CAPTIONING MADE POSSIBLE BY PARAMOUNT DOMESTIC TELEVISION
BUDDHIST TRADITION FIRST CAME
IN THE FIFTH CENTURY A.D.
THE FIRST KING TO BE TOUCHED BY THE DHARMA
WAS KING HA-THO THO-RIGNYAN-BTSAN.
HE AND SUCCEEDING KINGS
WERE KNOWN AS THE HAPPY GENERATIONS.
SOME HISTORIANS PLACE THEM
IN THE WATER SNAKE YEAR--213 A.D.,
OTHERS IN THE YEAR OF THE WATER OX-- 173 A.D.
AMAZING, ISN'T IT?
THE HAPPY GENERATIONS.
I'M THRILLED THE DHARMA CAME TO KING HO HO HO,
BUT I'M TRYING TO FOCUS ON THE PROBLEMS HERE IN TWIN PEAKS.
ALBERT, YOU'D BE SURPRISED AT THE CONNECTIONS
BETWEEN THE TWO.
COLOR ME AMAZED.
RONETTE PULASKI HAS WOKEN FROM HER COMA.
AND?
I'M THINKING SHE'LL HAVE
QUITE A STORY TO TELL
WHEN SHE BEGINS TO SPEAK.
SO SHE'S NOT TALKING?
WAKENED BUT SILENT.
PROBABLY SHOCK.
I'LL SHOW HER THE SKETCHES
OF LEO JOHNSON AND BOB,
THE MAN SARAH PALMER SAW IN HER VISION,
THE MAN FROM MY DREAM.
HAS ANYONE SEEN BOB ON EARTH LATELY?
NO, NOT YET.
OK.
I PERFORMED THE AUTOPSY ON JACQUES RENAULT.
THE STOMACH CONTENTS REVEALED BEER CANS,
A MARYLAND LICENSE PLATE,
HALF A BICYCLE TIRE, A GOAT,
AND A SMALL WOODEN PUPPET KNOWN AS PINOCCHIO.
YOU'RE MAKING A JOKE.
I'M ONE OF THE HAPPY GENERATIONS.
AND THE FAT BOY WASN'T STRANGLED.
KILLER SNUFFED HIM WITH A PILLOW.
HE WAS WEARING GLOVES.
THE TAPE BINDING HIS WRISTS WAS STOLEN FROM THE HOSPITAL.
IF JACQUES HAS ANY SECRETS,
HE'LL BE TAKING THEM UNDERGROUND.
WHAT ABOUT THE MILL?
WELL, PRELIMINARIES SUGGEST ARSON.
I NOMINATE LEO JOHNSON.
WE'LL GET A STATEMENT FROM SHELLY JOHNSON.
HOSPITAL SAYS SHE'S WELL ENOUGH.
HOW DO YOU FEEL?
ME?
IT'S CUSTOMARY TO ASK AFTER THE HEALTH
OF ONE RECENTLY PLUGGED.
THANKS FOR ASKING.
DON'T GET SENTIMENTAL.
WHO SHOT ME, ALBERT?
MY MEN ARE INTERROGATING THE HOTEL GUESTS--
THE USUAL BUMPER CROP OF RURAL KNOW-NOTHINGS.
NOTHING SO FAR.
THE WORLD'S MOST DECREPIT ROOM SERVICE WAITER
REMEMBERS NOTHING ABOUT THE NIGHT IN QUESTION.
NO SURPRISE THERE.
SEÑOR DROOL CUP HAS, SHALL WE SAY, A MIND THAT WANDERS.
ALBERT, MY RING IS GONE.
ONE DAY HERE,
THE NEXT DAY GONE.
SO?
I'M GLAD YOU'RE WITH US, ALBERT.
WE NEED THE BEST.
DEDICATION TO DUTY WASN'T ALL THAT BROUGHT ME BACK.
WHAT ELSE?
WINDOM EARLE.
AGENT EARLE?
HE'S RETIRED.
TO A COMFY CHAIR COMPLETE WITH WRIST RESTRAINTS
AT THE LOCAL LAUGHING ACADEMY.
WHAT HAPPENED?
NOBODY KNOWS.
YOUR FORMER PARTNER FLEW THE COOP, COOP.
HE ESCAPED.
VANISHED INTO THIN AIR.
THAT'S NOT GOOD.
HELLO?
MRS. TREMOND?
IT'S MEALS ON WHEELS.
HELLO?
ENTER.
MRS. TREMOND?
CAN I PUT YOUR MEAL HERE?
YES. THAT'S FINE.
MISS?
OH, HI.
SOMETIMES THINGS CAN HAPPEN JUST LIKE THIS--
CREAMED CORN?
DO YOU SEE CREAMED CORN ON THAT PLATE?
YES.
I REQUESTED NO CREAMED CORN.
DO YOU SEE CREAMED CORN ON THAT PLATE?
NO.
MY GRANDSON IS STUDYING MAGIC.
THAT'S NICE.
WHO ARE YOU?
I'M TAKING OVER LAURA PALMER'S PLACE
ON THE MEALS ON WHEELS.
SHE'S DEAD.
DID YOU KNOW HER WELL?
NO.
OK, MRS. TREMOND, I'LL BE BACK TOMORROW
TO PICK THIS UP AND TO BRING YOUR LUNCH.
THEY USED TO BRING ME HOSPITAL FOOD.
IMAGINE THAT.
YOUNG LADY?
YOU MIGHT ASK MR. SMITH NEXT DOOR.
HERE?
HE WAS LAURA'S FRIEND.
J'AI UNE AME SOLITAIRE.
MR. SMITH DOES NOT LEAVE HIS HOUSE.
HELLO?
[KNOCK KNOCK]
SHE SEEMED LIKE A VERY NICE GIRL.
THANKS, HARRY.
RONETTE.
HARRY, HOW DOES THIS THING WORK?
EXCUSE US, RONETTE.
WAIT A MINUTE.
YEAH?
"STOP."
"READ OPERATING INSTRUCTIONS
BENEATH SEAT BEFORE USING."
OK. NOW, "STAND NEXT TO CHAIR OR STOOL.
"DO NOT REMAIN SEATED.
"PLACE FOOT ON BASE
"AND PULL SEAT ALL THE WAY UP
UNTIL YOU HEAR A CLICK."
[CLICK] OH!
[CLICK]
SORRY, RONETTE.
RONETTE?
CAN YOU HEAR ME?
OK.
I'M GLAD YOU'RE FEELING BETTER.
I DON'T WANT TO UPSET YOU,
BUT WE NEED YOUR HELP.
GOING TO SHOW YOU SOME SKETCHES.
WE NEED TO KNOW IF YOU'VE SEEN THESE MEN BEFORE
OR IF THESE ARE THE MEN THAT HURT YOU, OK?
DO YOU RECOGNIZE THIS MAN?
IS THIS THE MAN THAT HURT YOU?
MM-MMM.
NO?
UH.
RONETTE?
AAH! AAH! AAH!
TRRR--NO!
NN--TRRR--
UH! NN--TRRR-- TRRR---TRRR--
NURSE! RIGHT AWAY!
TRAIN?
UH! TRRR--TRRR--
ARE YOU IN THE TRAIN CAR?
TRAIN CAR?
TRRR--TRRR--TRRR--
UH! UH! UH!
UH! TRRR--TRRR--
[GLASS BREAKS]
TRRRNN--TRRRNN-- TRRRNN--TRRRNN--
BROTHER BEN, WE'VE GOT TWO LEDGERS
AND ONE SMOKED CHEESE PIG.
WHICH ONE DO WE BURN?
AND IT AIN'T GOING TO BE MY PIG.
THE REAL LEDGER SHOWS THE MILL
SLOWLY SINKING INTO BANKRUPTCY,
MASTERMINDED BY CATHERINE.
THE ONE SHE FAKED FOR PUBLIC CONSUMPTION
SHOWS THE MILL TURNING A HEALTHY PROFIT.
SO WHICH ONE DO WE BURN?
CATHERINE'S DEAD.
WE PUT ALL OF OUR MONEY ON JOSIE.
CATHERINE TAKES THE FALL FOR THE FIRE.
JOSIE POCKETS THE INSURANCE MONEY,
SELLS US THE MILL AND THE LAND--
NAH, WAIT A MINUTE.
FIRST SHE HAS TO GET DEAR PETE
TO SIGN ON THE DOTTED LINE.
WHY DOES PETE HAVE TO SIGN?
ANDREW'S WILL CALLS FOR CATHERINE OR HER HEIRS
TO APPROVE OF ANY SALE.
SO WHICH ONE DO WE BURN?
ONCE JOSIE SELLS US THE MILL,
WE GET A BETTER PRICE
IF IT APPEARS TO BE MORE PROFITABLE.
SO WE BURN THE REAL ONE.
ON THE OTHER HAND,
THE REAL ONE WOULD HOLD UP
UNDER ANY FUTURE SCRUTINY.
DEPENDING UPON HOW ONE LOOKS AT THE SITUATION,
IT APPEARS THEY BOTH HAVE MERIT.
YEAH.
MAYBE WE SHOULD BURN BOTH OF THEM.
IT LOOKS LIKE WE'RE 100% CERTAIN
THAT WE'RE NOT SURE.
JER.
OBVIOUSLY SOMETHING REQUIRES BURNING.
AND SINCE WE DON'T WANT TO SET FIRE
TO YOUR SMOKED CHEESE PIG...
WHY DON'T WE, UH...
TRY THESE?
MARSHMALLOWS!
BEN! WHERE ARE THOSE HICKORY STICKS?
[TAPE CRACKLES]
MARGARET. IT'S ALWAYS VERY NICE TO SEE YOU.
BUT IF YOU SPIT YOUR STICKY PITCH GUM OUT,
PLEASE USE AN ASHTRAY,
NOT THE COUNTER OR BOOTH LIKE YOU DID LAST TIME.
I'LL HAVE A BEAR CLAW.
YOU WEAR SHINY OBJECTS ON YOUR CHEST.
YES, I DO.
ARE YOU PROUD?
NO. ACHIEVEMENT IS ITS OWN REWARD.
PRIDE OBSCURES IT.
CREAM?
MY LOG HAS SOMETHING TO TELL YOU.
DO YOU KNOW IT?
I DON'T BELIEVE WE'VE BEEN INTRODUCED.
I DO NOT INTRODUCE THE LOG.
CAN YOU HEAR IT?
NO, MA'AM, I CANNOT.
I WILL TRANSLATE.
DELIVER...
THE MESSAGE.
DO YOU UNDERSTAND?
YES, MA'AM. AS A MATTER OF FACT, I DO.
[FLY BUZZES]
[FLY LANDS]
[FLY BUZZES]
[BZZZZZ]
NO MESSAGES, DEPUTY BRENNAN.
LISTEN TO ME, LUCY MORAN.
YOU JUST LISTEN.
WHEN THE TACOMA SPERM BANK WAS LOOKING FOR DONORS,
NATURALLY I APPLIED.
IT'S MY CIVIC DUTY, AND I LIKE WELLS.
A ROUTINE PHYSICAL EXAMINATION REVEALED THAT I'M STERILE.
SURE I THOUGHT IT MEANT I DIDN'T HAVE TO TAKE A BATH,
BUT THE DOCTORS TOLD ME I CAN'T HAVE BABIES.
SO WHAT I WANT TO KNOW NOW
IS WHY ARE YOU HAVING ONE, AND HOW?
HELLO, HANK.
I BET LUCY ASKED YOU TO WAIT OUTSIDE, HMM?
MIGHT HAVE.
YOU KNOW, THAT'S AN AWFULLY CUTE BUCK, HARRY.
LET'S NOT WASTE OUR TIME.
OK.
WHY DON'T YOU...
JUST SIGN IN LIKE A GOOD BOY,
KEEP YOUR NOSE CLEAN FOR ANOTHER WEEK.
IT'S REALLY NICE TO SEE YOU AGAIN.
INTERESTING PIECE OF WORK.
HOW LONG WERE YOU AND HANK FRIENDS?
WE GREW UP TOGETHER.
HANK USED TO BE A BOOKHOUSE BOY.
BACK THEN, HANK WAS ONE OF THE BEST OF US.
[INTERCOM BUZZES]
SHERIFF TRUMAN, I HAVE BEN HORNE ON THE PHONE.
WOULD YOU LIKE ME TO TRANSFER HIM?
WELL, NOT HIM, BUT HIS PHONE CALL?
PUT HIM ON, LUCY.
MR. HORNE, THIS IS LUCY.
I'M GOING TO TRANSFER YOU INTO SHERIFF TRUMAN'S OFFICE.
HE'S IN THERE WITH SPECIAL AGENT DALE COOPER.
OK, SO HOLD ON.
SHERIFF TRUMAN?
I TRANSFERRED BEN HORNE TO YOU.
IT'S THE LINE WITH THE LIGHT THAT'S BLINKING.
YES, BEN.
HARRY.
AUDREY'S MISSING.
WHAT?
FOR AS MUCH AS MAYBE TWO DAYS.
YOU HOLD ON.
AUDREY HORNE IS MISSING.
ONE INSURANCE POLICY, UNSIGNED.
UN?
THE AGENT SAID THAT CATHERINE WAS CONCERNED
ABOUT CERTAIN IRREGULARITIES,
SUCH AS JOSIE BEING NAMED THE CHIEF BENEFICIARY.
THE AGENT WASN'T SUPPOSED TO SHOW IT TO HER.
WELL, CONSIDERING CATHERINE'S SMOKY FATE,
FOR OUR SIDE, IT'S ALL FOR THE BEST.
WELL...
WIN A FEW, LOSE A FEW.
LET'S GET THOSE PICKLED ICEMEN ON THE BLOWER.
GENTLEMEN, I'VE BEEN GIVING THIS A LOT OF THOUGHT.
THIS MILL FIRE WILL PUT CONTRACT SIGNING ON HOLD,
SO WE MUST INSURE OUR MOMENT DOES NOT PASS US BY.
I RECOMMEND WE MAKE A CALL TO ICELAND,
LET EINER KNOW WE'RE RIGHT ON TOP OF THIS THING.
WE CAN HANDLE THAT.
BEN HORNE FOR EINER THORSON.
OH. NOW, THIS IS A COINCIDENCE.
[SPEAKING ICELANDIC PHRASE]
WHAT'S THAT?
WHERE DID YOU HEAR ABOUT IT?
MR. PALMER CALLED TO TELL YOU ABOUT THE FIRE.
NO, NO. I WOULDN'T CALL IT A DISASTER AT ALL.
IT'S JUST ONE OF THOSE THINGS.
AN UNFORTUNATE DEVELOPMENT,
BUT IT IN NO WAY WILL AFFECT
OUR DEVELOPMENT PLANS.
JERRY HORNE HERE, EINER.
[SPEAKING ICELANDIC PHRASE]
FULL SPEED AHEAD.
YES, YES. OF COURSE, EINER.
WE'LL FAX ALL PERTINENT DETAILS TO YOU.
YES, YES, I PROMISE.
LISTEN. I DON'T WANT YOU
TO WORRY YOUR ATTRACTIVE BLOND HEAD ABOUT THIS.
EINER, GOT TO GO.
LELAND.
LELAND. HERE'S AN IDEA.
LET'S TAKE YOU OFF OF DAMAGE CONTROL,
LET YOU CONCENTRATE ON SOMETHING THAT YOU CAN HANDLE,
LIKE MY TAX RETURN.
I KNOW HIM.
EXCUSE ME?
MY GRANDFATHER'S SUMMER HOUSE...
ON PEARL LAKES.
HE LIVED RIGHT NEXT DOOR.
I WAS JUST A LITTLE BOY.
BUT I KNOW HIM.
I'VE GOT TO TELL THE SHERIFF ABOUT THIS RIGHT AWAY.
JERRY.
PLEASE KILL LELAND.
IS THIS REAL, BEN,
OR SOME STRANGE AND TWISTED DREAM?
THE BULLET LODGED IN LEO'S SPINE.
IT'S ALL RIGHT, SHELLY. COME ON.
THE BULLET LODGED IN HIS SPINE,
BUT WE REMOVED IT SUCCESSFULLY.
AS FOR POSSIBLE PARALYSIS,
IT'S TOO EARLY TO TELL.
LEO LOST A LOT OF BLOOD,
MOST OF IT BEFORE WE HAD A CHANCE TO OPERATE.
I FEAR THE RESULTING OXYGEN DEPRIVATION
STARVED HIS BRAIN, INDUCED THE COMA YOU SEE HERE.
IS HE A VEGETABLE?
IS HE IN PAIN?
HE'S NOT IN PAIN.
BEYOND THAT, IT'S HARD TO SAY.
CAN YOU MAKE HIM BETTER?
WE CAN MAINTAIN HIS CURRENT STATE,
OFFER NUTRITION, LIFE SUPPORT.
BEYOND THAT, THE ONLY ALLY WE HAVE IS TIME.
I'M SORRY, SHELLY.
ME, TOO.
ARE THEY GOING TO PUT HIM IN PRISON?
I KNOW HE'S A SUSPECT IN SEVERAL FELONIES.
GUESS AT THE MOMENT, HE'S KIND OF IN PRISON ANYWAY.
YES, HE IS.
COME ON. I'LL TAKE YOU BACK TO YOUR ROOM.
NORMA'S WAITING DOWNSTAIRS TO DRIVE YOU HOME.
[TELEPHONE RINGS]
HELLO. TWIN PEAKS SHERIFF STATION.
WHO MAY I SAY IS CALLING, PLEASE?
I'M SORRY.
I CAN'T CONNECT YOU WITH SHERIFF TRUMAN
UNLESS YOU TELL ME WHAT YOUR NAME IS.
YOU WON'T?
I'M SORRY,
BUT I CAN'T CONNECT YOU WITH SHERIFF TRUMAN
UNLESS YOU TELL ME WHO YOU ARE.
I'M TERRIBLY SORRY,
BUT I'M GOING TO HAVE TO HANG UP NOW.
HEY!
I'LL TAKE IT FROM HERE.
NO. NO, YOU WON'T.
OH, IT'S OK.
OK, BUT WATCH OUT FOR THIS ONE.
OK.
WHY'S THE VACUUM CLEANER OFF?
LOOK AT THOSE TOES.
WHAT TOES?
I BROUGHT THE ICE.
FROSTY?
MY LITTLE SNOWMAN.
I FEEL A COLD FRONT MOVING IN.
MMM.
HI, EMORY.
YOU REMEMBER ME?
HUH?
IT REALLY LOOKS LIKE
YOU GOT YOURSELF IN A FIX HERE, HUH?
I'M GOING TO TELL YOU A LITTLE BEDTIME STORY.
ONCE UPON A TIME,
THERE WAS A SWEET, INNOCENT GIRL NAMED RED.
THAT'S ME.
SHE MET A BAD OLD WOLF. THAT'S YOU.
SHE KICKED THE CRAP OUT OF HIM
AND TOLD HER DADDY.
SHE TOLD THE POLICE,
AND THE WOLF WENT TO JAIL.
WHAT DO YOU WANT?
I WANT TO KNOW EVERYTHING--
PERFUME COUNTER,
LAURA PALMER, RONETTE PULASKI,
AND ONE-EYED JACK'S.
YOU'RE INSANE.
I'M INSANE?
WELL, I'M AUDREY HORNE,
AND I GET WHAT I WANT.
YOU UNDERSTAND?
ALL RIGHT.
I WORK FOR THE OWNER OF ONE-EYED JACK'S.
WHO IS?
I WORK FOR THE OWNER.
WHO IS?
YOUR FATHER.
HE OWNS IT ALL.
HELL, HE OWNS EVERYTHING.
I RUN GIRLS FOR THE PERFUME COUNTER.
I RECRUITED RONETTE AND LAURA.
DID LAURA COME HERE?
WE THREW HER OUT. SHE WAS ON DRUGS.
I NEVER SAW HER AGAIN.
DID MY FATHER KNOW THAT LAURA WAS HERE?
MR. HORNE MAKES IT HIS BUSINESS
TO ENTERTAIN ALL THE GIRLS.
DID SHE KNOW HE OWNED THIS PLACE?
OWNED WHAT?
ONE-EYED JACK'S.
YES. PROBABLY SHE DID.
LAURA ALWAYS GOT HER WAY.
UNDERSTAND?
JUST LIKE YOU.
CHANGE THE STATION.
THAT'S GOOD.
YEAH.
I MADE THE CALL.
I TOLD HIM I WAS LEO'S COUSIN.
LEO GETS HIS DISABILITY
AS LONG AS HE STAYS OUT OF PRISON.
THAT'S A LOT OF MONEY, OVER 5,000 A MONTH,
BUT YOU ONLY GET IT IF HE STAYS AT HOME.
I DON'T CARE.
I DON'T WANT LEO HOME.
LEO IS IN DREAMLAND.
YOU CAN STICK HIM IN A CORNER
AND HANG DOUGHNUTS FROM HIS EARS.
SHERIFF TRUMAN WANTS A STATEMENT.
NO WAY.
THEY CAN'T FORCE YOU TO TESTIFY AGAINST YOUR HUSBAND.
YOU JUST GOT TO GET LEO HOME,
AND SIT AND COLLECT THE CHECKS.
LEO OWES YOU, BABY.
NOW WE CAN REALLY MAKE HIM PAY.
YOU WANT SOMETHING NICE, WE CAN BUY IT.
YOU WANT TO GO SOMEPLACE SPECIAL,
IT'S ON LEO.
YOU UNDERSTAND?
I GUESS IT WOULD BE NICE
NOT TO HAVE TO WORRY ABOUT MONEY.
I HAVE A LOT OF BILLS.
BILLS? FORGET ABOUT BILLS.
I'M TALKING ABOUT A NEW WAY OF LIFE.
TOGETHER?
WHAT DO YOU THINK?
I THINK...
I WANT TO GET COMFORTABLE.
LET'S GO HANG OUT IN MY DAD'S CONTINENTAL.
BOBBY BRIGGS...
I'M GOING TO EAT YOU UP.
PROMISE?
JUST WATCH ME.
I RECEIVED SOME BAD NEWS.
WINDOM EARLE HAS VANISHED.
THE DISAPPEARANCE OF MY FORMER PARTNER
IS EXTREMELY TROUBLING.
I ALSO LEARNED THAT AUDREY HORNE IS MISSING.
AUDREY'S ABSENCE TOUCHES ME IN WAYS I COULD NOT PREDICT.
I FIND MYSELF THINKING
NOT OF CLUES OR OF EVIDENCE,
BUT OF THE CONTENT OF HER SMILE.
[KNOCK ON DOOR]
WHO IS IT?
IT'S MAJOR BRIGGS, AGENT COOPER.
MAJOR BRIGGS?
JUST A MOMENT.
MAJOR.
MAY I COME IN?
PLEASE.
I HAVE A MESSAGE FOR YOU.
FROM WHOM?
I'M NOT AT LIBERTY
TO REVEAL THE NATURE OF MY WORK.
THIS SECRECY PAINS ME FROM TIME TO TIME.
ANY BUREAUCRACY THAT FUNCTIONS IN SECRET
INEVITABLY LENDS ITSELF TO CORRUPTION.
BUT THESE RULES I HAVE PLEDGED TO UPHOLD.
I BELIEVE A PLEDGE IS SACRED.
AS A MAN AND EMPLOYEE OF THE GOVERNMENT,
SO DO I.
WELL, I MAY REVEAL THIS MUCH.
AMONG MY MANY TASKS
IS THE MAINTENANCE OF DEEP-SPACE MONITORS
AIMED AT GALAXIES BEYOND OUR OWN.
WE ROUTINELY RECEIVE VARIOUS COMMUNICATIONS AND SPACE GARBAGE
TO DECODE AND EXAMINE.
THEY LOOK SOMETHING LIKE THIS.
IT'S RADIO WAVES AND GIBBERISH, AGENT COOPER...
TILL THURSDAY NIGHT.
FRIDAY MORNING TO BE EXACT.
AROUND THE TIME THAT I WAS SHOT.
THE READOUT TOOK US BY SURPRISE.
ROW AFTER ROW OF GIBBERISH,
AND ALL OF A SUDDEN...
"THE OWLS ARE NOT WHAT THEY SEEM."
WHY BRING THIS TO ME?
BECAUSE LATER IN THE MORNING...
COOPER.
OH, MY GOD.
THAT WAS REALLY GOOD. LET'S TRY IT AGAIN.
♪ JUST YOU ♪
♪ AND I ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ TOGETHER ♪
♪ FOREVER ♪
♪ IN LOVE ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ TOGETHER ♪
♪ FOREVER ♪
♪ IN LOVE ♪
♪ WE GO STROLLING TOGETHER ♪
♪ AH ♪
♪ IN LOVE ♪
♪ WE GO STROLLING FOREVER ♪
♪ AH ♪
♪ OH-OH-OH ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ TOGETHER ♪
♪ FOREVER ♪
♪ IN LOVE ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ JUST YOU ♪
♪ AND I ♪
♪ JUST YOU-- ♪
DONNA.
DONNA, WHAT'S WRONG?
NOTHING.
[TELEPHONE RINGS]
DONNA.
WHAT'S GOING ON?
I'M TREMBLING, JAMES.
YOU MADE ME.
DONNA.
DONNA!
YES?
THERE'S A TELEPHONE CALL FOR YOU
FROM A HAROLD SMITH.
OH. OK.
I'LL GET IT IN THE HALLWAY.
OK, DAD, I GOT IT.
OK, SWEETHEART.
HELLO.
MR. SMITH?
I RECEIVED YOURS.
I WANTED TO TALK TO YOU.
WE CAN MEET?
OK.
AAH!
THE OWLS ARE NOT WHAT THEY SEEM.
[TELEPHONE RINGS]
AGENT COOPER.
IT'S ME, AUDREY.
AUDREY.
WHERE ARE YOU?
WHY AREN'T YOU HERE?
AUDREY, THIS IS NO TIME FOR SCHOOLGIRL GAMES.
I WANT YOU HOME NOW.
I SAW YOU IN YOUR TUXEDO.
YOU LOOKED LIKE A MOVIE STAR.
IF YOU'RE IN ANY KIND OF TROUBLE--
I AM IN TROUBLE, BUT I'M GOING TO COME HOME.
AUDREY?
TROUBLE, MISS HORNE?
YOU DON'T KNOW WHAT TROUBLE IS.
NOT BY A LONG SHOT.
CAPTIONING MADE POSSIBLE BY PARAMOUNT DOMESTIC TELEVISION
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--