[SURF SOUNDS]
WHERE DO WE LOOK?
I DON'T KNOW. EVERYWHERE.
WHERE SHOULD WE START?
MAYBE THIS IS SOMETHING.
UMBRELLAS?
"THE KAHALA HILTON, JULY, 1969. MEN ON THE MOON."
"AUGUST 9, 1974, I FIRST LAY EYES ON MIMSY."
WEIRD.
YEAH.
[HAWAIIAN MUSIC PLAYING]
JAMES.
WHAT DID YOU DO?
I JUST HIT A BUTTON.
HIT IT AGAIN.
[MUSIC CHANGES]
THERE'S GOT TO BE A WAY TO TURN IT OFF.
[MUSIC STOPS]
"MY LITTLE COCONUT."
JAMES.
LAURA SAID SOMETHING ON HER TAPE ABOUT A COCONUT.
OH, MY GOD, THE NECKLACE.
POW!
OK, LAURA,
THIS IS WHERE YOU SHOT THAT VIDEO.
NOW JUST TELL ME--
TELL ME WHY YOU SENT ME TO SPARKWOOD AND 21.
OH, MY GOD.
NO.
RED 36.
SORRY, MISTER, I GUESS OUR DATE'S OFF.
SIR, ARE YOU ABSOLUTELY SURE
YOU WANT ANOTHER CARD?
YES, PLEASE.
21.
CAN YOU BEAT THAT?
MOTHER ALWAYS SAID I WAS BORN LUCKY.
Would you like to...
MAYBE LATER.
THANKS FOR ASKING.
THIS IS FOR YOU.
I'M A FRIEND OF LEO'S.
WHO'S LEO?
BUY YOU A COCKTAIL, JACQUES?
COME IN.
TURN AROUND.
YES. VERY NICE.
COME OVER HERE.
SOMETHING WRONG?
UH-UH.
IT'S A GOOD NIGHT TO BREAK YOU IN.
THE OWNER'S COMING BY TONIGHT.
HE LIKES TO SPEND TIME WITH ALL THE NEW GIRLS.
WHO'S THAT?
NO NAMES, CHILD.
YOU DON'T OFFER, AND YOU DON'T ASK.
YES, MA'AM.
PICK A CARD.
JACQUES, HOW LONG YOU BEEN DEALING BLACKJACK?
LONG ENOUGH TO SPOT A CARD COUNTER.
YOU ALWAYS LET CARD COUNTERS BUY YOU DRINKS?
LEO EVER MENTION ME TO YOU?
I DON'T KNOW. WHO ARE YOU?
I CAN'T BELIEVE LEO NEVER TOLD YOU ABOUT ME.
WELL, MAYBE HE DID. I DON'T KNOW.
LEO PLAYED YOU LIKE A VIOLIN,
HAD YOU AND YOUR BROTHER TAKING ALL THE RISK.
RUNNING THE PRODUCT ACROSS THE BORDER.
NEVER CUT YOU IN.
WHAT ARE YOU TALKING ABOUT?
TAKE THAT CHIP OUT OF YOUR POCKET, AND LOOK AT IT.
GO AHEAD.
THAT CHIP HAS A SPECIAL SIGNIFICANCE.
A SPECIAL NIGHT YOU SPENT AT YOUR CABIN. HERE'S A CLUE.
[IMITATING MYNAH BIRD] LAURA!
TAKE IT EASY. TAKE IT EASY.
HOW DO YOU THINK LEO'S BEEN FINANCING THIS OPERATION?
YOU?
I'M THE BANK.
HE NEVER MENTIONED YOUR NAME.
OF COURSE NOT.
LEO BUYS. YOU AND YOU BROTHER MULE IT ACROSS.
HE EVER TELL YOU WHO DISTRIBUTED STATESIDE?
SOME HIGH SCHOOL KID. THAT'S ALL I KNOW.
THAT'S RIGHT. WE'RE IN SYNC NOW, JACQUES. CAN YOU FEEL IT?
CAN YOU?
YEAH, YEAH, SURE.
GOOD, 'CAUSE I'VE GOT A JOB FOR YOU
ACROSS THE BORDER TONIGHT.
NO LEO. NO MIDDLEMAN.
IT'S $10,000,
HALF NOW, HALF ON COMPLETION.
HOW'S THAT SOUND?
SOUNDS GOOD.
WHAT ARE WE DOING?
BE AT THE WATER PROCESSING PLANT IN TWO HOURS.
WILL THAT BE A PROBLEM?
NO PROBLEM.
GOOD.
ONE MORE QUESTION, JACQUES.
LEO TOLD ME ABOUT THAT NIGHT AT THE CABIN WITH THE GIRLS.
I'M CURIOUS ABOUT THE CHIP. HOW DID THAT HAPPEN?
IT WAS THAT CRAZY BIRD.
BIRD?
IT HAD A THING FOR LAURA,
ALWAYS SAYING HER NAME,
LIKE HE'S IN LOVE OR SOMETHING.
SO WE'RE ALL PARTYING.
THE GIRLS ARE HIGH.
EVERYBODY'S PRETTY CRAZY.
YOU, LAURA, AND RONETTE.
AND LEO LETS WALDO OUT OF THE CAGE.
AND THE BIRD, HE LANDS ON HER SHOULDER.
LAURA'S ALL TIED UP.
OH, SHE LIKED THAT.
BUT THE BIRD, IT STARTS PECKING ON HER SHOULDER,
PECKING LIVE LOVE PECKS,
YOU KNOW WHAT I MEAN?
LEO'S DOING A NUMBER ON HER,
AND LAURA,
SHE'S SCREAMING ABOUT THE DAMN BIRD.
SO LEO TAKES OUT A CHIP,
PUTS IT IN HER MOUTH, AND SAYS,
"BITE THE BULLET, BABY.
BITE THE BULLET."
THANKS FOR CLEARING THAT UP.
YEAH, NO PROBLEM.
SEE YOU ON THE OTHER SIDE.
CAN DO, CAPPY.
GOT A TROUT ON THE LINE, HAWK.
THIS ONE'S A KEEPER.
I'M JUST GOING TO SIT RIGHT HERE.
COME HERE.
WE GOT ALL NIGHT, BABY.
OW.
YOU MADE ME DO THIS, SHELLY.
YOU MADE ME!
IS LUCY TALKING TO YOU?
AS WE SAY IN THE LAW ENFORCEMENT GAME,
"IT'S A COLD TRAIL."
AHH, WOMEN.
HARRY, HAWK HERE.
THE TROUT'S HEADING UPSTREAM TOWARDS THE NET.
HAWK, HOLD THE LINE. WE'LL SET THE HOOK.
YOU GOT A 20 ON AGENT COOPER?
HE'S DOWNSTREAM ABOUT 10 MINUTES.
HE'LL PROBABLY MISS THE CATCH,
BUT HE'LL BE THERE WHEN WE GRILL HIM.
COPY THAT. WE'LL MAKE OUR MOVE
AS SOON AS THE BIG FISH SHOWS HIS FINS.
READY, ANDY?
READY, HARRY.
JACQUES, KEEP YOUR HANDS WHERE I CAN SEE THEM!
PUT THEM ON THE ROOF!
YOU HEARD HIM!
GET IN THERE! CUFF HIM!
DON'T MOVE!
YOU'RE UNDER ARREST...
FOR THE ATTEMPTED MURDER OF RONETTE PULASKI
AND THE MURDER OF LAURA PALMER.
GIVE ME YOUR OTHER HAND!
HE'S GOT MY GUN! HARRY, LOOK OUT!
[GUNSHOT]
ANDY?
ARE YOU OK, HARRY?
YEAH.
BETTER CALL THAT AMBULANCE.
YOU HAVE THE RIGHT TO REMAIN SILENT.
YEAH.
...WILL BE HELD AGAINST YOU IN A COURT OF LAW.
[TELEPHONE RINGS]
HELLO?
All clear.
I'LL BE THERE AS SOON AS I CAN.
HEY, WHAT'S UP, DOC?
IT'S LAURA,
IN CASE YOU HAVEN'T GUESSED.
IT'S THURSDAY, THE 23rd,
AND I'M SO BORED.
ACTUALLY, I'M IN KIND OF A WEIRD MOOD.
GOD, JAMES IS SWEET, BUT HE'S SO DUMB,
AND RIGHT NOW
I CAN ONLY TAKE SO MUCH OF SWEET.
HEY...REMEMBER THAT MYSTERY MAN
I TOLD YOU ABOUT?
WELL, IF I TELL YOU HIS NAME,
THEN YOU'RE GOING TO BE IN TROUBLE.
HE WOULDN'T BE SUCH A MYSTERY MAN ANYMORE,
BUT YOU MIGHT BE HISTORY, MAN.
I THINK A COUPLE OF TIMES HE'S TRIED TO KILL ME.
BUT GUESS WHAT?
AS YOU KNOW, I SURE GOT OFF ON IT.
ISN'T SEX WEIRD?
THIS GUY CAN REALLY LIGHT MY F-I-R-E...
AS IN RED CORVETTE.
UH-OH, HERE COMES MOM WITH THE MILK AND COOKIES.
DONNA? DAD.
LATER, LAWRENCE. BYE-BYE.
DONNA, I'VE GOT AN EMERGENCY AT THE HOSPITAL.
I DON'T KNOW WHEN I'LL RETURN.
SEE IF YOUR MOTHER NEEDS ANYTHING.
OK. I'LL CALL LATER.
JAMES.
IT'S OK. I'M GLAD I HEARD HER SAY IT.
I MIGHT HAVE GONE MY WHOLE LIFE...
I'M SORRY YOU HAD TO HEAR THAT.
I'M OK.
JACOBY DIDN'T KILL HER.
HE WAS TRYING TO HELP HER.
THEN HOW DID HE GET THE NECKLACE?
[TICKING]
DO YOU HEAR THAT?
YOU'VE GOT ABOUT ONE HOUR
TO THINK ABOUT WHAT YOU'VE DONE TO ME.
AND THINK ABOUT IT...
BECAUSE BY THEN
BOBBY BRIGGS IS GOING TO BE DEAD.
YOU BROKE MY HEART!
[DOOR SLAMMING]
GOODBYE.
IT'S ALL HERE.
VERY GENEROUS, JOSIE.
SITTING IN THAT CONCRETE BOX ALL THAT TIME,
90 GRAND SEEMED LIKE ALL THE MONEY IN CREATION.
IT KEPT ME GOING.
IT'S A FUNNY THING, BACK IN THE WORLD.
I DON'T KNOW.
SEEMS KIND OF LIGHT.
WE HAD AN AGREEMENT.
I'VE BEEN GOING OVER THIS IN MY MIND,
AND SEE IF YOU CAN FOLLOW MY THINKING.
WE'RE ALL BORN INTO LIFE,
AND WE HAVE A CERTAIN NUMBER OF YEARS
TO MOVE AND BREATHE AND HAVE OUR BEING.
THAT'S FROM A BOOK ON ORIENTAL PHILOSOPHY
I READ IN THE JOINT.
AND MAYBE SOMEBODY SOMEWHERE
KNOWS HOW MUCH TIME WE HAVE.
I DON'T. DO YOU?
SO, WHEN A MAN GIVES UP A PORTION OF HIS LIFE,
18 MONTHS, FOR INSTANCE,
HOW DOES HE PLACE A VALUE ON THAT TIME?
18 MONTHS, $90,000.
WHAT'S THAT, UH, $5,000 A MONTH?
THAT'S NOT BAD IF YOU'VE GOT ANOTHER 40 YEARS,
BUT WHAT IF YOU ONLY GOT 20 OR 10?
OR SOME UNFORESEEN EVENT KILLS YOU TOMORROW,
AS IN THE CASE OF THE BOATING ACCIDENT
THAT KILLED YOUR LATE HUSBAND ANDREW?
OR SAY YOU JUST GOT OUT OF PRISON
WHERE YOU WENT IN FOR VEHICULAR MANSLAUGHTER
AS PART OF AN AGREEMENT TO AVOID BEING IMPLICATED
IN THE COMMISSION OF A MUCH GREATER CRIME,
MURDER,
FOR WHICH, IN FACT, YOU WERE RESPONSIBLE.
BUT NOW THERE'S THIS THREAT, THIS POSSIBLE THREAT,
THAT...THIS FACT COULD BE DISCOVERED.
AND IN ONE STROKE, 10, 15, OR 20 MORE YEARS
COULD BE CUT RIGHT OUT FROM UNDERNEATH YOU.
SO, I'VE BEEN ASKING MYSELF,
WHAT DOES THAT DO TO THE MARKET VALUE OF 18 MONTHS?
WE HAD AN AGREEMENT.
AND WE STILL DO, SWEETHEART.
SIGNED, SEALED, DELIVERED.
I'M GOING TO TAKE CARE OF EVERYTHING WE AGREED TO.
YOU WANT A LOT FOR YOUR MONEY,
AND I WANT A LOT FOR MY TIME.
THERE'S A SAYING IN THE JOINT.
IT'S NOT ORIENTAL PHILOSOPHY,
BUT IT HAS A SIMILAR KIND OF LOGIC
THAT APPEALS TO MY, UH, SPIRITUAL NATURE.
ONCE YOU'RE IN BUSINESS WITH SOMEBODY,
YOU'RE IN BUSINESS FOR LIFE.
LIKE A MARRIAGE.
[SWITCHBLADE CLICKS]
UHH!
PARTNER.
[WHISTLE BLOWS]
WHERE IS IT?
CATHERINE?
THE ACCOUNT LEDGER, HAVE YOU SEEN IT?
DON'T YOU KEEP IT IN THAT LITTLE SAFE AT HOME?
NO, IT'S NOT AT HOME, IT'S NOT HERE.
TELL ME YOU DIDN'T TAKE IT.
I DIDN'T TAKE IT.
PETE, TELL ME THE TRUTH.
YOU'RE NOT HELPING HER TO PULL SOMETHING HERE?
WHO?
JOSIE.
NO.
PULL WHAT HERE?
PETER, FORGET EVERYTHING WE'VE EVER SAID OR DONE
TO HURT EACH OTHER.
JUST LIKE THAT.
TEMPORARILY.
I KNOW OUR MARRIAGE IS A LIVING TRAIN WRECK,
BUT THERE USED TO BE SOMETHING CARING BETWEEN US.
THE FELLA WHO CAUGHT MY EYE.
THE LUMBERJACK WHO COULD SCAMPER UP A TREE
LIKE A CAT.
THE BOSS' SISTER FROM THAT BIG HOUSE ON THE HILL.
A SUMMER'S INDISCRETION, AND HERE WE ARE.
CATHERINE.
OH, PETER.
I NEVER SHOULD HAVE TAKEN YOU TO THAT HOUSE ON THE HILL.
I HAVE NO COMPLAINTS ABOUT THE HOUSE.
AS FOR ME, TAKING MY PRINCIPAL PLEASURE
IN LASHING OUT AT THE ONE PERSON
DECENT ENOUGH TO STAND BY ME THROUGH MY FOOLISHNESS.
I KNOW THINGS HAVEN'T BEEN EASY FOR YOU.
PETER...
IF SOMEWHERE UNDER ALL THAT SCAR TISSUE
THERE'S THE FAINTEST FLICKER OF WHAT WE USED TO FEEL,
I'M ASKING YOU TO FEEL THAT NOW.
WHY...
EXACTLY?
BECAUSE I'M IN TROUBLE.
GIVEN WHAT I'VE BECOME AND HOW I'VE TREATED PEOPLE,
THERE'S NO ONE ELSE I CAN TURN TO.
I NEED YOUR HELP.
CATHERINE. CATHERINE.
SO FRED STARTS TO PUT CUFFS ON HIM.
HARRY TURNS TO GO.
JACQUES THROWS AN ELBOW AT FRED LIKE THIS--WHAM!
IN ONE MOVE, HE TAKES FRED'S GUN,
AND HE'S GOT THE DROP ON HARRY.
HARRY'S DEADER THAN A POUND OF ROADSIDE STEW.
THEN, ALL OF A SUDDEN,
A SINGLE SHOT RINGS OUT.
POW!
YEAH! ALL RIGHT.
ANDY, MY MAN!
[APPLAUSE]
GO AHEAD, ANDY. GIVE IT YOUR BEST SHOT.
GO ON.
OH, ANDY.
OH, PUNKY.
I'M PREGNANT.
UH-OH.
FRESH COFFEE.
[TELEPHONE RINGS]
WHAT?
LET ME TALK TO THE SHERIFF.
HE ISN'T IN. I EXPECT HIM BACK SHORTLY.
CARE TO LEAVE A MESSAGE?
YOU TELL HIM LEO JOHNSON
SAID TO CHECK OUT JAMES HURLEY.
HE'S AN EASY RIDER.
AN EASY RIDER?
YOU GOT THAT?
YES, I GOT THAT, BUT, LEO? WAIT. LEO?
DR. JOHNSON TO ICU.
DID YOU TAKE LAURA AND RONETTE UP TO YOUR CABIN THAT NIGHT?
THEY'D BOTH BEEN THERE BEFORE. THEY WAS NO NUNS.
THAT'S WHERE YOU TOOK THE PICTURES FOR FLESH WORLD?
THAT WAS LAURA'S IDEA.
SHE TALKED RONETTE INTO MAKING THEM ADS.
WHAT DID YOU AND LEO FIGHT ABOUT?
THAT ... HIT ME WITH A WHISKEY BOTTLE.
WHY?
I DON'T KNOW WHY. THAT'S WHY WE FOUGHT.
I'M BLEEDING LIKE A STUCK PIG. HE'S LAUGHING.
YOU USED LEO'S SHIRT TO STOP THE BLEEDING.
WHAT THEN?
I GOT SICK.
I GO OUTSIDE, PASS OUT.
I WAKE UP, I'M LAYING ON THE GROUND.
WHERE WAS LEO?
LEO AND THE GIRLS, THEY'RE GONE.
WHAT ABOUT THE TRAIN CAR?
I DON'T KNOW NOTHING ABOUT THAT.
I COME DOWN THE HILL, LEO'S CAR IS GONE.
I HAD TO WALK 15 MILES BACK TO MY OWN HOUSE.
WHEN THEY BROUGHT HIM IN,
HE WAS RAMBLING INCOHERENTLY.
THESE THINGS HE SAID, THEY'RE PRETTY INCREDIBLE.
I KNOW. LET'S HOPE HE PULLS THROUGH.
WELL, HE'S STABILIZED ANYWAY.
LEO HAD TO TAKE THE GIRLS TO THE TRAIN BY HIMSELF.
YOU BELIEVE HIM?
HE'S TOO STUPID TO LIE.
HE'LL TESTIFY AGAINST LEO. WE GOT HIM.
WE GOT TO FIND LEO FIRST.
DOC, HOW'S JACOBY?
HE'S OUT OF THE WOODS.
LISTEN, HE SAYS HE GOT A PHONE CALL
FROM LAURA PALMER.
HE WAS GOING TO SEE HER WHEN HE WAS JUMPED.
THAT BROUGHT ON THE HEART ATTACK.
ANY DESCRIPTION OF THE ASSAILANT?
HE DIDN'T SEE HIM,
BUT SAYS HE SAW LAURA PALMER
STANDING BY THE GAZEBO IN EASTER PARK.
IT'S NOT HERE. IT'S NOT HERE!
IT'S NOT HERE.
DAMN IT!
AHH...
Midge.
MIDGE JONES.
WHAT ARE YOU DOING?
IT'S, UH, MY OLD HIGH SCHOOL YEARBOOK.
I THOUGHT IT WAS GONE FOREVER.
OH, PETE.
SORRY.
[TELEPHONE RINGS]
WHAT?
IT'S AT THE MILL.
WHAT IS?
WHAT YOU'RE LOOKING FOR.
DRYING SHED 3, NEAR THE NORTH GATE.
PETE.
GUESS I'LL LOOK IN THE OTHER ROOM.
WHAT DO YOU WANT?
TALK TERMS.
WE'LL LET YOU KNOW.
STILL HAVE THAT DOWN COMFORTER ON YOUR BED?
YES, HANK.
MATTRESSES THEY GIVE YOU ON YOUR BUNK,
THEY'RE PROBABLY YEA THICK.
AND YOU LIE THERE AT NIGHT THINKING,
IF THIS MATTRESS IS SO SKINNY,
HOW DID THEY GET ALL THOSE ROCKS INSIDE?
SO YOU'LL FORGIVE ME IF I TELL YOU
THAT NIGHT AFTER NIGHT I DREAMED OF YOU
LYING THERE ON THAT BIG FEATHER BED.
I GUESS THE, UH, HIRED HELP
SHOULDN'T BE SO FAMILIAR WITH THE BOSS LADY, HUH?
CAN'T BLAME YOU FOR DREAMING.
I WASN'T JUST DREAMING ABOUT BEING WITH YOU, NORMA.
WHAT I WAS TRYING TO...
I SHOULDN'T EVEN BE SAYING THIS MUCH. HECK!
I THINK YOU SHOULD.
NO. I HAVEN'T EARNED THE RIGHT, NORMA.
I'VE BEEN BACK, WHAT, TWO DAYS?
SAY WHAT YOU WANT TO SAY.
I'VE BEEN TRYING TO PICTURE A WHOLE LIFE WITH YOU,
WITH THE DINER.
MAKING IT SOAR, MAKING IT BLUE SKY.
I ALWAYS TALK TOO BIG, THAT'S MY BIGGEST FAULT.
I LEARNED THAT TALKING TO MY COUNSELOR INSIDE.
THIS IS NEW TERRITORY FOR ME,
BUT I'M GOING TO TRY, NORMA.
YOU KNOW, IT'S 20 YEARS WE'VE BEEN TOGETHER NEXT MONTH.
CAN YOU BELIEVE IT?
MAYBE WE'RE DOING THIS ALL BACKWARDS.
MAYBE IT'S THE NEXT 20 THAT COUNTS.
GIVE ME TIME, NORMA.
I'LL MAKE YOU PROUD OF ME YET.
Ed: NADINE.
NADINE?
HONEY?
OH, GOD, NADINE, DON'T YOU DO THIS.
NADINE.
I NEED AN AMBULANCE.
MY WIFE'S JUST TAKEN SOME PILLS.
422 RIVERSIDE.
FOR THE LOVE OF GOD, HURRY.
STAY WITH ME, NADINE.
PLEASE DON'T GO.
STAY WITH ME.
LEO JOHNSON'S HOLED UP SOMEWHERE NEAR HIS HOME.
SHERIFF, LEO JOHNSON CALLED.
WHEN?
ABOUT 10 MINUTES AGO. HE LEFT THIS MESSAGE.
IN THE BACKGROUND, WHEN I SPOKE TO HIM,
I COULD HEAR A CLOCK STRIKING.
WHAT KIND OF CLOCK?
IT SOUNDED LIKE THE CLOCK AT EASTER PARK.
HARRY.
HAWK. GOOD WORK, LUCY.
PULL THE SURVEILLANCE OFF LEO'S HOUSE.
SET UP A PERIMETER AROUND EASTER PARK.
GOT IT.
GET SOME CARS OVER THERE.
HARRY, I GOT TO TALK TO YOU.
HARRY, LET ME TALK TO JAMES.
YOU WANT TO INVESTIGATE THIS?
COME ON, JAMES.
HARRY.
HARRY, IS IT TRUE?
YOU FOUND HIM.
YOU'VE GOT THE KILLER?
WE'VE ARRESTED A SUSPECT, LELAND.
BUT IS IT THE MAN?
WE CAN'T RELEASE ANY DETAILS.
I'M SORRY. EXCUSE ME.
THERE'S NOTHING YOU CAN DO HERE.
YOU SHOULD BE HOME WITH SARAH.
OH, YES, YOU'RE RIGHT.
OF COURSE. YOU'RE RIGHT.
YOU GOING BACK TO THE HOSPITAL?
NO, I'M HEADING HOME.
THANK YOU, WILL.
DON'T GIVE IT A THOUGHT.
HOSPITAL.
THINK YOU OUGHT TO LISTEN TO THIS TAPE.
WHY IS THAT?
IT WAS LAURA'S. WE FOUND IT.
I THINK IT WILL HELP FIND WHO YOU'RE LOOKING FOR.
WHO MIGHT THAT BE?
SOMEBODY WITH A RED CORVETTE.
DR. JACOBY'S IN THE HOSPITAL WITH A HEART ATTACK.
HEART ATTACK?
HE SAID HE SAW LAURA TONIGHT.
WHAT KIND OF DANGEROUS GAME HAVE YOU BEEN PLAYING?
IS JACOBY GOING TO BE ALL RIGHT?
I'VE BEEN VERY PATIENT WITH YOU, JAMES.
FROM HERE ON OUT,
I'M GOING TO NEED A BETTER SET OF ANSWERS.
LET'S START WITH WHY THIS WAS IN THE GAS TANK OF YOUR BIKE.
FINE. FINE. FINE. OK.
OK. GHOSTWOOD.
FANTASTIC. I LOVE IT.
ALL YOUR REVISIONS ARE INCLUDED.
BEN, I AM SO HAPPY.
I CAN'T EVEN SAY HOW MUCH.
AFTER YOU.
NO, NO, NO, NO.
AFTER YOU.
AFTER ME.
[TELEPHONE RINGS]
EXCUSE ME.
BENJAMIN HORNE HERE.
TIME TO BLACK FLAG THAT LITTLE FIREBUG.
LEO JOHNSON'S GOING TO GET A HOUSE CALL.
PROCEED.
SHELLY?
SHELLY, ARE YOU HERE?
SHELLY'S NOT HERE, BOBBY.
LEO. MAN, AM I GLAD TO SEE YOU.
SOMETHING I COULD HELP YOU WITH?
IT'S YOU I'M LOOKING FOR. THE COPS WANT YOU.
LIAR!
SHELLY'S DEAD!
YOU KILLED HER!
LEO.
[GUNSHOT]
LATER, LEO.
[TICKING]
[MUMBLING]
I CAN'T UNDERSTAND A WORD YOU'RE SAYING.
YOU HAVE A THING IN YOUR MOUTH.
[DING]
OH, PLEASE. PLEASE HELP ME.
WHO ARE YOU?
SHELLY JOHNSON.
WHO CALLED ME HERE?
I DON'T KNOW ANYTHING.
PLEASE HELP ME.
BE QUIET.
I'M THINKING.
OH, GOD!
OH, GOD.
AAH! OH, GOD!
[ALARM SOUNDS]
[MUFFLED SCREAMS]
ANY OF THE BOYS STILL INSIDE?
WE'RE STILL TRYING TO GET A COUNT.
SEEN CATHERINE?
NO, PETE.
THAT'S HER CAR.
JEEZ, YOU GOTTA BE--
DO YOU THINK SHE'S STILL INSIDE?
GUESS I'M GOING TO HAVE TO FIND OUT.
PETE, THAT AIN'T SUCH A GOOD IDEA.
SHE'S STILL MY WIFE.
CATHERINE!
AND THAT IS THAT.
IS THIS A GREAT MOMENT?
GHOSTWOOD.
INCREDIBLE.
GHOSTWOOD, HUH?
EINAR, TONIGHT YOU PLAY ON THE HOUSE.
THIS IS...MARVELOUS, HUH?
ENJOY, MY FRIEND, ENJOY.
TO GHOSTWOOD, HUH?
TO GHOSTWOOD ESTATES AND COUNTRY CLUB.
CONGRATULATIONS, BOSS.
BLACKIE, OLD PAL,
THIS CALLS FOR A CELEBRATION.
LET'S HAVE A LOOK AT THE NEW GIRL.
[KNOCK ON DOOR]
GOOD LUCK, HONEY.
CLOSE YOUR EYES.
THIS IS SUCH STUFF
AS DREAMS ARE MADE OF.
DIANE,
4:37 A.M.
AFTER A LONG INVESTIGATIVE NIGHT,
RETURNING TO MY ROOM AT THE GREAT NORTHERN.
WE HAVE ONE SUSPECT IN CUSTODY,
AND LEO JOHNSON, THE MAN I BELIEVE KILLED LAURA,
WON'T BE ABLE TO ESCAPE OUR DRAGNET MUCH LONGER.
AS YOU CAN HEAR FROM THE AMBIENT SOUND AROUND ME,
I NOTICE WITH RELIEF THAT THE ICELANDIC GROUP
STAYING ON MY FLOOR
HAVE EITHER CHECKED OR PASSED OUT.
I MAY NOT NEED THE EAR-PILLOW EARPLUGS,
WHICH I DID RECEIVE TODAY,
ALTHOUGH I MAY USE THEM AS A PRECAUTION.
I ORDERED SOME HOT MILK FROM ROOM SERVICE.
HERE'S HOPING THAT DOES THE JOB,
AND I'LL BE ABLE TO CATCH SOME SACK TIME.
24-HOUR ROOM SERVICE
MUST BE A PREMIERE ACHIEVEMENT
OF MODERN CIVILIZATION.
"MY SPECIAL AGENT."
[TELEPHONE RINGS]
[RING]
COOPER HERE.
WHO IS THIS?
COULD THIS WAIT TILL TOMORROW MORNING?
[KNOCK ON DOOR]
EXCUSE ME. I'VE GOT ROOM SERVICE.
IT'S DEPUTY ANDY.
AGENT COOPER, WE FOUND LEO JOHNSON.
HE'S BEEN SHOT.
AGENT COOPER! AGENT--
[BODY FALLS TO FLOOR]