[MEN SINGING ICELANDIC DRINKING SONG]
DIANE, IT IS 4:28 A.M.
I HAVE JUST BEEN WOKEN UP BY A GOD-AWFUL RACKET,
WHICH YOU CAN PROBABLY HEAR
OVER THE SOUND OF MY VOICE.
CAN YOU HEAR THAT?
UP UNTIL THIS MOMENT, I'VE EXPERIENCED NOTHING
AT THE GREAT NORTHERN HOTEL
BUT THE MOST PLEASANT, COURTEOUS SERVICE IMAGINABLE.
IT JUST PROVES THE POINT
THAT ONCE A TRAVELER LEAVES HIS HOME,
HE LOSES ALMOST 100%
OF HIS ABILITY TO CONTROL HIS ENVIRONMENT.
DIANE, I WAS WONDERING IF YOU COULD OVERNIGHT EXPRESS TO ME
TWO PAIR OF THOSE SILICONE EARPLUGS
WHICH I USED ON MY LAST TRIP TO NEW YORK.
NATURALLY, I DIDN'T BRING THEM WITH ME ON THIS TRIP
BECAUSE I DIDN'T FEEL IT WOULD BE NECESSARY.
HOWEVER...
[MEN SINGING ICELANDIC DRINKING SONG]
Woman: COFFEE?
PLEASE.
WHAT'S WITH THE CHOIR PRACTICE?
BUSINESS JUNKET FROM ICELAND.
GOT IN ABOUT 3:00 THIS MORNING.
OHH. THEY'RE ON MY FLOOR.
LUCKY YOU.
IT'LL TAKE THEM A DAY OR TWO
TO RESET THEIR BIOLOGICAL CLOCKS.
HOPE THE HERRING HOLDS OUT.
MM.
HOW ARE YOU?
WELL, AUDREY, TO BE PERFECT HONEST,
I'M TIRED AND A LITTLE ON EDGE.
OH.
HMM.
I GOT A JOB.
GOOD FOR YOU.
I THOUGHT MAYBE NOW I COULD HELP WITH YOUR CASE.
GUESS WHERE--
AUDREY, YOU'LL HAVE TO EXCUSE ME THIS MORNING. I'M RUNNING LATE.
I ONLY HAVE TIME FOR COFFEE.
MAYBE I COULD GO WITH YOU.
WEDNESDAYS WERE TRADITIONALLY A SCHOOL DAY WHEN I WAS YOUR AGE.
I CAN'T BELIEVE YOU WERE EVER MY AGE.
I'VE GOT THE PICTURES TO PROVE IT.
HOW OLD ARE YOU?
18.
WELL, SEE YOU LATER, AUDREY.
SEE YOU LATER.
BYE.
Jerry: I'LL SEE YOU LATER! SONS OF ODIN!
HOW DO YOU SAY THAT?
[SPEAKING ICELANDIC]
[REPEATING IN ICELANDIC]
MY BROTHER WILL LOVE YOU GUYS!
[DOOR OPENS]
[SPEAKING ICELANDIC]
BROTHER BEN, I BRING YOU GREETINGS
FROM THE FERTILE, TREELESS TUNDRA OF ICELAND.
WE HAVE HAD COMPLAINTS
FROM NEARLY EVERY GUEST IN THE HOTEL.
WHAT ARE THEY ON, NITROUS OXIDE?
THEY ARE INSANE FOR THE GHOSTWOOD ESTATES PROJECT.
I'VE HAD MORE SERIOUS FUN IN TWO DAYS
WITH THESE NORDIC ANIMALS.
BEN, I'M IN LOVE.
HER NAME'S HEBA. SHE'S A GIANT SNOW QUEEN
WITH A SMILE LIKE A SUNRISE ON AN ICE FLOE.
YOU COULD GO BLIND LOOKING AT THIS GIRL.
LOOK. SEE WHAT SHE GAVE ME?
AN ENTIRE LEG OF LAMB.
IS THAT BEAUTIFUL? JERRY, COME ON.
YOU CRUSH SOME GARLIC, FRESH MINT, THAT'S ROTISSERIE HEAVEN.
YOU GOT TO MEET HER.
JERRY, JUST GRAB SOME DOWN TIME, WILL YOU?
WE'VE LAID IN A GALA RECEPTION
FOR YOUR FAIR-HAIRED BOYS TONIGHT,
ALL OF TWIN PEAKS' BEST AND BRIGHTEST.
HOLDING IT IN A PHONE BOOTH?
IF WE STILL NEED A KICKER TO NAIL THE SALE,
I'M THINKING
THAT MAYBE THEY MIGHT ENJOY A LITTLE ROAD TRIP
UP TO YOU-KNOW-WHERE, HUH?
JACK'S.
I AM HONORED TO KNOW YOU.
BEN.
LELAND, WHAT ARE YOU DOING HERE?
WELL, I KNOW THERE'S A NEW INVESTMENT GROUP
ARRIVING TODAY.
IF THERE'S ANYTHING I CAN DO...
LELAND, THE BEST THING THAT YOU CAN DO
IS FOLLOW DOCTOR'S ORDERS.
GO HOME. YOU NEED YOUR REST.
I--I JUST FEEL...
I JUST FEEL I NEED SOMETHING
TO OCCUPY MY MIND.
[MEN SINGING ICELANDIC DRINKING SONG]
LELAND, WILL YOU TAKE SOME TIME OFF?
FOR GOD'S SAKES, FLY SOMEWHERE.
TAKE SARAH.
I'M AFRAID TO, BEN.
I'M AFRAID.
Harry, on radio: HAWK, WE'RE AT JACQUES RENAULT'S APARTMENT.
GET OVER HERE AS SOON AS YOU CAN.
Cooper: GOOD MORNING.
WHAT HAVE YOU GOT, HARRY?
JACQUES RENAULT'S A CANADIAN NATIONAL.
HE WORKED THE LUMBER FIELDS THIS SIDE OF THE BORDER
UNTIL HE PUT ON A LITTLE EXCESS TONNAGE A FEW SEASONS AGO.
THAT'S WHEN HE STARTED BARTENDING AT THE ROADHOUSE.
ARE THERE ANY MORE DOUGHNUTS?
SURE. ANDY.
BETTER WASH THAT DOWN WITH A CUP OF JOE.
I DIDN'T GET TOO MUCH SLEEP LAST NIGHT.
YOU LOOK A LITTLE PEAKED.
A LARGE GROUP OF INSANE MEN IS STAYING ON MY FLOOR.
JACQUES RENAULT TURN UP?
NO ONE'S SEEN HIM FOR TWO DAYS.
WE CANVASSED THE BUILDING AND THE ROADHOUSE.
I SENT HAWK FOR HIS BROTHER,
BUT BERNIE'S JUMPED BAIL. NO SIGN.
GOOD MORNING, AGENT COOPER.
GOOD MORNING, DOC.
THE BLOOD ON THE SHIRT YOU FOUND IS AB NEGATIVE.
IT'S NOT LAURA'S BLOOD.
SO IT WAS JACQUES RENAULT'S BLOOD
ON LEO JOHNSON'S SHIRT.
HMM.
[TELEPHONE RINGS]
HMM.
OH, THANK YOU, ANDY.
MM!
WHAT ABOUT LEO JOHNSON?
THE APB WENT OUT LAST NIGHT.
NOTHING YET.
HARRY, WOULD YOU GIVE ME A LEG UP?
SURE.
Doctor: WHAT'S JACQUES RENAULT'S BLOOD TYPE?
ALLEY-OOP, HO!
JACQUES RENAULT'S BLOOD IS AB NEGATIVE.
THANKS, DOC.
MY PLEASURE.
HOLY SMOKE.
"FLESH WORLD" AGAIN.
YEAH.
HARRY, REMEMBER THAT AD WITH THE PICTURE OF RONETTE PULASKI?
IT CAME INTO THE MAGAZINE IN A PLAIN ENVELOPE.
THE MAGAZINE'S A CLEARINGHOUSE.
READERS WRITE LETTERS IN RESPONSE TO THE ADS
AND MAIL THEM IN TO THE MAGAZINE.
THE MAGAZINE FORWARDS THEM ON TO THE ADVERTISERS.
NO DIRECT CONTACT.
RONETTE RECEIVED HER LETTERS
AT THIS POST OFFICE BOX.
THAT'S A LOCAL ZIP CODE.
I'D GUESS THIS POST OFFICE BOX
IS REGISTERED UNDER THE NAME OF JACQUES RENAULT.
LET'S SEE WHO WAS WRITING TO RONETTE.
POSTMARKED "GEORGIA."
GOOD NIGHT.
I DON'T KNOW.
THE BEARD SORT OF RUINS THE EFFECT OF THE LINGERIE.
WHAT DO YOU THINK?
THE GUY'S NO GEORGIA PEACH.
POOR -------.
BY THE WAY, HARRY, DID YOU NOTICE
THE PICTURE OF LEO JOHNSON'S TRUCK ON THAT PAGE?
I LOVE IT WHEN YOU COOK FOR ME.
LEO HATES MY COOKING.
LEO MISSED THE BOAT WITH YOU, BABY.
YOUR BIGGEST MISTAKE WAS DROPPING OUT OF THE 11th GRADE
AND MARRYING THAT ROAD HOG.
WHAT WOULD YOU DO
IF HE WALKED IN RIGHT NOW?
COME HERE.
HEY, LEO.
HOW'S IT GOING, MAN?
WHAT A SURPRISE.
NOW, LEO, SHELLY TELLS ME
THAT YOU DON'T LIKE HER COOKING.
TELL YOU WHAT.
SHE AND I, WE'RE GOING TO SIT HERE
WHILE YOU COOK BREAKFAST FOR US, YOU HUMP,
AND IF YOU SO MUCH AS UTTER ONE HARSH SYLLABLE
TO THIS...
BEAUTIFUL GIRL,
I'M GOING TO SHOOT YOUR UGLY FACE OFF. OK, MAN?
[CAR DOOR SHUTS]
OH, SHERIFF'S DEPUTY.
SHELLY, DO EXACTLY WHAT WE SAID,
AND EVERYTHING'S GOING TO BE FINE.
OK? COME HERE. MMM.
[DOORBELL RINGS]
OH, HI, ANDY. COME IN.
HI, SHELLY. DO YOU KNOW WHEN LEO MIGHT BE BACK?
IS HE IN TROUBLE?
NO. WE JUST WANT TO TALK TO HIM.
THIS WOULDN'T BE ABOUT LAURA, WOULD IT?
WHY DO YOU SAY THAT?
I HEARD HIM TALKING TO THIS GUY JACQUES
THE NIGHT HE LEFT.
JACQUES RENAULT?
YEAH. THEY WERE OUTSIDE ARGUING.
I COULDN'T HEAR EXACTLY,
BUT THEY DID SEEM TO BE TALKING ABOUT HER.
THEN THEY DROVE OFF TOGETHER.
YOU CALL US THE MINUTE HE GETS IN TOUCH WITH YOU.
OK. I WILL. THANKS FOR STOPPING BY.
HOW'D I DO?
YOU DID GREAT.
YOU DRIVE ME CRAZY.
[TELEPHONE RINGING]
HELLO? HI.
HI, LEO. WHERE YOU CALLING FROM?
Leo, over phone: HAS ANYBODY COME BY?
IS ANYBODY LOOKING FOR YOU?
WHY WOULD ANYBODY BE LOOKING FOR YOU?
YOU'RE SURE?
YOU GET PARANOID WHEN YOU'VE BEEN POPPING BENNIES
ON THE ROAD A COUPLE OF DAYS.
WHEN ARE YOU COMING HOME?
SOON. EVERYTHING OK?
YEAH. EVERYTHING'S FINE, LEO.
COME ON HOME.
I MISS YOU, SHELLY.
I MISS YOU, TOO.
[BELL RINGS]
[CAR DOOR OPENS AND SHUTS]
Ed: HEY, GOOD-LOOKING.
HOPE YOU DON'T MIND MY COMING.
OH, NO. NADINE WON'T BE BACK
FROM THAT PATENT ATTORNEY IN FAIRVALE
FOR A COUPLE OF HOURS.
THE FAMOUS SILENT DRAPE RUNNERS?
SHE'S ALREADY SPENDING THE MILLIONS.
I HAVE TO PUT GAS IN MY CAR LIKE EVERYONE ELSE. RIGHT?
YOU BET.
I DIDN'T WANT TO TELL YOU ON THE PHONE,
BUT HANK GOT HIS PAROLE.
OK.
HE'LL BE COMING HOME.
I MEAN BACK.
I ONLY SAW HIM A MINUTE BEFORE THE HEARING.
HE SEEMED...SO HOPEFUL.
I DIDN'T WANT TO SAY ANYTHING.
YOU DON'T HAVE TO EXPLAIN.
HAVE YOU SAID ANYTHING TO NADINE YET?
HAVEN'T YET.
WAITING FOR ME TO GO FIRST?
NO...
IT'S JUST THAT, UH...
NADINE'S NOT WELL.
WHAT ARE YOU SAYING?
I DON'T KNOW.
I THINK I DO.
I DON'T EVER WANT TO HURT YOU, BABE.
MAYBE THAT'S OUR TROUBLE, ED.
WE NEVER WANT TO HURT ANYONE.
WE NEVER JUST TAKE WHAT WE WANT.
THERE'S A PART OF ME THAT'S BEGINNING TO THINK THAT THIS IS HOW IT IS
WHEN YOU GET TO THE END OF YOUR LIFE
AND DON'T HAVE ANYTHING TO SHOW FOR IT.
NORMA.
DON'T CALL ME. I MEAN...
NOT FOR A WHILE, OK?
OK.
I LOVE YOU, ED.
Man: I REMEMBER WHEN YOU WERE JUST A LITTLE GIRL.
SO DID FATHER SPEAK TO YOU?
YES. YES, HE DID.
WE'RE EXCITED TO HAVE YOU COME ON BOARD
AND PUT IN A HITCH AT OUR FLAGSHIP.
WHAT DID YOU HAVE IN MIND FOR ME?
WELL, AUDREY, AS PER YOUR FATHER'S SUGGESTIONS--
STARTING LOW, AIMING HIGH, ET CETERA...
WE THOUGHT PERHAPS THE, UM, WRAPPING DEPARTMENT.
GIFTS, ET CETERA. PART-TIME, AFTER SCHOOL.
NO, NO, NO, NO, NO.
EMORY...
MAY I SPEAK FRANKLY?
OH, PLEASE DO.
LET'S TALK...
RETAIL.
SALES?
PERFUME.
ONE OF OUR MORE, UH, SENSITIVE AREAS.
EXPENSIVE ITEMS,
DELICATE CUSTOMER RELATIONS.
I'M AFRAID I'VE GOT MY HEART SET ON IT, EMORY.
I'D HAVE TO TALK TO YOUR FATHER.
EMORY, HERE'S WHAT WE'LL DO.
YOU'LL TELL MY FATHER
THAT I'M BUSY WRAPPING BOXES WITH THE DRONES,
THEN YOU'LL PUT ME TO WORK THIS AFTERNOON
BEHIND THE PERFUME COUNTER.
IF YOU DON'T, I'LL RIP MY DRESS AND SCREAM
AND TELL MY FATHER YOU MADE A PASS AT ME.
DOES THAT HELP TO CLEAR THINGS UP FOR YOU?
YES.
YES, WHAT?
YES, MS. HORNE.
SHALL WE GET STARTED ON THE PAPERWORK?
JAMES, I GOT YOUR NOTE.
ARE YOU ALL RIGHT?
DONNA, THERE ARE SOME THINGS I GOT TO SAY.
I TOLD YOU MY DAD DIED WHEN I WAS 10.
HE DIDN'T DIE. HE WAS A MUSICIAN.
WE WERE LIVING ON THE WEST COAST.
HE RAN OFF ON ME AND MY MOM.
I'M SORRY.
MY MOM'S A WRITER.
SHE WAS REALLY GOOD. POEMS AND SHORT STORIES.
SHE'S AN ALCOHOLIC.
IF YOU HAVE A PROBLEM WITH THIS,
I KNOW YOU DIDN'T ASK TO HEAR IT.
I DON'T HAVE A PROBLEM. YOU TELL ME.
IT'S TRUE. SHE WAS OUT OF TOWN THIS WEEK, BUT...
SHE WASN'T TRAVELING.
WHAT SHE DOES IS,
SHE GOES TO ANOTHER TOWN,
SHACKS UP IN SOME CHEAP HOTEL
WITH A COUPLE BOTTLES, AND...
PICKS UP GUYS, AND...
IT'S ALL RIGHT.
I'M TELLING YOU THIS 'CAUSE
I DON'T WANT TO HAVE ANY SECRETS FROM YOU.
I DON'T WANT ANY LIES BETWEEN US.
IT'S THE SECRETS PEOPLE KEEP
THAT DESTROY ANY CHANCE THEY HAVE OF HAPPINESS.
I DON'T WANT US TO BE LIKE THAT.
WE WON'T. WE WON'T BE.
WE HAVE TO DO WHAT'S RIGHT.
WHAT YOU SAID WAS TRUE.
IF WE DON'T DO EVERYTHING WE CAN
TO FIGURE OUT WHAT HAPPENED TO LAURA,
IT'LL NEVER GO AWAY OUR WHOLE LIVES.
WE WILL, JAMES.
SHE'S OUT THERE WANDERING LIKE A RESTLESS SPIRIT.
I FEEL IT, TOO. WE OWE IT TO HER.
Man: AT LEAST THEY'RE FRESH. HERE YOU GO, GARY.
OH, THANKS.
HERE YOU GO, SCOTT.
THANK YOU.
THERE YOU ARE.
Man: WHERE DO YOU WANT TO MARK THIS?
MARK IT "DUPLICATE." WE HAVE ONE LIKE IT?
YEAH, THE SAME STAIN. WE GOT IT BEFORE.
MARK IT, "DUPLICATE."
Cooper: HMM. RED DRAPES.
THAT P.O. BOX WAS REGISTERED TO JACQUES RENAULT.
THOSE ARE THE LETTERS RESPONDING TO RONETTE'S AD
IN THE MAGAZINE.
LET'S SEE IF THERE'S SOMETHING
FROM SOMEONE WE KNOW.
HAWK, HAND ME THAT MAGAZINE.
Harry: WHAT IS IT?
TWO DIFFERENT AD NUMBERS
MAILED TO THE SAME POST OFFICE ADDRESS--
RONETTE'S AND ONE OTHER.
YEAH, HERE IT IS.
"YOUNG STUDENT REQUIRES EDUCATION IN THE WAYS OF LOVE.
ONLY GENEROUS, MATURE MEN NEED APPLY."
IT'S LAURA.
YOU SEE SOME IDENTIFYING MARK?
THE DRAPES.
DRAPES?
RED DRAPES, HARRY. FROM MY DREAM.
NOW, WHY WOULD AN APARTMENT DWELLER LIKE JACQUES
BUY 50 GALLONS OF HEATING OIL?
TO HEAT A LOG CABIN.
HARRY, YOU'RE ALL RIGHT.
JACQUES' BROTHER MENTIONED SOMETHING ABOUT A PLACE NEAR THE STATE LINE.
LET'S PACK A LUNCH. WE'RE TAKING A WALK IN THE WOODS.
[MUSIC PLAYING]
James: MADELEINE.
HI.
HI, I'M MADELEINE FERGUSON.
MY FRIENDS CALL ME MADDY.
THIS IS REALLY NICE OF YOU GUYS.
I DON'T REALLY KNOW ANYBODY IN TOWN
EXCEPT AUNT SARAH AND UNCLE LELAND.
AND THE MOOD AT THE HOUSE--YOU CAN PROBABLY GUESS--
ISN'T THAT GREAT RIGHT NOW.
WOULD YOU LIKE SOMETHING TO DRINK?
A CHERRY COKE WOULD BE GREAT.
YOU GOT IT.
Donna: MADELEINE...
IF I SAID YOU CAN'T SAY A WORD OF THIS
TO ANYONE, WOULD THAT BE OK WITH YOU?
SOUNDS LIKE SOME BIG SECRET.
IT IS. JAMES AND I KNEW LAURA BETTER THAN ANYONE DID.
SHE WAS IN SOME KIND OF TERRIBLE TROUBLE BEFORE SHE DIED.
WHAT?
I'D RATHER NOT SAY MUCH
ABOUT THINGS WE CAN'T PROVE YET.
YOU SAID YOU CAN'T PROVE IT YET.
WE LOVED LAURA.
WE'RE AFRAID THE TRUTH MIGHT NEVER COME OUT
OR THAT HER KILLER MIGHT NEVER BE CAUGHT.
WE'VE SWORN NOT TO LET THAT HAPPEN.
YOU KNOW WHO DID IT?
WE HAVE SOME IDEAS.
WE WANTED TO TALK TO YOU ABOUT THIS BECAUSE WE NEED YOUR HELP.
WHAT DO YOU WANT ME TO DO?
LAURA USED TO TALK
ABOUT A SECRET HIDING PLACE SHE HAD,
SOMEONE IN HER HOUSE, MAYBE IN HER ROOM.
I'M NOT REALLY SURE.
BUT NOBODY ELSE KNEW ABOUT IT.
SHE MIGHT'VE LEFT SOMETHING THERE
THAT COULD LEAD US TO THE KILLER.
I'LL HELP YOU.
YOU WILL?
THE DAY BEFORE SHE DIED,
I HAD A FEELING THAT LAURA WAS IN TROUBLE.
I'VE ALWAYS FELT CLOSE TO HER.
THAT'S WHY I CAME HERE.
YOU KNOW...
I DIDN'T KNOW LAURA THAT WELL,
BUT I FEEL LIKE I DO.
OUR FOLKS WERE ALWAYS TELLING US
HOW MUCH ALIKE WE WERE.
CALL ME IF THERE'S ANYTHING I CAN DO.
Donna: I DON'T THINK THERE WILL BE ANY PROBLEM.
James: MADELEINE, THIS IS REALLY GREAT.
CALL ME MADDY.
HI.
HI, NORMA.
WE LOOK LIKE A COUPLE OF REFUGEE BEAUTY QUEENS.
YOU DON'T KNOW HOW GOOD-LOOKING YOU ARE, SHEL.
I NEVER FELT SO GLAMOROUS.
HOPE I DON'T CHIP A NAIL SLINGING THESE PLATES AROUND.
HI, NORMA.
HELLO, HANK.
SURPRISED TO SEE ME?
YES.
IS THAT LEO'S GIRLFRIEND?
WIFE.
THAT LEO...
SO IMPULSIVE.
NOT MUCH MEAT ON HER, THOUGH.
HEY, I DON'T EXPECT A KISS OR ANYTHING.
I FIGURE I GOT TO EARN MY WAY BACK INTO YOUR HEART,
BUT, NORMA...
I INTEND TO TRY.
SO...
WHERE DO I START?
WASHING DISHES WILL BE FINE.
CAN I FINISH MY COFFEE FIRST...
BOSS?
Man on TV: OH, NO! LOOK, I'LL...
DEXTER, YOU LITTLE FRUIT LOOP, YOU'RE DONE.
DONE!
DON'T EVER CROSS ME.
UH! UH!
HA HA HA!
Announcer: TUNE IN TOMORROW FOR...
HE'S BEEN SPENDING MORE AND MORE OF HIS TIME ALONE
IN HIS ROOM.
IT'S BECOME DIFFICULT TO ENGAGE HIM IN CONVERSATION.
TERRIBLE MOOD SWINGS.
HIS SCHOOL ATTENDANCE HAS BEEN ERRATIC AT BEST.
THEN THERE'S THE MATTER OF PUBLIC FIGHTING,
AT THE ROADHOUSE AND AT THE FUNERAL.
ARE YOU USING DRUGS, BOBBY?
NOPE.
ALCOHOL.
ALCOHOL'S A DRUG.
THAT'S NOT WHAT HE MEANT.
ALCOHOL DOESN'T COUNT?
EVERYBODY DRINKS.
ARE YOU UNHAPPY, BOBBY?
SHOULDN'T I BE?
THAT'S NOT FOR ME TO SAY.
HAVE YOU EVER KILLED ANYBODY?
HAVE YOU?
MY FATHER HAS.
DURING WARTIME.
THAT'S DIFFERENT.
DIFFERENT FROM WHAT?
PERHAPS I SHOULD SPEND
A FEW MINUTES WITH BOBBY ALONE.
THIS IS SUPPOSED TO BE FAMILY COUNSELING.
AND I'LL NEED SOME TIME
WITH EACH MEMBER OF THE FAMILY ALONE,
BUT BOBBY FIRST.
FAIR ENOUGH.
WHATEVER YOU SAY.
[DOOR OPENS AND CLOSES]
BOBBY, LET'S JUST CUT THE CRAP, HUH?
OK, SO YOUR PARENTS DON'T UNDERSTAND
WHAT YOU'RE GOING THROUGH RIGHT NOW.
THAT'S A GOOD ONE.
LET'S...TALK ABOUT LAURA.
OK, LET'S TALK ABOUT LAURA.
BOBBY, WHAT HAPPENED THE FIRST TIME
THAT YOU AND LAURA MADE LOVE?
WHAT THE HELL KIND OF QUESTION IS THAT?
BOBBY, DID YOU CRY?
DID I WHAT?
AND THEN WHAT DID LAURA DO?
DID SHE LAUGH AT YOU?
WERE YOU VERY SAD WHEN LAURA DIED?
LAURA WANTED TO DIE.
HOW DO YOU KNOW THAT?
'CAUSE SHE TOLD ME.
WHAT ELSE DID SHE TELL YOU?
DID SHE TELL YOU THERE--
THERE WAS NO GOODNESS IN THE WORLD?
SHE SAID...
PEOPLE TRIED TO BE GOOD,
BUT THEY WERE REALLY SICK AND ROTTEN-- HER MOST OF ALL--
AND EVERY TIME SHE TRIED TO MAKE THE WORLD A BETTER PLACE...
SOMETHING TERRIBLE CAME UP INSIDE HER
AND PULLED HER BACK DOWN INTO HELL.
IT TOOK HER DEEPER AND DEEPER
INTO THE BLACKEST NIGHTMARE...
AND EVERY TIME IT GOT HARDER
TO GO BACK UP TO THE LIGHT.
DID YOU SOMETIMES HAVE THE FEELING
THAT LAURA WAS HARBORING SOME...
AWFUL SECRET?
YEAH.
BAD ENOUGH THAT SHE WANTED TO DIE BECAUSE OF IT?
YES.
BAD ENOUGH THAT IT DROVE HER
TO CONSCIOUSLY SEEK OUT PEOPLE'S WEAKNESSES,
PREY ON THEM; AND TEMPT THEM, BREAK THEM DOWN;
MAKE THEM DO TERRIBLE, DEGRADING THINGS?
YES.
LAURA WANTED TO CORRUPT PEOPLE
BECAUSE THAT'S HOW SHE FELT ABOUT HERSELF.
YES.
IS THAT WHAT HAPPENED TO YOU, BOBBY?
IS THAT WHAT LAURA DID TO YOU?
SHE WANTED SO MUCH.
SHE MADE ME SELL DRUGS SO SHE COULD HAVE THEM.
THIS WAY, THROUGH HERE.
WATCH YOUR STEP, THERE, CITY BOY.
THANKS, HARRY.
WHAT IS IT, HAWK?
Cooper: NOT THE CABIN WE'RE LOOKING FOR.
MAYBE, MAYBE NOT.
MIGHT WANT TO HANG BACK A STEP, DOC.
I MIGHT WANT TO ANYWAY.
[EXHALES SLOWLY]
ABOUT TIME YOU GOT HERE.
THEY MOVE SO SLOWLY WHEN THEY'RE NOT AFRAID.
COME ON, THEN. MY LOG DOES NOT JUDGE.
[TEA KETTLE WHISTLING]
I'VE GOT TEA. I'VE GOT COOKIES.
NO CAKE.
Cooper: THAT'S VERY KIND OF YOU, MA'AM, BUT I DON'T BELIEVE--
WHAT KIND OF COOKIES?
SUGAR.
THE OWLS WON'T SEE US IN HERE.
A CUP OF TEA WOULD BE VERY NICE.
Log Lady: SHUT YOUR EYES, AND YOU'LL BURST INTO FLAMES.
THANKS, MARGARET.
WE'LL LET IT STEEP.
WAIT FOR THE TEA. THE FISH AREN'T RUNNING.
Harry: YOU BEEN EXPECTING US, MARGARET?
YOU'RE TWO DAYS LATE.
BUT THAT'S YOUR CONCERN.
MY LOG SAW SOMETHING... SOMETHING SIGNIFICANT.
WHAT DID YOUR LOG SEE?
TEA FIRST. THEN BE READY.
THANK YOU.
MY HUSBAND WAS A LOGGING MAN.
OH?
HE MET THE DEVIL.
FIRE IS THE DEVIL HIDING LIKE A COWARD IN THE SMOKE.
WASN'T IT THE DAY AFTER THE WEDDING, MARGARET?
Hawk: THE WOOD HOLDS MANY SPIRITS, DOESN'T IT, MARGARET?
YOU CAN ASK IT NOW.
WHAT DID YOU SEE THAT NIGHT,
THE NIGHT LAURA PALMER WAS KILLED?
SHH. I'LL DO THE TALKING.
DARK.
LAUGHING.
THE OWLS WERE FLYING.
MANY THINGS WERE BLOCKED.
LAUGHING.
TWO MEN.
TWO GIRLS.
FLASHLIGHTS PASS BY IN THE WOODS OVER THE RIDGE.
THE OWLS WERE NEAR.
THE DARK WAS PRESSING IN ON HER.
QUIET THEN.
LATER, FOOTSTEPS.
ONE MAN PASSED BY.
SCREAMS FAR AWAY.
TERRIBLE, TERRIBLE.
ONE VOICE.
MAN OR GIRL?
GIRL.
FURTHER UP OVER THE RIDGE...
THE OWLS WERE SILENT.
THE TWO GIRLS WERE LAURA AND RONETTE.
THE TWO MEN JACQUES...
MAYBE LEO?
MAYBE.
WHO'S THE THIRD MAN?
[MUSIC PLAYING IN DISTANCE]
DO YOU HEAR IT?
THIS WAY.
♪ INTO THE NIGHT ♪
♪ I CRY OUT ♪
♪ FOR HIM ♪
♪ INTO THE NIGHT ♪
♪ SHADOWS WALK ♪
♪ SHADOWS-- ♪
AND THERE'S ALWAYS MUSIC IN THE AIR.
WALDO.
[SQUAWK]
THERE'S FILM IN HERE.
BLOOD.
[CUCKOO CLOCK CHIMING]
Cooper: ONE-EYED JACK'S.
[PEOPLE SINGING "HOME ON THE RANGE" IN ICELANDIC]
GOOD EVENING, MR. AND MRS. SCHULL.
GO RIGHT IN. THANK YOU.
GOOD EVENING.
CATHERINE MARTELL AND SPOUSE.
GO EASY ON THE SAUCE TONIGHT, OK, CATHY?
A COUPLE OF BELTS,
AND EVEN YOU MIGHT START TO LOOK GOOD TO ME.
[APPLAUSE AND LAUGHTER]
Major Briggs: THE MODERN AGE HAS CHANGED FOREVER
THE WAY YOUR PEOPLE LIVE, MR. THORSON,
BUT I BELIEVE THERE STILL REMAINS
A TREMENDOUS VESTIGIAL INTEREST
IN THE LEGENDS AND FOLKLORE OF ANCIENT ICELAND.
VESTIGIAL.
ABSOLUTELY.
DID YOU KNOW THAT WAS AN AMERICAN FIGURE OF SPEECH?
NO, JERRY.
HEBA-HEBA. YOU'VE NEVER HEARD THAT BEFORE?
NO, JERRY. HA HA HA!
DO YOU REALIZE THE INCREDIBLE POTENTIAL
THAT COULD RESULT FROM OUR TAKING
A MUTUAL DIP
IN EACH OTHER'S RESPECTIVE GENE POOLS?
HEBA...
I WANT TO COOK FOR YOU.
HA HA HA! VERY, VERY GOOD.
THAT'S WONDERFUL.
SO HE SAYS, "WHAT DO YOU GET
"WHEN YOU CROSS A NORWEGIAN WITH A SWEDE?
A SOCIALIST WHO WANTS TO BE KING."
[LAUGHTER]
WELL, I CAN REMEMBER
IT WAS SOMEWHERE IN THE FIFTIES
I CAME THROUGH YOUR COUNTRY--
BEAUTIFUL, BEAUTIFUL.
NOT MANY TREES, THOUGH, YOU KNOW, BUT--
WOULD YOU EXCUSE ME?
OF COURSE WE WOULD. JA.
MEET ME IN MY OFFICE.
GIVE ME TWO MINUTES TO BREAK AWAY.
HELL HATH NO FURY...
WHAT?
TWO MINUTES.
AH, THOR...
I'VE BEEN MEANING TO ASK YOU,
ARE YOU FAMILIAR WITH THE WORK OF NEWT HANSEN?
Ben: CATHERINE...
WE AGREED.
NO SCENES IN FRONT OF THE GUESTS.
LET'S KEEP THE MELODRAMA TO A MINIMUM.
NEXT THING I KNOW,
YOU'RE POLISHING MY SHOE WITH DOM PERIGNON.
FILL ME IN. WHAT'S EATING YOU?
WHY DID YOU HAVE THIS $1,000 POKER CHIP
FROM YOU-KNOW-WHERE IN YOUR PANTS YESTERDAY?
I THOUGHT YOU PREFERRED WOMEN
OF A CERTAIN EXPERIENCE.
JERRY GAVE ME THAT.
IT'S A GOOD LUCK CHARM.
I THOUGHT I'D LOST IT.
I'M SO RELIEVED YOU FOUND IT.
ARE YOU QUITE FINISHED?
YES.
IN THAT CASE...
OH, LET'S BURN THE MILL.
LET'S DO IT TONIGHT.
NO, MY LOVE.
WE'LL GIVE JOSIE ONE LAST CHANCE TO SELL.
TOMORROW. FAILING THAT,
I HAVE RETAINED THE SERVICES
OF A QUALIFIED PROFESSIONAL.
BREATH MINT?
NOW, LET ME GET THIS STRAIGHT...
YOUR ENTIRE COUNTRY IS ABOVE THE TIMBER LINE?
Jerry: FOLKS... LADIES AND GENTLEMEN?
CAN I HAVE YOUR ATTENTION, PLEASE?
CAN I HAVE YOUR ATTENTION?
FIRST OFF, I WANT TO THANK YOU ALL
FOR TURNING OUT TO WELCOME OUR NEIGHBORS
FROM THE MAGICAL ISLE OF ICELAND.
[SPEAKING ICELANDIC]
[SCATTERED APPLAUSE]
WE ARE ALL ICELANDERS.
HA HA HA!
THE GHOSTWOOD ESTATES PROJECT IS AN IMPORTANT PART
OF OUR FUTURE HERE IN TWIN PEAKS.
THERE'S NO ONE WE'D RATHER HAVE AS PARTNERS
IN OUR FUTURE THAN--
[BIG BAND MUSIC PLAYING]
WHAT...
[LELAND MOANING]
DANCE WITH HIM.
IT IS SERIOUS.
DANCE WITH HIM.
Man: HEY, JERRY, WHAT'S GOING ON?
GET JACOBY, GET THE NET,
BUT GET HIM OUT OF MY LIFE.
[CRYING]
JERRY.
[CRYING]
DONNA? IT'S MADDY.
I WAS LOOKING IN LAURA'S ROOM. AND I REMEMBERED,
WHEN WE WERE YOUNGER, SHE USED TO HIDE CIGARETTES
IN HER BEDPOST.
THE TOP OF ONE OF THE POSTS SCREWS OFF.
I FOUND A TAPE IN HER HIDING PLACE.
Sarah: LELAND, WHERE HAVE YOU BEEN?
I'LL MEET YOU AND JAMES TOMORROW.
OK, AND BRING A TAPE RECORDER.
DID ANYONE SEE YOU COME IN HERE?
NO.
YOU DO REALIZE THE RISK IF ANYONE SEES US.
THIS WAS HIDDEN IN HER DESK--
WHERE YOU SAID IT WOULD BE.
THEN WE CAN PROCEED.
WHEN?
TOMORROW NIGHT.
I TOLD YOU TO MIND THE STORE, LEO,
NOT OPEN YOUR OWN FRANCHISE.
DO AS YOU'RE TOLD.
NEXT TIME YOU'LL WATCH ME
TAKE YOUR LITTLE CHIPPIE APART BEFORE I KILL YOU.
[GASP]
GIVE ME A BEER, SHELLY.
ARE YOU OK?
JUST GET ME A DAMN BEER!
GET UP AND--
WHAT THE HELL ARE YOU DOING WITH THAT?
YOU'RE NOT GOING TO HURT ME AGAIN.
DON'T TOUCH ME. DON'T COME NEAR ME, LEO.
YOU STUPID LITTLE SLUT!
YOU HAVEN'T GOT THE GUTS.
AAH!
[CRYING]
[DOOR OPENS]
[MEN SINGING ICELANDIC DRINKING SONG]
[APPLAUSE]
REACH OVER AND TURN ON THE LIGHT.
DON'T MAKE ME LEAVE.
PLEASE...
DON'T MAKE ME LEAVE.