AGENT COOPER, CAN YOU HEAR ME?
IT'S ANDY.
AGENT COOPER, IT'S ANDY.
CAN YOU HEAR ME?
AGENT COOPER.
ROOM SERVICE.
HOW ARE YOU DOING DOWN THERE?
WARM MILK.
AGENT COOPER.
WOULD YOU PUT IT ON THE TABLE, PLEASE,
AND WOULD YOU CALL THE DOCTOR?
SURE.
ARE YOU ALL RIGHT? CAN YOU HEAR ME?
AGENT COOPER.
AGENT COOPER,
IT'S ANDY.
CAN YOU HEAR ME?
ARE YOU ALL RIGHT?
AGENT COOPER.
IT'S ANDY.
IT'S AN--
I HUNG IT UP FOR YOU.
WHAT'S THAT?
HUNG IT UP FOR YOU.
DID YOU CALL THE DOCTOR?
IT'S HUNG UP.
THE PHONE.
THANK YOU.
SURE.
NO PROBLEM.
DOES THIS INCLUDE A GRATUITY?
YES, SIR.
THANK YOU. THANK YOU KINDLY.
THE MILK WILL GET COOL ON YOU...
PRETTY SOON.
OK.
I'VE HEARD ABOUT YOU.
I HEARD ABOUT YOU.
I WILL TELL YOU 3 THINGS.
IF I TELL THEM TO YOU AND THEY COME TRUE,
THEN WILL YOU BELIEVE ME?
WHO'S THAT?
THINK OF ME AS A FRIEND.
WHERE DO YOU COME FROM?
THE QUESTION IS, WHERE HAVE YOU GONE?
THE FIRST THING I WILL TELL YOU IS,
THERE'S A MAN IN A SMILING BAG.
"A MAN IN A SMILING BAG."
THE SECOND THING IS,
THE OWLS ARE NOT WHAT THEY SEEM.
THE THIRD THING IS,
WITHOUT CHEMICALS, HE POINTS.
WHAT DO THESE THINGS MEAN?
THIS IS ALL I'M PERMITTED TO SAY.
GIVE ME YOUR RING.
I WILL RETURN IT TO YOU
WHEN YOU FIND THESE THINGS TO BE TRUE.
WE WANT TO HELP YOU.
WHO'S "WE"?
ONE LAST THING...
LEO LOCKED INSIDE A HUNGRY HORSE.
THERE'S A CLUE AT LEO'S HOUSE.
YOU WILL REQUIRE MEDICAL ATTENTION.
KNOCK, KNOCK, KNOCK.
COME ON.
LET'S HAVE A LOOK AT THE NEW GIRL.
OOH! MMM.
VIXEN.
WHAT ROOM IS BEN IN?
THE LITTLE FLOWER ROOM.
WHY IS HE HOLDING OUT ON ME?
WHAT?
WHY IS HE HOLDING OUT?
WHAT'S THAT, BLACKIE?
WHO'S HOLDING OUT ON WHO?
PLEASE.
OH, BLACKIE.
YOU USED TO BE SO PRETTY.
BLACKIE, BLACKIE.
BASTARD.
I THINK YOU SHOULD GO.
DO YOU, PRUDENCE?
YES, I DO. I REALLY DO.
HMM.
ALL RIGHT.
IF YOU INSIST.
GOTCHA!
HA HA HA!
AND I WILL HUFF AND PUFF AND...
BLOW YOUR HOUSE DOWN!
OH, MY, MY.
AREN'T YOU SOMETHING!
MMM!
OH, I HAVE GOT TO SEE YOU.
I MUST SEE YOU.
GO AWAY.
I'M SHY.
DIDN'T THEY TELL YOU WHO I WAS?
THE OWNER?
THAT'S RIGHT.
BEN, IT'S JER. WE GOT A SITUATION.
SO HAVE I.
BROTHER BEN, WE GOT A S-N-A-G.
ALAS, I DO HAVE A SITUATION.
COME ON, BEN.
COMING, JER.
I LIKE YOU.
YOU KNOW HOW TO INTEREST A MAN.
THAT'S HALF THE BATTLE.
NEXT TIME, WE WILL PLAY A DIFFERENT GAME.
I'LL MAKE THE RULES.
YOU'LL LIKE IT.
FUN GAME.
EVERYBODY WINS.
MMM.
DIANE...
MY RECORDER IS ON THE TABLE.
I'M UNABLE TO REACH IT AT THIS TIME.
I CAN ONLY HOPE THAT I INADVERTENTLY PRESSED
THE VOICE ACTIVATION BUTTON.
I'M LYING ON THE FLOOR OF MY ROOM.
I'VE BEEN SHOT.
THERE'S A GREAT DEAL OF PAIN
AND A FAIR AMOUNT OF BLOOD.
FORTUNATELY I WAS WEARING
MY BULLETPROOF VEST LAST NIGHT
PER BUREAU REGULATIONS WHEN WORKING UNDERCOVER.
I REMEMBER FOLDING THE VEST UP,
TRYING TO CHASE DOWN A WOOD TICK.
IF YOU CAN IMAGINE THE IMPACT ON YOUR CHEST
OF 3 BOWLING BALLS
DROPPED FROM A HEIGHT OF ABOUT 9 FEET,
YOU MIGHT BEGIN TO APPROXIMATE THE SENSATION.
ALL THINGS CONSIDERED,
BEING SHOT IS NOT AS BAD
AS I ALWAYS THOUGHT IT MIGHT BE,
AS LONG AS YOU CAN KEEP THE FEAR FROM YOUR MIND.
BUT...
I GUESS YOU COULD SAY THAT ABOUT MOST ANYTHING IN LIFE.
IT'S NOT SO BAD, AS LONG AS YOU CAN
KEEP THE FEAR FROM YOUR MIND.
OH, MY ...
THE RING IS GONE.
AT A TIME LIKE THIS, CURIOUSLY,
YOU BEGIN TO THINK OF THE THINGS YOU REGRET
OR THE THINGS YOU MIGHT MISS.
I WOULD LIKE, IN GENERAL,
TO TREAT PEOPLE WITH MUCH MORE CARE AND RESPECT.
I WOULD LIKE TO CLIMB A TALL HILL--
NOT TOO TALL--
SIT IN THE COOL GRASS--
NOT TOO COOL--
AND FEEL THE SUN ON MY FACE.
I WISH I COULD HAVE CRACKED
THE LINDBERGH KIDNAPPING CASE.
I WOULD VERY MUCH LIKE TO MAKE LOVE
TO A BEAUTIFUL WOMAN WHO I HAD GENUINE AFFECTION FOR.
AND, OF COURSE, IT GOES WITHOUT SAYING,
THAT I WOULD LIKE TO VISIT TIBET.
I WISH THEY COULD GET THEIR COUNTRY BACK
AND THE DALAI LAMA COULD RETURN.
OH, I WOULD LIKE THAT VERY MUCH.
ALL IN ALL, A VERY INTERESTING EXPERIENCE.
AHH.
THEY'RE HERE.
MY SKIN WAS ITCHING.
A WOOD TICK WAS CRAWLING.
I LIFTED MY BULLETPROOF VEST.
3 SLUGS, POINT BLANK RANGE.
THAT EXPLAINS THIS.
HELL OF A WAY TO KILL A TICK.
DID YOU GET A LOOK AT THE GUNMAN?
I SAW A MASKED FACE, A MUZZLE FLASH.
LUCY...
YOU BETTER BRING AGENT COOPER UP TO DATE.
LEO JOHNSON WAS SHOT,
JACQUES RENAULT WAS STRANGLED,
THE MILL BURNED,
SHELLY AND PETE GOT SMOKE INHALATION,
CATHERINE AND JOSIE ARE MISSING,
NADINE IS IN A COMA FROM TAKING SLEEPING PILLS.
HOW LONG HAVE I BEEN OUT?
IT'S 7:45 IN THE MORNING.
WE HAVEN'T HAD THIS MUCH ACTION IN ONE NIGHT
SINCE THE ELKS CLUB FIRE OF '59.
HARRY, WE NEED TO GET A SEARCH WARRANT
FOR LEO JOHNSON'S HOUSE.
NO NEED. LEO WAS SHOT IN HIS OWN LIVING ROOM.
DEPUTY BRENNAN FOUND HIM.
YOU'RE NOT GOING ANYWHERE.
DOC, WHEN THE WILL IS INVOKED,
THE RECUPERATIVE POWERS
OF THE PHYSICAL BODY ARE SIMPLY EXTRAORDINARY.
JUST GIVE ME A COUPLE HOURS TO GET DRESSED.
I'M STANDING IN FRONT OF
WHERE A STORAGE AREA OF THE PACKARD SAWMILL
BURNED TO THE GROUND
UNDER WHAT FIRE DEPARTMENT INVESTIGATORS
ARE CALLING "MYSTERIOUS CIRCUMSTANCES."
NOW, POLICE OFFICIALS HAVE TOLD ME...
BOBBY.
THEY HAVE AS YET UNCOVERED NO APPARENT LINK
TO THE SEEMINGLY UNRELATED TRAGEDIES.
REPORTING LIVE FROM THE SAWMILL...
THIS IS AGAINST RECOMMENDATIONS.
ALL RIGHT, DOC. DULY NOTED.
YOU GOT BUSTED RIBS,
YOUR CARTILAGE IS A MESS.
WHO KNOWS WHAT ELSE IS WRONG.
WHAT'S THAT?
JACQUES RENAULT.
IS THAT BAG SMILING?
WHAT'S THERE TO SMILE ABOUT?
[GROANS]
DO YOU MISS BETH?
WHAT?
HAVE YOU BEEN MISSING YOUR MOM?
AUNT SARAH?
YEAH?
I HAD THE STRANGEST DREAM LAST NIGHT.
ABOUT WHAT?
THE RUG.
RIGHT HERE.
RIGHT FROM THIS ANGLE WHERE I'M SITTING.
WAS LAURA IN IT?
♪ OH, MARES EAT OATS AND DOES EAT OATS ♪
♪ AND LITTLE LAMBS EAT IVY ♪
♪ A KID'LL EAT IVY, TOO, WOULDN'T YOU ♪
♪ OH, MARES EAT OATS AND DOES EAT OATS ♪
♪ AND LITTLE LAMBS EAT IVY ♪
♪ A KID'LL EAT IVY, TOO, WOULDN'T YOU ♪
♪ NOW IF THE WORDS SOUND QUEER ♪
♪ AND FUNNY TO YOUR EAR ♪
♪ A LITTLE BIT JUMBLED AND JIVY ♪
♪ SAY MARES EAT OATS AND DOES EAT OATS ♪
♪ AND LITTLE LAMBS EAT IVY ♪
LELAND!
♪ OH ♪
♪ MARES EAT OATS AND DOES EAT OATS ♪
♪ AND LITTLE LAMBS EAT IVY ♪
♪ A KID'LL EAT IVY, TOO, WOULDN'T YOU ♪
MORNING, DEARS.
♪ OH, MARES EAT OATS AND DOES EAT OATS ♪
♪ AND LITTLE LAMBS EAT IVY... ♪
OH, LELAND.
UNCLE LELAND'S HAIR TURNED WHITE.
LELAND, COME BACK HERE.
OH!
OK. AGENDA.
ONE--
I WANT A LOCATION ON CATHERINE.
WE'LL KEEP OUR DISTANCE.
JUST MAKE SURE SHE'S READY TO TAKE THE FALL.
2--I WANT A COMPLETE MEDICAL ON LEO JOHNSON
AND HIS PROSPECTS FOR RECOVERY
AND A SATISFACTORY EXPLANATION
FROM HANK JENNINGS
WHY LEO ISN'T BEING MEASURED
FOR A PLOT IN GHOSTWOOD MEMORIAL PARK.
WELL BEGUN IS HALF DONE.
♪ OH, MARES EAT OATS AND DOES EAT OATS ♪
♪ AND LITTLE LAMBS EAT IVY ♪
♪ A KID'LL EAT IVY, TOO, WOULDN'T YOU ♪
♪ OH, MARES EAT OATS AND DOES EAT OATS ♪
♪ AND LITTLE LAMBS EAT IVY ♪
♪ A KID'LL EAT IVY, TOO, WOULDN'T YOU ♪
♪ NOW IF THE WORDS SOUND QUEER ♪
♪ AND FUNNY TO YOUR EAR ♪
♪ A LITTLE BIT JUMBLED AND JIVY ♪
♪ SAY MARES EAT OATS AND DOES EAT OATS ♪
♪ AND LITTLE LAMBS EAT IVY... ♪
I'M BACK.
BACK AND READY.
BUT THE BULLET CAME FROM OUTSIDE.
HOW DO YOU FIGURE?
SHERIFF, A PICTURE IS FORMING.
BIG AX ON THE COUCH.
THESE SAME GEESE WERE FLYING THAT EVENING.
LEO WAS TRYING TO TURN SOMEONE INTO KINDLING.
THE PERSON HIT THE TV, MOVED IT.
YOU CAN SEE THE DEPRESSION IN THE CARPET.
SHELLY?
SHELLY JOHNSON'S ABOUT 99 POUNDS SOAKING WET.
THIS IS A BIG TV.
LEO ADVANCED, AX RAISED.
THEN WHAT HAPPENED?
BULLET CAME THROUGH THE WINDOW,
KNOCKED LEO BACK ONTO THE COUCH.
SHELLY PULLED THE TRIGGER?
SHERIFF, GET YOUR MIND OFF SHELLY...
FOR A MOMENT.
WE WON'T KNOW ABOUT SHELLY
UNTIL WE FIND OUT WHAT TIME SHE GOT TO THE MILL.
SURPRISE. FLESH WORLD.
HEY, WHAT ISSUE IS THIS?
STILL NO COCAINE HERE OR IN THE TRUCK,
BUT I FOUND THIS IN THE TRUCK.
LEO'S DUSTER.
REEKS OF GASOLINE.
THE MILL.
GOOD WORK, HAWK.
HARRY, DO YOU KNOW WHO IT IS?
WHAT'S THAT?
HARRY, DO YOU KNOW WHO IT IS?
IT'S ANDY. SEEMS PRETTY UPSET.
HARRY, IT'S AGENT ROSENFLOWER!
MAN.
ANDY, ARE YOU ALL RIGHT?
AND IT'S ANOTHER GREAT MOMENT IN LAW ENFORCEMENT HISTORY.
HEY, ALBERT.
LOOKS LIKE YOU WERE MORE RIGHT THAN YOU KNOW.
LOOKS LIKE A NEW PAIR OF BOOTS AND A LOT OF COCAINE.
ANDY.
GOOD WORK.
HOT DAMN, THAT PIE IS GOOD!
HERE'S LAURA'S GLASSES THAT YOU WANTED.
THANKS.
DONNA,
DO YOU SEE THESE GLASSES THAT I'M WEARING?
YEAH.
I HATE THEM.
I'M NEVER WEARING THESE AGAIN.
OK.
IS IT TRUE ABOUT JAMES?
HE SPENT THE NIGHT IN JAIL.
DO YOU THINK IT'S BECAUSE OF WHAT WE DID?
LOOK, WE DON'T KNOW IF WE DID ANYTHING.
MY DAD SAID JACOBY GOT SICK BECAUSE HE WAS ATTACKED.
ALL WE DID WAS SEND HIM A TAPE.
MAYBE HE WOULDN'T HAVE BEEN ATTACKED IF WE HADN'T.
MAYBE THE SUN WON'T COME UP IF YOU WASH YOUR HAIR.
THINK LIKE THAT AND YOU'RE GONNA GO CRAZY.
WHAT'S DONE IS DONE.
THE ONLY WAY THIS WON'T COME BACK TO HAUNT US
IS IF WE KEEP QUIET ABOUT WHAT HAPPENED LAST NIGHT.
I CAN ASSURE YOU, JAMES IS DOING THE SAME THING.
GET THE PICTURE?
LOUD AND CLEAR.
UNCLE LELAND'S HAIR TURNED WHITE.
REALLY?
WHITE AS A SHEET.
WEIRD.
DONNA, I HAVE SOMETHING FOR YOU.
IT CAME HERE YESTERDAY.
THANKS, NORMA.
...
WHAT IS IT?
"LOOK INTO THE MEALS ON WHEELS."
IT'S SIMPLE-- FBI AGENT GETS SHOT,
FBI AGENT INVESTIGATES.
I'M IN PROXIMITY. I'M FAMILIAR WITH THE UNDERLYING CASE.
THAT HURTS? YES.
ALBERT, THE POINT IS,
YOU'RE NOT GOING TO WIN ANY LOCAL POPULARITY CONTESTS.
GORDON COLE ORDERED ME BACK HERE.
BREATHE.
AGAIN.
OK.
YOU WERE SHOT BY A RIGHT-HANDED PERSON
5' 6" TO 5' 10", FROM LESS THAN 3 FEET.
I'LL HAVE BALLISTICS THIS AFTERNOON.
YOU'RE BLANK ON OTHER DETAILS?
YES.
WHY WAS YOUR VEST RIDING UP?
WOOD TICK.
MEANWHILE, ONE SUSPECT IS KILLED IN THE HOSPITAL.
THE OTHER'S SHOT IN HIS LIVING ROOM.
YOU TELL ME-- VIGILANTE JUSTICE OR JUST COUNTRY LIVING?
ALBERT, WHERE DOES THIS ATTITUDE
OF GENERAL UNPLEASANTNESS COME FROM?
I'LL GET BACK TO YOU.
IF YOU DON'T WANT 2 BLACK EYES ON A REGULAR BASIS,
I SUGGEST YOU MAKE SOME KIND OF PEACE WITH RURAL LIFE.
GREAT. AFTER THE SQUARE DANCE,
LET'S TAKE A HAYRIDE.
[KNOCK ON DOOR]
COME IN.
ANDY, HOW'S THE NOSE?
NOT A MARK ON IT. ONLY BLOOD SQUIRTED OUT.
WHERE DO THEY KEEP HIS WATER DISH?
ALBERT.
AGENT COOPER, GUESS WHAT?
I ANSWERED THE RIDDLE YOU TOLD THIS MORNING.
I CALLED HUNGRY HORSE, MONTANA.
THE WORD "LOCKED."
LEO JOHNSON WAS LOCKED IN A JAIL
IN HUNGRY HORSE, MONTANA.
WHEN, ANDY?
FEBRUARY 9, 1988.
THERESA BANKS.
LOOKS LIKE LEO HAS AN ALIBI
FOR THE NIGHT THERESA BANKS WAS MURDERED.
GOOD WORK, ANDY.
YEAH.
WOOF.
EXCUSE ME.
IS SHERIFF TRUMAN HERE?
HE IS, BUT HE'S BUSY AT THE MOMENT.
OH.
MAY I HELP YOU?
UH...
I'M AFRAID I DON'T HAVE AN APPOINTMENT.
THE SHERIFF ASKED ME TO STOP BY
AT MY CONVENIENCE.
THIS IS THE FIRST CONVENIENT MOMENT.
MAY I ASK WHAT THIS IS REGARDING?
I'M HERE TO SELL HIM SOME SHOES.
SHOES?
UH-OH. HERE COMES MOM WITH MILK AND COOKIES.
LATER, LAWRENCE.
BYE-BYE.
YOU GOT THIS TAPE FROM DR. JACOBY'S OFFICE?
YEAH.
THAT'S BREAKING AND ENTERING, JAMES.
THE DOOR WAS OPEN.
HOW DID YOU KNOW JACOBY WOULDN'T BE THERE?
I KNOCKED. NOBODY ANSWERED.
YOU WERE ALONE?
YEAH.
OK, I KNOW YOU WERE TRYING TO HELP,
BUT SOME MIGHT NOT SEE IT THAT WAY,
ESPECIALLY WITH COCAINE IN YOUR GAS TANK.
I DIDN'T PUT THAT THERE.
IT WAS PROBABLY MIKE AND BOBBY.
YEAH.
LAURA TALKS ON HER TAPE ABOUT A MYSTERY MAN.
THE RED CORVETTE.
LEO JOHNSON.
IT WAS SOMEBODY ELSE.
NOT JACQUES RENAULT, EITHER.
WHY DO YOU SAY THAT?
I PUT IT TOGETHER
WHEN SHE SAYS, "THIS GUY CAN REALLY LIGHT MY FIRE."
I REMEMBER ONE NIGHT
WHEN WE FIRST STARTED SEEING EACH OTHER.
SHE WAS STILL DOING DRUGS THEN.
WE WERE IN THE WOODS,
AND SHE STARTED SAYING THIS SCARY POEM
OVER AND OVER ABOUT FIRE.
AND THEN SHE SAID,
"WOULD YOU LIKE TO PLAY WITH FIRE, LITTLE BOY?
"WOULD YOU LIKE TO PLAY WITH BOB?
WOULD YOU LIKE TO PLAY WITH BOB?"
WHAT DID SHE MEAN BY THAT?
I DON'T KNOW.
LAURA SAID A LOT OF NUTTY STUFF.
HALF THE TIME, IT JUST WENT RIGHT BY YOU.
THIS STUCK, THOUGH.
JAMES, I'LL GET TO THE POINT.
I KNOW YOU HAVE HALF OF LAURA PALMER'S NECKLACE.
I WANT IT. GIVE IT TO ME.
HOW...
WELL, THIS WAS IN JACOBY'S OFFICE.
IT WAS IN A COCONUT.
A COCONUT?
HAWK, TAKE JAMES BACK TO HIS CELL.
JACOBY.
HOW DID YOU KNOW HE HAD THE NECKLACE?
LAURA AND JAMES WERE IN LOVE.
I FIGURED HE HAD TO HAVE THE OTHER HALF.
BUT IF HE HAD IT,
HE'D GIVE IT TO US TO HELP WITH THE CASE.
THEN IT DAWNED ON ME.
SOMETHING OR SOMEONE FRIGHTENED HIM OFF.
HE HAD TO HAVE IT, SO I ASKED HIM FOR IT.
JACOBY.
I DIDN'T FIGURE
HE HAD ANYTHING TO DO WITH THIS AT ALL.
SOMETIMES YOU JUST GET LUCKY.
[WHISTLE]
DONNA?
HI, LUCY.
I'M HERE TO SEE JAMES.
[DOOR OPENS]
WOW.
HOW YOU DOING?
DID YOU TELL THEM ANYTHING?
THEY HAVEN'T ASKED ME ANYTHING.
WHEN DID YOU START SMOKING?
I SMOKE EVERY ONCE IN A WHILE.
IT HELPS RELIEVE TENSION.
WHEN DID YOU GET SO TENSE?
WHEN I STARTED SMOKING.
DID YOU TELL THEM ANYTHING?
I DIDN'T TELL THEM ABOUT YOU OR MADDY.
DO THEY THINK LEO KILLED LAURA?
I DON'T KNOW WHAT THEY THINK.
HOW IS MADDY?
SHE'S FINE.
SHE HASN'T SAID ANYTHING, EITHER.
SO DON'T YOU WANT TO KISS ME?
WHAT'S WRONG?
NOTHING'S WRONG.
OR IS IT JUST NOT OK FOR ME TO WANT YOU?
GET OUT SOON, JAMES.
LUCY.
ANDY.
IN THESE BOXES IS EVERY EDITION OF FLESH WORLD
PUBLISHED FOR THE PAST 3 YEARS.
THIS IS THERESA BANKS,
THE FIRST VICTIM OF OUR KILLER
WHO WAS MURDERED A YEAR AGO.
LAURA AND RONETTE'S PHOTOGRAPHS
APPEARED IN ADS IN THE MAGAZINES.
YOU WANT US TO LOOK FOR A PICTURE OF THERESA BANKS.
ANDY, YOU'RE WAY AHEAD OF ME.
SHERIFF TRUMAN AND I WILL BE AT THE HOSPITAL.
BEHAVE YOURSELVES.
DIANE, I JUST RECEIVED
THE BACK ISSUES OF FLESH WORLD.
IT'S NICE TO SEE SOME COOPERATION
FROM A COMPANY THAT PREYS ON HUMAN WEAKNESSES.
LUCY, I SH-SURE FEEL UNCOMFORTABLE
BEING IN THIS SITUATION WITH YOU.
WHY? WE'RE BOTH PROFESSIONALS.
[GASP]
IS HE ON SOMETHING?
ONLY WHAT YOU PRESCRIBED.
I THINK HE DID TAKE A LITTLE BIT OF HIS FOOD.
MY ..., COULD THAT BE IT?
AGENT COOPER, WHY DON'T YOU TELL THE PSYCHIATRIST
ABOUT YOUR BROKEN RIBS AND TORN CARTILAGE?
WELL, WELL, WELL.
WHAT HAPPENED TO YOU?
I DON'T WANT ANY BALONEY, MAGIC TRICKS,
OR PSYCHOLOGICAL MUMBO-JUMBO.
TELL US HOW YOU CAME INTO POSSESSION OF THIS,
OR I'LL HAVE TO PLACE YOU UNDER ARREST
FOR OBSTRUCTION OF JUSTICE.
LOOK, I TOLD YOU. THE NIGHT AFTER LAURA DIED,
I FOLLOWED A MAN IN A RED CORVETTE.
LEO JOHNSON.
CORRECT.
WELL, HE ELUDED ME
SOMEWHERE NEAR THE OLD SAWMILL ROAD.
AS I SAT THERE
CURSING MY... MY LACK OF HORSEPOWER,
A MOTORCYCLE DROVE BY,
FOLLOWED BY A POLICE CRUISER.
BUT YOU LOST THEM.
THEY WENT INTO THE WOODS. I SAW THEM.
I-I FOLLOWED THEM IN THERE ON FOOT.
JAMES AND DONNA?
YES. THEY--THEY SPOKE INTENTLY FOR A WHILE,
BUT I COULDN'T HEAR WHAT THEY WERE SAYING.
I REMEMBER IT WAS A COLD NIGHT IN THE WOODS.
FINALLY, THEY--THEY BURIED SOMETHING
IN THE GROUND UNDER A ROCK.
ILL-ADVISEDLY, PERHAPS,
I TOOK IT AS A KEEPSAKE.
IT WAS HER, YOU SEE.
THE NECKLACE...
THE DIVIDED HEART.
LAURA WAS...
WAS, IN FACT...SHE WAS LIVING A DOUBLE LIFE.
2 PEOPLE.
YEAH, BUT THEN...
THEN WHEN I SAW HER THAT LAST TIME,
SHE...I DON'T KNOW, SHE SEEMED TO HAVE REACHED
A KIND OF... OF PEACE WITH HERSELF.
NOW I BELIEVE THAT
WHAT SHE HAD IN FACT ARRIVED AT
WAS A DECISION TO END HER LIFE.
ARE YOU SAYING LAURA WANTED TO DIE?
DOCTOR...
LAURA PALMER DID NOT COMMIT SUICIDE.
NO, NO.
BUT MAYBE SHE ALLOWED HERSELF TO BE KILLED.
ONE MORE THING.
YOU WERE IN INTENSIVE CARE LAST NIGHT
WHEN JACQUES RENAULT WAS KILLED.
WELL, YES, BUT COME ON, FELLAS.
I WAS HEAVILY SEDATED.
DID YOU SEE ANYTHING? HEAR ANYTHING?
I REMEMBER HEARING A FIRE ALARM GO OFF, BUT...
..., IT'S...
IT'S ALL LIKE A...
LIKE A DREAM.
THERE WAS A SMELL.
YEAH, THERE WAS A PECULIAR SMELL.
IT'S USUAL, IN THE CASE OF STRANGULATION,
FOR THE VICTIM TO VOID HIS BOWELS.
NO.
NO, THAT WASN'T IT. THIS...
THIS WAS A SMELL LIKE...
LIKE OIL.
SCORCHED ENGINE OIL.
HEY, SLEEPING BEAUTY.
BOBBY!
WHAT ARE YOU DOING HERE?
WHAT IF SOMEONE SEES YOU?
I DON'T CARE.
I DO NOT CARE ANYMORE.
LEO'S IN THE HOSPITAL.
SOMEBODY SHOT HIM.
YEAH, I KNOW. I HEARD.
THERE'S COPS OUTSIDE HIS ROOM.
REALLY?
I HEAR THEY'RE GOING TO BUST HIM.
MUST HAVE GOT CAUGHT DOING SOMETHING, POOR BASTARD.
WHAT HAPPENED TO YOU?
BOBBY...
I'M SO AFRAID.
LEO TRIED TO KILL ME.
HE KNOWS ABOUT US.
HE TOOK ME UP TO THE MILL,
AND HE TIED ME UP AND STARTED THE FIRE.
BOBBY...
HE TOLD ME HE WAS GOING TO KILL YOU.
FAT CHANCE.
I WON'T LET HIM HURT US ANYMORE.
ARE YOU ALL RIGHT?
DOCTORS SEEM TO THINK SO.
YOU KNOW, SHELLY,
HOSPITALS ARE DANGEROUS PLACES.
FIRST OF ALL, THEY'RE CRAWLING WITH SICK PEOPLE,
AND SECOND OF ALL, THAT FOOD CAN KILL YOU.
SO IF YOU WANT TO GET OUT OF HERE PRONTO,
YOU'LL HAVE TO LET BOBBY BE YOUR DOCTOR.
SO LET'S JUST HAVE A LOOK HERE, MISS, SHALL WE?
OH, YOU SEEM TO BE COMING ALONG SPLENDIDLY.
DEEP BREATH.
I'D SAY YOU'RE ON YOUR WAY
TO A COMPLETE RECOVERY.
YOU BETTER GO.
YOU'RE MY GIRL.
BOBBY...
I LOVE YOU.
I GUESS... I LOVE YOU, TOO.
YEAH...
I GUESS I LOVE YOU, TOO.
BOBBY BRIGGS.
WHAT'S HE DOING HERE?
HE DOESN'T LOOK SICK.
TO SEE THIS KIND OF INVESTIGATIVE GENIUS AT WORK,
IT'S JUST A REAL TREAT FOR ME.
ED?
HOW YOU DOING? HEARD YOU STOPPED A COUPLE.
I'M OK. HOW'S NADINE?
SHE'S IN A COMA.
THERE'S NOTHING WE CAN DO.
SHE HAS TO WANT TO COME BACK.
HOW YOU HOLDING UP?
ALL I CAN DO IS THINK ABOUT THE THINGS
I SHOULD HAVE SAID OR DONE.
DON'T BE TOO HARD ON YOURSELF.
I NEVER BELIEVED IN FATE.
I ALWAYS FELT YOU MAKE YOU OWN WAY.
YOU TAKE CARE OF YOUR OWN.
YOU PICK UP AFTER YOURSELF.
FARMER'S ALMANAC?
ALBERT, I WOULD LIKE TO SPEAK TO ED.
ALBERT, I'LL BUY YOU A CUP OF COFFEE.
TAKE A SEAT, ED.
I SAW THIS COMING.
I DIDN'T WANT TO BELIEVE IT.
WHAT'S WORSE, I'M THINKING MAYBE THERE'S A PART OF ME
THAT DIDN'T WANT TO STOP HER.
THAT'S A FULL LOAD.
WHEN DID YOU GET MARRIED, ED?
RIGHT OUT OF HIGH SCHOOL.
NORMA AND I'D BEEN TOGETHER ABOUT 4 YEARS.
EVERYBODY FIGURED WE'D GET HITCHED.
THAT WOULD BE THAT.
I BARELY KNEW NADINE TO SAY HELLO TO.
AND THAT SPRING, ONE BAD WEEKEND,
NORMA RAN OFF WITH HANK.
I WAS SO TWISTED UP INSIDE
I COULDN'T SEE STRAIGHT.
WHEN I OPENED MY EYES,
THERE WAS NADINE RIGHT IN FRONT OF ME.
THERE WAS SOMETHING SO SWEET,
SO HELPLESS ABOUT HER.
WE DROVE ALL NIGHT,
ENDED UP IN SOME LITTLE TOWN IN MONTANA
OUT PAST GREAT FALLS.
I ASKED HER TO MARRY ME,
HALF JOKING, HALF DRUNK, HALF CRAZY.
IT WAS LIGHT BEFORE WE FOUND
A JUSTICE OF THE PEACE.
AND NORMA, WELL, SHE HADN'T EVEN SLEPT WITH HANK.
THE LOOK ON HER FACE WHEN SHE FOUND OUT...
NADINE AND I WENT TO MY DAD'S OLD CABIN
UP IN EAGLE PASS.
HONEYMOON.
I WAS HOPING WE'D GET AROUND
TO TALKING ABOUT DIVORCE,
ANNULMENT, SOMETHING.
BUT NADINE WAS SO HAPPY.
AND YOU KNOW, BY GOLLY,
I SHOT OUT NADINE'S EYE ON THAT HONEYMOON.
WHAT DO YOU MEAN, ED?
THAT FIRST DAY, WE WERE HUNTING PHEASANT.
NADINE'S A CRACK SHOT.
WE ALREADY HAD A COUPLE BIRDS.
I FELT GOOD SHOOTING,
LISTENING TO THE SOUND ECHO
AND ROLL DOWN THOSE HILLS.
I FIRED, A PIECE OF BUCKSHOT SKIPPED OFF A ROCK
AND CAUGHT NADINE SQUARE IN THE EYE.
MAN, THAT'S A TOUGH ONE.
SHE LAID ACROSS MY LAP
AS WE DROVE BACK TO TOWN.
SHE NEVER CRIED.
SHE NEVER BLAMED ME.
SHE NEVER HATED ME FOR IT.
COUPLE MONTHS LATER, NORMA MARRIED HANK.
SO I DON'T BELIEVE IN FATE.
YOU MAKE YOUR BED, YOU SLEEP IN IT.
SORRY.
ED, SOMEONE'S HERE TO SEE YOU.
A MAN IN A SMILING BAG.
TAKE JAMES BACK TO THE STATION
WHEN THEY'RE DONE HERE.
POOR ED.
POOR NADINE.
YEAH.
ALBERT, TAKE THIS OPPORTUNITY
TO CHECK IN AT THE GREAT NORTHERN.
NURSE, I REALLY MEAN IT.
SPEAK TO THAT KITCHEN.
OH!
WHEN ALBERT'S FINISHED,
WE'LL MEET BACK AT THE STATION.
I'M READY TO LAY THE WHOLE THING OUT.
ROCKS AND BOTTLES?
CHALK AND BLACKBOARD WILL BE JUST FINE.
JELLY DOUGHNUTS?
HARRY, THAT GOES WITHOUT SAYING.
I'LL COME BACK LATER AND BRING SOME SOUP.
THE FOOD HERE WILL KILL YOU
QUICKER THAN MOST DISEASES.
SO I HEAR.
YOU KNOW I HAVE A SWEET TOOTH, TOO.
I'VE GOT A CHOCOLATE PEANUT BUTTER PIE.
NORMA, I'M SERIOUS.
BRING THE WHOLE PIE.
I MAY BRING YOU TWO.
OK.
FEEL BETTER, SWEETIE.
BYE.
SON?
DAD?
WOULD YOU...
CARE TO JOIN ME?
OK.
HOW WAS SCHOOL TODAY?
SCHOOL?
FINE.
THAT'S GOOD.
HOW WAS WORK?
WORK? WORK WAS GOOD.
DAD.
YES, SON?
WHAT IS IT THAT YOU DO, EXACTLY?
THAT'S CLASSIFIED.
OH.
BOBBY, WOULD YOU CARE FOR A PIECE OF PIE?
THE HUCKLEBERRIES ARE PARTICULARLY DELICIOUS TODAY.
PARTICULARLY FRESH.
AND DELICIOUS.
NO, THANKS.
BOBBY...
MAY I SHARE SOMETHING WITH YOU?
OK.
A VISION I HAD IN MY SLEEP LAST NIGHT...
AS DISTINGUISHED FROM A DREAM,
WHICH IS MERE SORTING AND CATALOGING OF THE DAY'S EVENTS
BY THE SUBCONSCIOUS.
THIS WAS A VISION,
FRESH AND CLEAR AS A MOUNTAIN STREAM.
THE MIND REVEALING ITSELF TO ITSELF.
IN MY VISION,
I WAS ON THE VERANDA OF A VAST ESTATE,
A PALAZZO OF SOME FANTASTIC PROPORTION.
THERE SEEMED TO EMANATE FROM IT A LIGHT
FROM WITHIN THIS GLEAMING, RADIANT MARBLE.
I'D KNOWN THIS PLACE.
I'D IN FACT BEEN BORN AND RAISED THERE.
THIS WAS MY FIRST RETURN,
A REUNION WITH THE DEEPEST WELLSPRINGS OF MY BEING.
WANDERING ABOUT, I NOTICED HAPPILY
THAT THE HOUSE HAD BEEN IMMACULATELY MAINTAINED.
THERE'D BEEN ADDED A NUMBER OF ADDITIONAL ROOMS,
BUT IN A WAY THAT BLENDED SO SEAMLESSLY
WITH THE ORIGINAL CONSTRUCTION,
ONE WOULD NEVER DETECT ANY DIFFERENCE.
RETURNING TO THE HOUSE'S GRAND FOYER,
THERE CAME A KNOCK AT THE DOOR.
MY SON WAS STANDING THERE.
HE WAS HAPPY AND CAREFREE...
CLEARLY LIVING A LIFE OF DEEP HARMONY AND JOY.
WE EMBRACED,
A WARM AND LOVING EMBRACE,
NOTHING WITHHELD.
WE WERE, IN THIS MOMENT, ONE.
MY VISION ENDED AND I AWOKE
WITH A TREMENDOUS FEELING OF OPTIMISM AND CONFIDENCE
IN YOU AND YOUR FUTURE.
THAT WAS MY VISION OF YOU.
REALLY?
I'M SO GLAD
TO HAVE HAD THIS OPPORTUNITY TO SHARE IT WITH YOU.
I WISH YOU NOTHING BUT THE VERY BEST
IN ALL THINGS.
THANK YOU...DAD.
SEE YOU LATER AT HOME.
OK.
MAJOR?
HOW WAS THE PIE?
EXCEPTIONAL, AS ALWAYS.
HOW IS SHELLY?
I CAN'T TALK RIGHT NOW.
WELL, HOW'D SHE LIKE THE FLOWERS?
[GUNSHOT]
THE NIGHT LAURA WAS KILLED,
SHE MADE 2 APPOINTMENTS.
HER DIARY SAYS, "NERVOUS ABOUT MEETING J TONIGHT,"
PROBABLY MEANING JAMES HURLEY.
SHE PLANNED TO TELL HIM
SHE WOULDN'T SEE HIM ANYMORE.
BEFORE SNEAKING OUT, SOMEONE PHONED HER.
WE BELIEVE LEO JOHNSON,
MAKING A SECOND APPOINTMENT FOR LATER THAT NIGHT.
LAURA MET JAMES, WAS WITH HIM UNTIL 12:30,
WHEN AT THE INTERSECTION OF SPARKWOOD AND 21
SHE LEFT HIM AND RAN INTO THE WOODS.
WE THINK SHE MET JACQUES RENAULT,
LEO JOHNSON, AND RONETTE PULASKI.
THEY DROVE TO THE TRAIL LEADING TO JACQUES' CABIN.
THEY WERE HEARD PASSING THE LOG LADY'S CABIN.
THEY REACHED JACQUES' CABIN AT APPROXIMATELY 1:00 A.M.
DRUGS AND ALCOHOL WERE CONSUMED.
LAURA WAS TIED UP
AND HAD SEXUAL RELATIONS WITH LEO AND JACQUES.
WALDO THE BIRD ATTACKED LAURA.
LEO AND JACQUES FOUGHT. JACQUES PASSED OUT.
WHEN HE CAME TO, THE OTHERS WERE GONE.
WE BELIEVE LEO RETURNED TO HIS CORVETTE ALONE,
LEAVING THE GIRLS BEHIND.
BECAUSE THERE WAS A THIRD MAN.
DEPUTY HAWK FOUND EVIDENCE OF A THIRD MAN
OUTSIDE JACQUES' CABIN.
THE THIRD MAN TOOK THE GIRLS TO THE TRAIN CAR,
WHERE THEY WERE TIED UP.
LAURA FOR THE SECOND TIME,
RONETTE FOR THE FIRST.
THE KILLER HIT RONETTE AND KNOCKED HER UNCONSCIOUS.
HE MUST'VE BEEN SO INTENT ON KILLING LAURA,
HE DIDN'T REALIZE RONETTE REGAINED CONSCIOUSNESS
AND ESCAPED.
EITHER THAT, OR HE DIDN'T CARE.
HE MADE A MOUND OF DIRT
AND PUT LAURA'S HALF-HEART NECKLACE ON TOP.
HE THEN PLACED A SMALL CUT-OUT LETTER "R"
UNDER A FINGERNAIL.
HE PLACED THE LETTER "T"
UNDER THE FINGERNAIL OF THERESA BANKS.
HE LEFT A NOTE WRITTEN IN BLOOD--
"FIRE WALK WITH ME."
HERE'S THE INTERESTING THING.
THE BLOOD ON THE NOTE WAS TESTED.
IT DOESN'T MATCH LEO'S, JACQUES', LAURA'S,
OR RONETTE'S.
SO WE SURMISE THE KILLER WROTE IN HIS OWN BLOOD.
IT'S A RARE TYPE-- AB NEGATIVE.
THE TOWEL HAWK FOUND 5 MILES DOWN THE TRACKS
WAS SOAKED IN THAT TYPE BLOOD.
HE ALSO FOUND SCRAPS OF FADED PAPER NEARBY.
POSSIBLY LEFT BY THE KILLER.
THEY'LL BE SENT TO WASHINGTON, D.C.
FOR TESTING.
I KNOW, ANDY.
I KNOW, I KNOW.
IT'S WHAT WE CALL A REAL 3-HANKY CRIME.
ALBERT ROSERFELT...
I DON'T LIKE THE WAY YOU TALK SMART
ABOUT SHERIFF TRUMAN OR ANYBODY!
YOU SHUT YOUR MOUTH!
LAURA PALMER IS DEAD.
JACQUES RENAULT IS DEAD.
RONETTE PULASKI AND LEO JOHNSON ARE IN COMAS.
WALDO THE BIRD IS DEAD.
THIS LEAVES ONLY THE THIRD MAN.
[DOOR OPENS]
[COUGHING]
WANT THIS DOOR CLOSED?
OH, YEAH, YEAH. WE'LL FROST OUR RUMPS SITTING IN HERE.
[COUGH]
I SURE DO APPRECIATE THE RIDE, HARRY.
NO PROBLEM.
I ALWAYS APPRECIATE YOUR COMPANY, PETE.
BOY, THIS SMOKE INHALATION...
IS NASTY BUSINESS.
I FEEL LIKE SOMEBODY TAPED MY LIPS
TO THE TAILPIPE OF A BUS.
TAKE 'ER EASY.
SO WHERE THE HELL IS JOSIE?
WELL, MAYBE THIS WILL TELL US.
"DEAR PETE,
"I HAD TO LEAVE THE TOWN
"ON AN EMERGENCY OF BUSINESS TO SEATTLE.
"I WILL PHONE YOU WHEN I ARRIVE.
"HOPE YOU DID A GOOD DAY AT THE MILL.
THERE IS GINGER BEER IN THE REFRIDGE. LOVE, JOSIE."
THERE YOU GO.
IS A PHONE NUMBER THERE?
NO.
DOES SHE SAY WHERE SHE'S STAYING?
NO, NO. SHE GOES TO SEATTLE
EVERY 3 MONTHS OR SO.
YOU WANT MY OPINION,
I THINK SHE GOES OVER THERE TO INDULGE A SECRET VICE.
WHAT'S THAT?
SHOPPING.
COMES BACK WITH HALF A DEPARTMENT STORE.
[CHUCKLES]
[COUGH COUGH]
PETE.
WE HAVEN'T FOUND CATHERINE.
YEAH?
FIGURED.
I KNOW YOU WANT TO HOPE FOR THE BEST,
BUT YOU OUGHT TO PREPARE FOR THE WORST.
OH, DEAR.
I ALWAYS FIGURED I'D BE THE ONE TO GO FIRST.
I MEAN, IF YOU WAS LAYING ODDS
ON THE LAST PERSON STANDING AFTER AN ATOMIC WAR,
I'D HAVE BET ON HER.
YEAH. SHE WAS A TIGER, ALL RIGHT.
AH, THERE'S NO USE MINCING WORDS.
SHE WAS PLAIN HELL TO LIVE WITH.
PLAIN HELL.
BUT...
ONCE THERE WAS A LITTLE BIT OF HEAVEN THERE, TOO.
OH, I'M SURE THERE WAS.
OH, ...
THIS WILL TAKE A LITTLE WHILE
TO SINK IN, I SUPPOSE.
I SUPPOSE IT WILL.
GOD HELP HER MISERABLE SOUL.
I LOVED HER.
[TELEPHONE RINGS]
[RING]
BLUE PINE LODGE.
COULD I SPEAK TO JOSIE PACKARD, PLEASE?
SHE'S NOT HERE NOW.
WHEN WILL SHE RETURN?
SHE'S OUT OF TOWN. WHO'S CALLING?
I'D LIKE TO PLACE AN INTERNATIONAL CALL, PLEASE.
COLLECT.
TO HONG KONG.
I MEAN, I ATE IT,
BUT I DIDN'T REALLY KNOW WHAT IT WAS.
THEN I READ ABOUT IT IN THIS MAGAZINE.
YOU DIP THE ENTIRE HEAD
IN THIS BLANCMANGE PUDDING.
THEN THEY ROLL IT IN OATS,
STUFF IT FULL OF WALNUTS
AND HOT ROCKS AND SPICES.
THEY WRAP IT IN PAPILLON.
THEY SEAL THE EDGES WITH A SUGAR GLAZE.
MMM.
THEN THEY BASTE IT UNDER GLASS.
OH, THAT SOUNDS INCREDIBLE.
IT IS TO DIE FOR.
HAVE YOU SEEN AUDREY TODAY?
NO, I HAVEN'T.
HANK JENNINGS.
JERRY AND BENJAMIN HORNE.
WHERE'S JOSIE?
SHE LEFT LAST NIGHT.
PREARRANGED?
SHE WANTED TO PUT A LITTLE DISTANCE
BETWEEN HER AND THE SMELL OF SMOKE.
SOUND STRATEGY.
NEXT BUSINESS--
LEO JOHNSON.
HE'S IN A COMA.
LOOKS LIKE BRAIN DAMAGE.
WITH LEO, HOW COULD THEY TELL?
WHY ISN'T HE DEAD?
I CAUGHT HIM CENTER SHOT WITH A .44.
I COULDN'T RISK GOING INSIDE.
THE NEIGHBORHOOD WAS HOT.
I HAD TO SNEAK PAST PATROLS AS IT WAS.
ANYBODY SEE YOU?
NEGATIVE.
HE WAS CHOPPING WOOD.
CHOPPING WOOD?
INSIDE?
YEAH. YOU KNOW LEO.
WAIT A MINUTE.
CHOPPING WOOD INSIDE?
YEAH.
YOU KNOW LEO.
ALL RIGHT. WHAT'S NEXT?
CATHERINE.
DEAD?
MY PHONE CALL PUT HER IN THE DRYING SHED
WHEN THE PLACE WENT UP.
SOUNDS LIKE BURIED WITH THE WRECKAGE.
HEAT LIKE THAT, THEY'LL BE LUCKY TO FIND TEETH.
AND THEY WERE SUCH PRETTY TEETH.
MARVELOUS.
GENTLEMEN...
IF THEY DON'T HANG THE ARSON
ON THE LATE, LAMENTED CATHERINE
AND HER CO-CONSPIRATOR LEO...
I'LL GIVE UP SEX.
[JERRY LAUGHS]
THAT'S CONFIDENCE.
WHAT DO WE DO WITH THE LEDGER?
HANK, YOU LEAVE THE CREATIVE THINKING TO THE BROTHERS HORNE.
YOU'RE A BICEP.
RELAX UNTIL WE SAY FLEX.
NOW, THAT...REALLY MAKES ME MAD.
YOU GUYS.
[KNOCK ON DOOR]
COME IN.
WHY IS THE DOOR TO MY ROOM LOCKED?
AND WHO'S THE REFRIGERATOR?
THE OWNER WAS A LITTLE DISAPPOINTED
IN YOUR PERFORMANCE LAST NIGHT.
WELL, THE OWNER ISN'T EXACTLY MY TYPE.
AND WHAT IS YOUR TYPE EXACTLY?
NOT YOU.
NO OFFENSE.
HEY.
LET'S GET ONE THING STRAIGHT BETWEEN US, PRINCESS.
OK.
I DON'T WANT TO HEAR ANOTHER COMPLAINT ABOUT YOU.
WHEN YOU WORK FOR ME,
EVERYBODY'S YOUR TYPE.
NORMA?
HI. IT'S DONNA.
I'M CALLING ABOUT MEALS ON WHEELS.
I'M GOING TO TAKE OVER LAURA'S ROUTE,
IF THAT'S OK WITH YOU.
OK.
GREAT.
LISTEN, CAN I USE THE DOUBLE-R STATION WAGON?
ALL RIGHT.
GREAT.
THEN I'LL SEE YOU TOMORROW AT 9:00.
GERSTEN'S GOING TO TELL US
ABOUT TONIGHT'S PROCEEDINGS.
SHE HAS GOOD NEWS.
WE'RE PROUD OF HER.
GOOD EVENING.
I'M GERSTEN HAYWARD.
I'D LIKE TO WELCOME YOU ALL
TO THE HAYWARD SUPPER CLUB.
I'M GOING TO BE PLAYING VARIOUS SELECTIONS OF MUSIC
FOR YOU THIS EVENING.
MY GOOD NEWS IS I WAS CHOSEN
TO BE THE FAIRY PRINCESS
IN MY SCHOOL PLAY.
THIS IS MY SPECIAL DRESS.
ALSO, I GOT THE HIGHEST SCORES
IN MATHEMATICS AND ENGLISH THIS MIDSEASON TERM
AS MY SISTERS DID BEFORE ME,
SO I'M NOT WORRIED ABOUT BEING ASHAMED ANYMORE.
BEFORE I PLAY,
HARRIET WOULD LIKE TO READ A POEM
ABOUT YOUR DAUGHTER AND OUR FRIEND LAURA.
UM...
"IT WAS LAURA,
"AND I S-SAW HER GLOWING...
"IN THE DARK WOODS.
"I SAW HER SMILING.
"WE WERE CRYING,
"AND I SAW HER
"LAUGHING.
"IN OUR SADNESS, I SAW HER DANCING.
"IT WAS LAURA,
"LIVING IN MY DREAMS.
"IT WAS LAURA.
"THE GLOW WAS LIFE.
"HER SMILE WAS TO SAY
"IT WAS ALL RIGHT TO CRY.
"THE WOODS WAS OUR SADNESS.
"THE DANCE WAS HER CALLING.
"IT WAS LAURA.
AND SHE CAME TO KISS ME GOOD-BYE."
THAT WAS WONDERFUL. THANK YOU.
GERSTEN.
NOW I'M GOING TO PLAY
MENDELSSOHN'S RONDO CAPRICCIOSO, OPUS 14.
I GOT THE LIST AND MAP FOR MEALS ON WHEELS.
I'M GOING TO START TOMORROW.
ACES.
LONG DAY, WILL?
I FEEL LIKE I'VE SAT THROUGH BACK-TO-BACK OPERAS.
IN MED SCHOOL, WE LEARNED TO LIVE
ON 3 HOURS A NIGHT AND CAT NAPS.
IT'S TERRIBLE ABOUT THE MILL.
THEY SAY MORE THAN 150 JOBS MAY BE LOST.
AWFUL. JUST AWFUL.
I, UH, SUPPOSE, UH, THIS'LL OPEN THE DOOR
FOR BEN HORNE AND HIS, UH...
BIG DEVELOPMENT PLANS?
WELL, AS HIS LAWYER-- AND YOURS--
OF COURSE, I CAN'T COMMENT.
WELL, AS YOUR DOCTOR, LELAND,
WHAT THE HELL HAPPENED TO YOUR HAIR?
IT IS STRANGE, ISN'T IT?
I WOKE UP THIS MORNING, LOOKED IN THE MIRROR,
AND THERE IT WAS.
IT HAD LITERALLY CHANGED OVERNIGHT.
WELL, CONSIDERING ALL YOU'VE BEEN THROUGH...
YOU KNOW, THE FUNNY THING ABOUT IT IS,
SEEING IT, I REALIZED THAT I HAD...
TURNED A CORNER SOMEHOW.
I FEEL A GREAT DEAL OF SADNESS, STILL, YES,
BUT, UM, IT WASN'T AS OVERWHELMING TO ME.
I PHYSICALLY FELT AS IF
A GREAT WEIGHT HAD BEEN LIFTED FROM MY HEART.
PERHAPS IT HAS.
..., I FEEL LIKE SINGING!
THAT'D BE VERY NICE.
NO, I REALLY FEEL LIKE SINGING A SONG.
UH...COME ON, EVERYBODY.
GET HAPPY.
GET HAPPY?
MM-HMM.
♪ FORGET YOUR TROUBLES ♪
♪ AND JUST GET HAPPY ♪
♪ YOU GOT TO PACK ALL YOUR CARES AWAY ♪
♪ SING HALLELUJAH, COME ON, GET HAPPY ♪
♪ GET READY FOR THE JUDGMENT DAY ♪
♪ THE SUN IS SHINING ♪
♪ COME ON, GET HAPPY ♪
♪ THE LORD IS WAITING TO TAKE YOUR HAND ♪
♪ SING HALLELUJAH, COME ON, GET HAPPY ♪
♪ WE'RE GOING TO THAT PROMISED LAND ♪
♪ WE'RE HEADIN' 'CROSS THE RIVER ♪
♪ WASH YOUR SINS AWAY IN THE TIDE ♪
♪ IT'S OH, SO PEACEFUL ♪
♪ ON THE OTHER SIDE ♪
♪ FORGET YOUR TROUBLES, COME ON, GET HAPPY ♪
♪ YOU BETTER CHASE ALL YOUR CARES AWAY ♪
♪ SING HALLELUJAH, COME ON, GET HAPPY ♪
♪ GET READY FOR THE JUDGMENT DAY ♪
♪ SING HALLELUJAH, COME ON, GET HAPPY ♪
♪ GET READY FOR THE JUDGMENT DAY ♪
♪ SING HALLELUJAH, COME ON, GET HAPPY ♪
♪ GET READY FOR THE JUDGMENT-- ♪
DONNA, GET MY BAG.
LELAND!
DAD, IS HE OK?
I'M SURE IT'S NOTHING SERIOUS.
OH, ...
I FEEL HAPPY.
BEGIN THE BEGUINE.
DIANE, IT'S...11:55 P.M.,
APPROXIMATELY 19 HOURS SINCE THE SHOOTING INCIDENT
WHICH NEARLY CAUSED ME TO MAKE A PREMATURE PURCHASE
OF THE PROVERBIAL FARM.
I AM DOG TIRED.
A MAN CAN ONLY GO SO LONG
WITHOUT SUBMITTING TO A PERIOD OF REST.
AS WE KNOW FROM EXPERIMENTS
CONDUCTED ON AMERICAN G.I.s
DURING THE KOREAN WAR,
SLEEP DEPRIVATION IS A ONE-WAY TICKET
TO TEMPORARY PSYCHOSIS,
AND I'M WORKING ON A 3-DAY JAG.
I GOT SO GOOFY LAST NIGHT,
WONDERING IF I WAS GOING TO LIVE OR DIE,
THAT I THOUGHT I SAW A GIANT IN MY ROOM.
PERHAPS THAT'S A STORY I'LL SAVE FOR ANOTHER TIME.
THIS IS ME--DALE--
ROOM 315 AT THE GREAT NORTHERN HOTEL,
SIGNING OFF.
SPECIAL AGENT...
SPECIAL AGENT,
SPECIAL AGENT.
SPECIAL AGENT, ARE YOU THERE?
I LEFT YOU A NOTE.
DIDN'T YOU GET MY NOTE?
I SLIPPED IT UNDER YOUR DOOR.
YOU MUST HAVE SEEN IT.
[SIGH]
I'M UP HERE AT ONE-EYED JACK'S.
TO BE PERFECTLY HONEST,
I THINK I'M IN A LITTLE OVER MY HEAD.
NOT THAT I CAN'T HANDLE IT.
I MEAN, IF I'M GOING TO HELP YOU OUT
WITH YOUR INVESTIGATIONS,
I'LL BE PUT INTO MORE DANGEROUS SITUATIONS
ON A FAIRLY REGULAR BASIS.
OH, BUT IT'S JUST...
YOU KNOW, MY FIRST TIME OUT.
I COULD USE A LITTLE EXPERT GUIDANCE.
JUST SO YOU KNOW, THERE IS A CONNECTION
BETWEEN HORNE'S DEPARTMENT STORE AND ONE-EYED JACK'S.
MY FATHER OWNS THE PLACE.
A SLEAZEBALL NAMED BATTIS RECRUITS SOME OF THE GIRLS
FROM THE PERFUME COUNTER.
TOMORROW I'M GOING TO TRY TO FIND OUT
IF LAURA AND RONETTE CAME UP HERE.
I HOPE YOU WON'T THINK ANY LESS OF ME
FOR TRYING TO HELP YOU.
I ONLY DID IT WITH THE BEST OF INTENTIONS.
AND IF THERE'S ANY WAY...
IF THERE'S ANY WAY IN THE WORLD
YOU CAN HEAR ME RIGHT NOW,
PLEASE HELP ME.
HELP ME.
SORRY TO WAKE YOU.
I AM NOT DREAMING.
I FORGOT TO TELL YOU SOMETHING.
YOU WERE RIGHT ABOUT THE SMILING BAG.
THE THINGS I TELL YOU WILL NOT BE WRONG.
BETTER TO LISTEN THAN TO TALK.
I BELIEVE YOU.
DON'T SEARCH FOR ALL THE ANSWERS AT ONCE.
A PATH IS FORMED BY LAYING ONE STONE AT A TIME.
ONE PERSON SAW THE THIRD MAN.
3 HAVE SEEN HIM, YES,
BUT NOT HIS BODY.
ONE ONLY.
KNOWN TO YOU.
READY NOW TO TALK.
ONE MORE THING.
YOU FORGOT SOMETHING.
WHAT?
LAURA!