH!
LAURA, MY BABY. LAURA.
MY BABY.
LAURA.
TAKE IT EASY, LELAND.
THE WHOLE THING'S GONE HAYWIRE.
DON'T RUIN THIS, TOO.
MY BABY.
LAURA.
HERE'S THE FATHER. HIS DAUGHTER'S IN THE COFFIN.
BOOM!
HE'S NOT GOING TO FIGURE THIS OUT.
ED, THAT'S A BET I'LL TAKE.
FOR THE CHECK.
HE'S RIGHT ON TIME.
CAREFUL WHO YOU TRUST.
HE'S NOT ONE OF US.
COOPER, TAKE A SEAT.
HARRY, I GOT YOUR NOTE. HAWK. BIG ED.
HOW WOULD YOU LIKE SOME FRESH HUCKLEBERRY PIE?
I'D LOVE A SLICE OF PIE.
NORMA, HUCKLEBERRY PIE, HEATED,
VANILLA ICE CREAM ON THE SIDE, COFFEE.
COMING RIGHT UP.
BIG ED, HOW LONG YOU BEEN IN LOVE WITH NORMA?
ED, LOOKS LIKE PIE AND COFFEE'S ON YOU.
OK, WHAT DID YOU FELLAS WANT TO TALK ABOUT
BESIDES THE DINNER MENU?
YOU BETTER TELL HIM.
SOMEBODY'S RUNNING DRUGS INTO TWIN PEAKS
FROM ACROSS THE BORDER.
WE'VE BEEN SETTING UP A BUST--
TOP TO BOTTOM, NOBODY WALKS.
WHO'S TARGETED?
JACQUES RENAULT, BARTENDER AT THE ROADHOUSE.
WE FIGURE HE'S THE MIDDLE MAN.
ED'S DONE SOME UNDERCOVER.
THE NIGHT YOU ARRIVED,
HE WAS STAKING RENAULT OUT.
RENAULT SLIPPED HIM A MICKEY.
LIKE GETTING HIT WITH A LOG SPLITTER.
ED, YOU'RE A DEPUTY?
HE'S NOT.
THAT'S A LITTLE OUTSIDE YOUR JURISDICTION, DON'T YOU THINK?
SOMEBODY'S SELLING DRUGS TO HIGH SCHOOL KIDS.
I FIGURE THAT'S EVERYBODY'S JURISDICTION.
I CALL ED IN WHEN I NEED HIM.
HE'S NOT THE ONLY ONE I CALL.
THANKS, NORMA.
ENJOY.
MMM, THIS MUST BE WHERE PIES GO WHEN THEY DIE.
OK, HARRY, WOULD YOU PLEASE TELL ME
WHY YOU REALLY CALLED ME IN HERE?
GO ALONG WITH ME, EVEN IF IT SOUNDS WEIRD.
I'M WITH YOU.
TWIN PEAKS IS DIFFERENT,
A LONG WAY FROM THE WORLD.
YES, I'VE NOTICED.
THAT'S HOW WE LIKE IT.
BUT THERE'S A... A BACK END TO THAT
THAT'S KIND OF DIFFERENT, TOO.
MAYBE THAT'S THE PRICE WE PAY.
WHAT'S THAT?
THERE'S A SORT OF EVIL OUT THERE,
SOMETHING VERY, VERY STRANGE IN THESE OLD WOODS.
CALL IT WHAT YOU WANT--
A DARKNESS, A PRESENCE.
IT TAKES MANY FORMS,
BUT IT'S BEEN OUT THERE
FOR AS LONG AS ANYONE CAN REMEMBER.
WE'VE ALWAYS BEEN HERE TO FIGHT IT.
WE?
MEN BEFORE US.
MEN BEFORE THEM.
MORE AFTER WE'RE GONE.
A SECRET SOCIETY.
WHY DON'T WE TAKE AGENT COOPER FOR A LITTLE RIDE?
WHERE TO?
THE BOOK HOUSE.
THIS IS WHERE WE GET TOGETHER.
GOING ON 20 YEARS NOW.
"WE" MEANING...
THE BOOK HOUSE BOYS.
THE COFFEE'S FREE.
I LIKE THE SOUND OF THAT.
COOPER, YOU KNOW JAMES.
AGENT COOPER.
JAMES.
THIS IS JOEY PAULSON.
JOEY.
WHO'S THIS?
BERNARD RENAULT, JACQUES' BROTHER.
JANITOR AT THE ROADHOUSE.
BERNARD CAME ACROSS THE BORDER THIS MORNING
WITH AN OUNCE OF COCAINE IN HIS KIT BAG.
I THOUGHT WE'D ASK HIM A FEW QUESTIONS.
DID YOU EVER SELL DRUGS TO LAURA PALMER?
I DON'T SELL DRUGS.
HOW MUCH DOES JACQUES PAY YOU?
JACQUES DON'T PAY ME NOTHING.
I'M NO MULE.
THAT OUNCE WAS FOR PERSONAL USE?
THAT'S RIGHT.
GUESS YOU DON'T GET MUCH SLEEP AT NIGHT.
YOUR BROTHER'S MISSED WORK LATELY. WHERE'S HE BEEN?
I DON'T KNOW.
HE GOT PERSONAL BUSINESS.
WHO'S HE DEALING WITH?
WHY DON'T YOU ASK HIM YOURSELF?
HE BE BACK ANY MINUTE.
HE'LL BE AT THE ROADHOUSE?
HE THE BARTENDER, ISN'T HE?
BERNARD, WE'VE GOT YOU TIED UP IN A CHAIR.
YOU'RE MIXED UP WITH YOUR BROTHER
IN A VARIETY OF FELONIES.
WHY IN THE WORLD WOULD YOU TELL US
WHERE TO FIND HIM?
[TELEPHONE RINGS]
YEAH.
LEO, IT'S JACQUES.
WHAT'S UP?
THE BUST LIGHT'S ON.
BERNARD'S IN TROUBLE.
YOU SURE?
I SAW IT, MAN.
GET ME OUT OF HERE.
WHERE ARE YOU?
THE PHONE BOOTH BY THE CASH AND CARRY.
I DON'T LIKE WAITING.
SHUT UP. I'M ON MY WAY.
HI.
WHERE YOU GOING?
YOU DON'T NEED TO KNOW.
JOSIE? JOSIE, WHAT'S WRONG?
NOTHING?
HMM.
GOD, YOU'RE BEAUTIFUL.
JOSIE, THERE IS SOMETHING WRONG.
WHAT IS IT? TELL ME.
SOMETHING HORRIBLE IS GOING TO HAPPEN.
THEY WANT TO HURT ME. I KNOW IT.
WHO?
WHO WANTS TO HURT YOU?
CATHERINE.
CATHERINE AND BENJAMIN HORNE.
WHAT MAKES YOU THINK SO?
I HEARD CATHERINE ON THE PHONE
SAYING I'D NEVER SUSPECT.
JUST LIKE WITH ANDREW'S DEATH.
ANDREW'S DEATH WAS AN ACCIDENT.
WAS IT?
CATHERINE KEEPS THE MILL ACCOUNT BOOKS IN HER SAFE.
2 BOOKS. DIFFERENT NUMBERS.
ANDREW BUILT THIS YEARS AGO.
I DON'T THINK CATHERINE KNOWS
THAT I KNOW IT'S HERE.
WHY DO YOU THINK THEY HAVE 2 SETS OF BOOKS?
THE USUAL REASONS WOULD HAVE SOMETHING TO DO WITH STEALING.
MAYBE WORSE.
THERE WERE 2. I SAW THEM.
YOU BELIEVE ME, DON'T YOU?
OF COURSE I DO.
THERE'S NOTHING UNUSUAL IN THIS ONE.
THERE WERE 2. I SWEAR THERE WERE 2.
UH, HAVE YOU SEEN MY TACKLE BOX?
THE NEXT TIME YOU AND THE MERRY WIDOW
WANT TO PEEK IN MY SAFE,
DON'T GO TO SO MUCH TROUBLE.
BE A MAN ABOUT IT.
ASK ME TO MY FACE.
MAYBE I'LL, UH...
CHECK THE TRUCK.
DR. JACOBY.
I DIDN'T SEE YOU AT THE FUNERAL TODAY.
I'M A TERRIBLE PERSON, AGENT COOPER.
I PRETEND THAT I'M NOT,
BUT I AM.
OH, I SIT AND LISTEN TO THEIR PROBLEMS
DAY AFTER DAY.
THESE PEOPLE...
THINK OF ME AS THEIR FRIEND.
THE TRUTH IS, I REALLY DON'T CARE.
I THOUGHT NOTHING...
NO ONE...COULD EVER REACH ME AGAIN.
LAURA CHANGED ALL THAT.
I COULDN'T COME TODAY.
I JUST COULDN'T.
I HOPE SHE UNDERSTANDS.
I HOPE SHE FORGIVES ME.
YOU THINK IT'S POSSIBLE?
YOU THINK SOMEBODY KILLED ANDREW?
I DON'T KNOW.
I BELIEVE WHAT THEY WANT
IS TO TAKE THE MILL AWAY FROM ME...
FOR BENJAMIN TO HAVE THE LAND.
IF...IF IT WAS TRUE WITH ANDREW...
YOU THINK THEY'LL KILL ME, TOO?
YOU THINK THEY WOULD?
JOSIE...
NOTHING IS GOING TO HAPPEN TO YOU.
NOT NOW, NOT EVER. NOT WHILE I'M AROUND.
DO YOU BELIEVE IN THE SOUL?
SEVERAL.
MORE THAN ONE?
BLACKFOOT LEGEND.
WAKING SOULS THAT GIVE LIFE
TO THE MIND AND THE BODY.
A DREAM SOUL THAT WANDERS.
DREAM SOULS.
WHERE DO THEY WANDER?
FARAWAY PLACES.
THE LAND OF THE DEAD.
IS THAT WHERE LAURA IS?
LAURA'S IN THE GROUND, AGENT COOPER.
THAT'S THE ONLY THING I'M SURE OF.
[DANCE MUSIC PLAYS]
TO LAURA.
GODSPEED.
WILL YOU DANCE WITH ME?
SORRY.
PLEASE?
WILL YOU DANCE WITH ME?
PLEASE?
DANCE WITH ME.
WILL YOU DANCE WITH ME, PLEASE?
PLEASE?
SOMEBODY DANCE WITH ME.
[MUSIC STOPS]
MR. PALMER?
LELAND.
LET'S TAKE YOU HOME.
I'M...I'M SORRY.