[ALARM CLOCK BUZZES]
DIANE, IT'S 6:42 A.M.
ROUGH SLEEP.
I DREAMT I WAS EATING A LARGE, TASTELESS GUMDROP.
I AWOKE TO REALIZE I WAS AGGRESSIVELY MUNCHING
ON ONE OF MY AIR-PILLOW SILICONE EAR PLUGS.
HENCE THE TASTELESSNESS.
PERHAPS I SHOULD KEEP A CLOSER EYE
ON MY AFTER-DINNER COFFEE CONSUMPTION.
PERSISTENT SORENESS IN THE RIB AREA,
WHICH I AM TREATING EACH MORNING
WITH 15 EXTRA MINUTES OF YOGIC DISCIPLINE,
AFTER WHICH, THANKFULLY,
THE PAIN RETREATS TO A CUL-DE-SAC
IN A DISTANT SUBURB OF MY CONSCIOUS MIND.
I AM GOING TO BEGIN TODAY WITH A HEADSTAND.
AHH.
DIANE, I AM NOW UPSIDE-DOWN...
MY MIND BECOMING POROUS,
THE DAY'S TASKS COMING INTO FOCUS,
OBJECTS GROWING CLEARER.
DIANE, THE GIANT WAS RIGHT.
I DID FORGET SOMETHING.
I THOUGHT WE LOST YOU TO THE WOODS.
TWO RETIRED FEMALE SCHOOLTEACHERS
LIVE IN THAT HOUSE NEXT TO THE PALMERS.
THEY DON'T REMEMBER A GRAY-HAIRED MAN.
I DRANK THREE POTS OF TEA TO FIND THAT OUT.
WHICH REMINDS ME--
WOULD YOU EXCUSE ME?
SURE.
KEEP LOOKING FOR THE ONE-ARMED MAN.
EXCUSE ME, SHERIFF. I WANTED TO SAY GOODBYE.
AS YOU KNOW,
I'M GOING FOR TWO DAYS
TO VISIT MY SISTER GWEN AND HER HUSBAND LARRY,
WHO JUST HAD A BABY.
GWEN HAD THE BABY. LARRY'S THE FATHER.
YOU REMEMBER, IT WAS A BOY.
AS SOON AS THE CAN-DO TEMP GIRL GETS HERE,
I'LL EXPLAIN THE PHONES
AND THE COFFEE AND THE INTERCOM--
LUCY, IT'S OK. WE'VE GOT IT COVERED.
SHE SHOULD HAVE BEEN HERE BY NOW!
I CAN STAY--
LUCY, DON'T WORRY.
JUST GO.
SOMETIMES THE CAN-DO GIRLS CAN'T.
BUT, SHERIFF--
WE GOT IT COVERED.
HAVE A SAFE TRIP, LUCY.
THANK YOU.
MORNING, COOP.
HARRY.
WHAT'S THE WORD ON OUR DELIVERY?
WE WON'T NEED IT.
WE GOT THE JUMP ON THEM.
I KNOW WHERE AUDREY IS.
THE PORT-O-PATIENT WILL ALLOW YOU TO TRANSPORT
THE UNFORTUNATE MR. JOHNSON,
ALLOWING HIM TO EVEN GO OUTSIDE
AND SIT AND EXPERIENCE WHAT HE CAN OF NATURE.
MR. PINKLE,
I WANT COUSIN LEO
TO HAVE THE FULLEST POSSIBLE EXPERIENCE OF LIFE.
WELL, THAT'S WHAT WE'RE HERE FOR.
OK, LET'S GIVE IT ONE MORE.
WILL YOU INSTALL THE RAMP?
SURE, OF COURSE, UH, OF COURSE.
AS A MATTER OF FACT,
I ALREADY HAVE SOME, UH...
SOME PLYWOOD RAMP BOARDS--
PINEWOOD BOARDS I'LL INSTALL TOMORROW.
ABSOLUTELY. IT'S A VERY GOOD SUGGESTION.
NOW, WE ARE READY TO GO.
FINALLY. HERE WE GO. ALL RIGHT.
[CLICK CLICK]
THAT'S A NEW WRINKLE.
I CAN'T BELIEVE IT.
IT WORKED SO PERFECTLY YESTERDAY.
COME ON!
SOMETIMES YOU'VE GOT TO HIT IT HARD.
THE MACHINE IS LIKE A WOMAN, WE SAY AT THE SHOP.
BOBBY, ARE YOU OK?
SHELLY, COULD YOU GET MR. PINKLE A COLD DRINK?
DIET SODA WOULD BE GREAT.
PINKLE, PINKLE, PINKLE.
THIS THING IS A DEATH TRAP.
WE HAVE TO KEEP HIM ALIVE.
INSURANCE COMPANIES DON'T EXACTLY PAY OFF LIKE SLOTS.
AFTER OUR CUTS, WE HAD ONLY MONEY FOR THIS
OR A GOOD WHEELBARROW.
AH, THANK YOU VERY MUCH.
OH, THANKS A LOT.
BOBBY?
I'VE GOT TO MEET LEO'S LAWYER.
THE HEARING'S TODAY, RIGHT?
BE JUST ANOTHER SECOND, FOLKS.
BOBBY.
ARE WE OK?
[MOTOR STARTS]
AH, THAT'S IT.
WANT TO TAKE A LOOK?
WORKS JUST FINE.
COME OUTSIDE WITH ME.
HE CAN LET HIMSELF OUT.
BOBBY, WE'RE DOING REAL, UH, GOOD.
OK, THAT'S ENOUGH.
UM...
BOBBY?
I CAN'T REACH THE SWITCH.
I'VE GOT A PROBLEM HERE.
MR. PALMER HAS PLEADED NOT GUILTY
TO THE CHARGE OF MURDER IN THE FIRST DEGREE.
THE DEFENSE HAS REQUESTED BAIL.
THIS PRE-TRIAL HEARING IS TO DETERMINE
WHETHER THAT BAIL WILL BE GRANTED.
MR. PROSECUTOR.
WE, THE PEOPLE OF THE STATE OF WASHINGTON,
MOVE THAT THE DEFENDANT BE DENIED BAIL ON THE BASIS OF...
ONE--THE GREAT SERIOUSNESS OF THE CRIME
FOR WHICH HE HAS BEEN ACCUSED.
TWO--THE APPARENTLY PREMEDITATED NATURE OF THIS ACT.
AND THREE--THE OFT-WITNESSED INSTABILITY OF MR. PALMER
DURING THE PERIOD FOLLOWING THE DEATH OF HIS DAUGHTER.
SHERIFF TRUMAN WILL SPEAK FOR THE DEFENSE.
YOUR HONOR.
LELAND PALMER IS A WELL-KNOWN, WELL-LIKED,
WELL-RESPECTED MEMBER OF THIS COMMUNITY.
HIS ROOTS GO WAY BACK.
HIS GRANDFATHER, JOSHUA PALMER,
BROUGHT THE FAMILY HERE MORE THAN 75 YEARS AGO.
YOUR HONOR, NO ONE CAN KNOW
WHAT IT'S LIKE TO LOSE A DAUGHTER
THE WAY LELAND DID.
THAT'S ALL.
THANK YOU, SHERIFF.
I THOUGHT I MIGHT SELL THIS TO THE GAZETTE.
THEY SEEM TO LIKE COURTROOM SKETCHES.
WHY DON'T YOU TRY FOR A LITTLE MORE FACE?
JUST AN IDEA.
GOOD. THANKS, SHERIFF.
THE DEFENDANT IS RELEASED ON HIS OWN RECOGNIZANCE.
NOW, LELAND.
AS YOU KNOW,
I WILL REQUIRE YOU TO REMAIN IN TOWN
AND MAKING YOUR WHEREABOUTS KNOWN TO THE SHERIFF
ON A REGULAR BASIS.
SID, CHECK THE CALENDAR,
AND WE'LL SET A DATE FOR MR. PALMER'S TRIAL
AS SOON AS POSSIBLE.
[KNOCK KNOCK]
HI.
THANK YOU.
OH. MMM.
SO, WHAT'S BEHIND THOSE DEEP BLUE EYES TODAY?
I'VE GOT A PROPOSITION FOR YOU.
I'LL SHARE MY LIFE WITH YOU.
I'LL TELL IT TO YOU AS PART OF YOUR LIVING NOVEL,
IF YOU LET ME READ LAURA'S DIARY.
IT'S INTRIGUING.
I'LL READ IT TO YOU.
BUT IT MUSTN'T PHYSICALLY LEAVE THIS ROOM.
ACCEPTABLE.
YOU'LL START?
OF COURSE.
A BARGAIN HAS BEEN STRUCK.
DONNA...
HAYWARD.
BEGIN.
ALL RIGHT.
I'M FROM TWIN PEAKS.
I WAS BORN HERE.
MY FATHER DELIVERED ME.
HE'S A DOCTOR.
WHERE ARE YOU FROM?
I GREW UP IN BOSTON.
WELL, ACTUALLY, I GREW UP IN BOOKS.
THERE'S THINGS YOU CAN'T GET IN BOOKS.
THERE ARE THINGS YOU CAN'T GET ANYWHERE.
BUT WE DREAM THEY CAN BE FOUND IN OTHER PEOPLE.
CONTINUE.
MAYBE OUR DREAMS ARE REAL.
MY TURN.
WHAT ARE YOU DOING?
MAYBE I'LL READ IT OUT HERE, ON THE LAWN.
PLEASE.
WE'VE ONLY JUST STARTED.
WHY DON'T YOU COME WITH ME?
COME ON. WHAT'S THERE TO BE AFRAID OF?
COME ON.
PLEASE.
GIVE THAT BACK TO ME.
HAROLD?
I'M SORRY.
DEFENSE WILL CONTINUE WITH ITS EVIDENCE.
IF YOU WOULD, MR. RACINE.
YOU CAN SEE FROM THESE EEGs.
THIS CHART OF MY OWN HEAD
IS INTENDED TO SHOW NORMAL BRAIN ACTIVITY.
OBJECTION TO THE WORD "NORMAL."
HE'S CLOSE ENOUGH.
OBJECTION OVERRULED.
THIS CHART HERE IS OF MR. JOHNSON
AND SHOWS MINIMAL ACTIVITY.
THE PREVIOUSLY SUBMITTED MEDICAL REPORT
STATES THAT MR. JOHNSON
HAS SUFFERED DIFFUSE BRAIN DAMAGE.
HE DOESN'T EVEN HAVE THE PERSPICACITY
TO TAKE THE STANDARD CST COMPETENCY TESTS.
WE THEREFORE SUBMIT...
THAT TRYING THIS INDIVIDUAL
WOULD CONSTITUTE A MOCKERY OF THE JUSTICE SYSTEM--
A PROCEEDING THE UNFORTUNATE YOUNG MAN
WOULD NOT EVEN FAINTLY COMPREHEND.
MR. PROSECUTOR?
I KNOW LEO JOHNSON ISN'T IN VERY GOOD SHAPE.
ON THE SURFACE, IT MIGHT SEEM RIDICULOUS
TO MAKE HIM STAND TRIAL.
BUT A TRIAL DOES MORE THAN JUST PUNISH THE WRONGDOER.
IT BRINGS A FEELING OF JUSTICE AND RETRIBUTION
TO A COMMUNITY.
AMONG THE CRIMES JOHNSON'S SUSPECTED OF,
THE MURDER OF LAURA PALMER IS THE SORT
THAT CAN WOUND AN ENTIRE TOWN.
AS LONG AS LEO JOHNSON CARRIES A BREATH...
ALL RIGHT. ALL RIGHT.
HE IS AS DESERVING OF A TRIAL--
AS THIS COMMUNITY IS.
ALL RIGHT, NOW...
HAVE A SEAT, MR. LODWICK.
NOW, YOU FELLOWS CAN CATCH YOUR BREATH.
I AM GOING TO NEED TO DELIBERATE.
OH, AH, MR. COOPER?
SHERIFF TRUMAN?
COULD I HAVE THE PLEASURE OF YOUR COMPANY?
FIX US UP WITH BLACK YUKON SUCKER PUNCHES.
YES, YOUR HONOR.
LODWICK REALLY PLANTED HIS FEET
AND LOOKED IT IN THE EYE.
I DIDN'T EXPECT HIM TO PRESS ON THE MURDER CHARGE.
COOPER, IS LEO JOHNSON OUR MAN?
NO, SIR, I DON'T BELIEVE HE IS.
HARRY, WHAT'S THE TEMPERATURE OF THE TOWN?
UM, DO THEY WANT A TRIAL OR A LYNCHING?
THEY WANT THE RIGHT MAN BROUGHT TO JUSTICE.
WELL, THEY DON'T NEED A CIRCUS.
AND THIS POOR BASTARD,
HE SEEMS TO BE A HEAD OF CABBAGE.
THOUGHTS, COOPER?
I FEEL THE KILLER WILL EVENTUALLY BE APPREHENDED.
YOU HAVE TO WATCH THESE.
THEY SNEAK UP ON YOU.
NOW...
I'M GOING TO DECLARE LEO JOHNSON
TO BE NOT COMPETENT TO STAND TRIAL.
AND, WHEN MEDICALLY POSSIBLE,
THAT HE BE SHIPPED HOME.
HARRY, UM, YOU WANT TO TELL THE LITTLE LADY YOURSELF?
THANKS, CLINTON.
COOPER, HOW LONG YOU BEEN HERE?
12 DAYS, SIR.
THEY'RE NOT GOING TO TRY HIM.
HUH?
LEO IS COMING HOME.
I'LL ADVISE YOU TO KEEP YOUR EYE ON THE WOODS.
THE WOODS ARE WONDROUS HERE.
BUT STRANGE.
THANKS.
CAN I GET YOU ANYTHING, NADINE?
WHO ARE YOU?
WHO AM I?
YOU GO TO THE HIGH SCHOOL.
WELL, YEAH.
IT TOOK ME A SECOND.
YOU'RE NOT IN MY CLASSES.
LET ME GET YOU A DRINK.
OH, NO. I'LL GET IT.
WHERE ARE MOM AND DAD?
OH, AH...OUT OF TOWN.
OH.
OK.
♪ YOU'RE A JACK AND I'M A JACK ♪
♪ AND STEEPLEJACKS ARE WE... ♪
WOW!
DOC HAYWARD SAID TO ROLL WITH THE PUNCHES.
HAVE YOU THOUGHT ABOUT TAKING HER TO SEE DR. JACOBY?
NAW. HE'S IN HAWAII,
RECOVERING FROM THAT HEART ATTACK.
[CRASH]
IT JUST CAME RIGHT OFF.
UNH!
[INTERCOM RINGS]
MR. TOJAMURA IS HERE.
MR. WHO?
EXCUSE ME.
UH...
DO YOU HAVE AN APPOINTMENT, MR...
TOJAMURA.
I REPRESENT ASIAN INVESTMENT FIRM.
WE HAVE SUPERIOR OFFER
FOR GHOSTWOOD PROJECT.
I HAVE COMMITMENT LETTERS
FROM TOKYO BANKS PREPARED TO MOVE IMMEDIATELY.
THIS ALL SOUNDS VERY INTERESTING.
UNFORTUNATELY, I HAVE AN IMPORTANT CONFERENCE CALL.
I HAVE A PROSPECTUS.
PERHAPS SOME OTHER TIME.
AND...TASTE.
5.
MILLION.
WELL...
[QUACK QUACK]
[QUACK QUACK QUACK]
LEAVE THESE. LET MY PEOPLE LOOK AT THEM.
POINT OF VISIT.
ARRIGATO, TOJAMURA-SAN.
COOPER'S ON HIS WAY.
[TELEPHONE RINGS]
YOUR CALL FROM CANADA, MR. HORNE.
IS THAT OUR CALL?
YES.
YOU PUSHED IT PRETTY CLOSE.
[CLICK]
BENJAMIN HORNE.
ARE YOU READY TO PLAY?
AUDREY.
I WANT TO TALK TO MY DAUGHTER.
THAT CAN WAIT FOR TONIGHT.
ONE TIME.
ACROSS THE BORDER, 5 MILES EAST OF GRAND FORK,
IS A BAR CALLED THE COLUMBIAN.
BEHIND IT IS A FAILED AMUSEMENT PARK.
GO TO THE MERRY-GO-ROUND.
LEAVE THE BRIEFCASE BESIDE THE HORSE WITH NO HEAD.
AT MIDNIGHT. ALONE.
I'LL BE SENDING MY REPRESENTATIVE.
[CLICK]
[DIAL TONE]
[CLICK]
SERIALIZED DENOMINATIONS.
AS YOU INSTRUCTED.
MY DAUGHTER'S LIFE IS IN YOUR HANDS.
STAY BY A PHONE.
FOLLOW HIM.
MAKE SURE THAT HE AND THE MONEY ARE NEATLY DELIVERED.
BRING AUDREY BACK.
COOPER'S NOT BRINGING HER BACK?
COOPER ISN'T COMING BACK.
IF YOU CAN MANAGE IT,
BRING BACK AUDREY AND THE BRIEFCASE.
$5 MILLION.
NOW, THAT'S A GOOD DAY'S WORK.
ONCE YOU'RE IN HAROLD'S APARTMENT, MOVE FAST.
THIS IS SCARY.
LAURA'S DIARY'S IN A SHELF
AT THE BOTTOM OF THE BOOKCASE
BEHIND A ROW OF FAKE BOOKS.
I THINK THERE'S A DOOHICKEY ON THE RIGHT SIDE
THAT SOMEHOW LETS THE SHELF SLIDE OUT AND DOWN.
ALL THE NOTEBOOKS LOOK THE SAME, EXCEPT FOR LAURA'S.
HERS HAS A RED COVER.
HOW WILL YOU GET HIM TO GO OUTSIDE?
NOT OUTSIDE. OUT OF THE ROOM.
I'LL SIGNAL YOU WITH THE FLASHLIGHT.
THE DOOR WILL BE OPEN.
I THOUGHT YOU LIKED THIS GUY.
I DO.
"COOPER, HAND ME THE BRIEFCASE."
I TAKE IT...
WHAT ABOUT BEN HORNE?
WELL, HE GAVE UP CONTROL OF ONE-EYED JACK'S.
IT'S YOURS.
WITH HIS DAUGHTER DEAD?
YOU KNOW, YOU LOVE A GOOD STEAK,
BUT YOU DON'T WANT TO KNOW HOW IT GOT ON YOUR PLATE.
YOU MUST BE SERIOUS ABOUT BUSINESS.
HOW ARE YOU GOING TO DO THE GIRL?
[KNOCK ON DOOR]
VOILA!
DOES THE GIRL SLEEP?
DREAMLAND.
COME, COME, COME, COME TO ME.
IN THE OTHER ROOM,
THE GIRL DREAMS OF FISHES
AND DARK LAKE BEDS AND TANGLED WEEDS.
WHAT ABOUT BLACKIE?
I'VE WAITED LONG ENOUGH.
WE'LL HAVE OUR FUN TONIGHT.
HOO!
KISS ME.
RIGHT.
OK. BYE.
LABORATORY SERVICES.
YEAH, I'M CALLING FOR SOME TEST RESULTS.
DOC HAYWARD SAID I--
WHAT TEST WAS IT FOR?
WHAT'S IT FOR?
YES, PLEASE, SIR.
IT WAS FOR, UH...
semens analysis.
Brennan, Andy.
I'M SORRY. I CAN'T HEAR YOU.
SORRY. BRENNAN, ANDY.
OH. DOCTOR'S ANALYSIS IS OLIGOSPERMIA, SIR.
YES. COULD YOU GO SLOW?
I WANT TO WRITE THIS DOWN.
OLIGOSPERMIA.
THAT'S RIGHT.
THAT SOUNDS TERRIBLE.
I HAVE THAT?
NO, SIR. YOU HAD THAT.
OH, I HAD IT.
UH-HUH. IT MEANS TOO...
TOO...
FEW... FEW...
SPERMS. SPERMS.
VERY GOOD, SIR.
YOU MEAN I'M CURED?
DOCTOR SAYS "THEY'RE NOT JUST THREE MEN--
DOC SAYS "THEY'RE NOT JUST THREE MEN ON A FISHING TRIP.
THEY'RE A WHOLE DAMN TOWN."
RIGHT. DO YOU UNDERSTAND?
YEAH, I UNDERSTAND.
IT MEANS THEY'RE NOT REALLY REAL PEOPLE--
I HAVE ANOTHER CALL.
OH, OK. THANK YOU.
YOU'RE WELCOME, SIR.
THANK YOU VERY MUCH.
I'M A WHOLE DAMN TOWN!
I'M A WHOLE DAMN TOWN.
WHOO!
DON'T ASK.
WHERE WERE WE?
OK. MAIN BAR AND GREETING ROOM HERE,
CASINO AND GET ACQUAINTED ROOM.
WHAT'S THIS, BLACKIE'S OFFICE?
[KNOCK ON DOOR]
GUESS WE'LL FIND OUT WHEN WE GET THERE.
THE ONE-ARMED MAN IS STAYING
IN THE ROBIN'S NEST MOTEL ON HIGHWAY NINE.
NOBODY'S SEEN HIM FOR A DAY AND A HALF.
THE ROOM LOOKS LIVED IN.
I FOUND THIS.
SAME DRUG AS LAST TIME.
WEIRD, DEEP SMELL.
WE'RE WAITING ON ALBERT'S ANALYSIS.
GOOD WORK, HAWK.
HAWK.
SEE YOU IN THE MORNING.
OK.
WE'LL APPROACH THROUGH THE WOODS TO THE REAR DOOR.
INSIDE ARE STAIRS LEADING DOWN TO THE WORKING ROOMS.
MY GUESS IS, THAT'S WHERE AUDREY'S BEING HELD.
WHAT KIND OF MUSCLE DO THEY HAVE?
A COUPLE OF FLOOR MEN IN THE CASINO,
PROBABLY MORE IN THE BACK.
LET'S GO GET HER.
NIGHT, ANDY.
SEE YOU IN THE MORNING, ANDY.
GOOD WORK.
"GWEN AND LARRY."
ADAMS ABORTION CLINIC.
HI. IS LUCY--
WHAT?
ADAMS ABORTION CLINIC.
OH, MY GOD.
COFFEE TO GO.
HI.
LARGE, PLEASE.
SO, YOU SEEN DONNA TODAY?
NO. SORRY. YOU?
NO. SO, WHAT'S WITH THE COFFEE?
COFFEE?
IT'S FOR UNCLE LELAND.
YOU DON'T HAVE COFFEE AT HOME?
JAMES, I CAN'T TALK NOW.
I NEED TO GO.
YOU NEED TO GO?
WHERE ARE YOU GOING?
HOME. BYE, JAMES.
[LAUGHTER]
DONNA HAYWARD,
MARCH 7th,
TUESDAY,
SECOND SESSION.
DEAR DIARY...
UH, THIS IS FROM A LONG TIME AGO, IS THAT OK?
I WAS ABOUT 13 YEARS OLD.
14 MAYBE.
ME AND LAURA PUT ON OUR TIGHTEST, SHORTEST SKIRTS--
TOO TIGHT, BUT LAURA TALKED ME INTO IT.
WE WERE GOING TO THE ROADHOUSE TO MEET BOYS.
THEIR NAMES ARE...
JOSH, RICK, AND TIM.
THEY'RE ABOUT 20 YEARS OLD...
AND THEY'RE NICE TO US.
AND THEY MAKE US FEEL LIKE WE'RE OLDER.
RICK ASKS IF WE WANT TO GO PARTY
AND LAURA SAYS YES.
AND ALL OF A SUDDEN
I FEEL THIS KNOT BUILDING UP IN MY STOMACH.
BUT WHEN LAURA GETS IN THE TRUCK WITH RICK,
I GO ANYWAY.
THERE'S A STREAM IN THE WOODS.
FULL MOON, I THINK.
IT'S PALE AND LIGHT OUT.
LAURA STARTS TO DANCE AROUND THE BOYS.
SHE BEGINS TO MOVE HER HIPS...
BACK AND FORTH.
RICK STARTS TO CLAP,
BUT TIM DOESN'T DO ANYTHING.
HE JUST WATCHES.
SOMEHOW THAT MAKES ME ANGRY.
SO I SAY, "LET'S GO SKINNY-DIPPING."
AND THEN WE TAKE OFF OUR CLOTHES.
I KNOW THE BOYS ARE WATCHING.
LAURA STARTS TO KISS JOSH AND RICK.
I DON'T KNOW WHAT TO DO,
SO I SWIM AWAY.
I FEEL LIKE I WANT TO RUN, BUT I DON'T.
TIM SWIMS UP TO ME.
HE KISSES MY HAND...
AND THEN ME.
I CAN STILL FEEL THAT KISS.
HIS LIPS ARE WARM AND SWEET.
MY HEART JUMPS.
HE'S TALKING TO ME, BUT I CAN'T HEAR HIM.
ONLY THE KISS.
I NEVER SAW HIM AGAIN.
THAT WAS THE FIRST TIME I EVER FELL IN LOVE.
THAT'S ALL.
THAT WAS BEAUTIFUL, DONNA.
I GOT IT.
[HOOT HOOT HOOT]
OOH!
[LAUGHTER]
HARRY.
OOH!
AH!
[GIGGLING]
WAIT HERE, HARRY.
NAH, DEAD END.
TWO.
AUDREY?
NOT SUCH A BAD WAY TO GO, ALL THINGS CONSIDERED.
NO, NO. IT'S BEAUTIFUL.
IS SHE ALONE?
NANCY'S WITH HER.
AH.
WHAT DOES SHE DO FOR YOU I CAN'T?
WELL...
SOMETHING NEW.
AHH!
MOST PEOPLE IMAGINE ORCHIDS
GROWING IN EXOTIC, STEAMY PLACES.
BUT YOU CAN GROW THEM ANYWHERE.
IT'S ALL BASICALLY A MATTER OF WATER AND LIGHT, ISN'T IT?
IT'S BEAUTIFUL.
HERE. LOOK.
THE HUMIDITY IS PARAMOUNT.
WELL, THE CONTROL OF IT, I MEAN.
TOO MUCH MOISTURE IS AN INVITATION TO DISEASE.
THREE SEPALS AND THREE PETALS.
AND THE BOTTOM PETAL SHAPED LIKE A LOWER LIP
IS CALLED THE LABELLUM.
IT'S SO DELICATE.
WELL, IT'S A LANDING PLATFORM REALLY,
FOR POLLINATING INSECTS.
ROMANTIC, ISN'T IT?
WILL YOU EXCUSE ME A MINUTE?
HI.
WOULD YOU TAKE ME TO AUDREY HORNE, PLEASE?
I DON'T THINK SHE'S AVAILABLE.
LET'S DOUBLE-CHECK.
IT'S NOT MY IDEA.
WE'RE NOTHING BUT MEAT ON A HOOK TO THESE PEOPLE.
SHUT UP!
AUDREY, CAN YOU HEAR ME?
MMM.
WHO?
HMM.
MMM.
MY PRAYERS...
AUDREY, I'M GOING TO TAKE YOU OUT OF HERE NOW.
OHH!
DAMN IT.
NO.
WHEN YOU LEAVE ME...
WITH THE KISS.
IF THAT'S THE WAY YOU WANT IT, THAT'S FINE.
[GASP]
[GUNSHOTS]
DROP THE GUN.
SLOWLY.
NOW...
TURN AROUND.
[GASP]
GOOD THING YOU GUYS CAN'T KEEP A SECRET.
GOOD THROW.
THERE'S BEEN GUNFIRE.
TRUMAN AND COOPER ARE LEAVING WITH YOUR DAUGHTER.
NOW...
WHO CAN THIS BE?
MONSIEUR LODWICK. HE IS AWFULLY FAT.
IS SOMETHING WRONG?
NO. YOU JUST FRIGHTENED ME, THAT'S ALL.
UH, COME HERE.
TELL ME ABOUT THIS ORCHID.
HAROLD, NO, YOU DON'T UNDERSTAND.
MADDY!
GET AWAY!
ARE YOU LOOKING FOR SECRETS?
IS THAT WHAT ALL THIS IS ABOUT?
WELL, MAYBE I CAN HELP YOU.
DO YOU KNOW WHAT THE ULTIMATE SECRET IS?
YOU WANT TO KNOW?
LAURA DID.
THE SECRET OF KNOWING WHO KILLED YOU.
AAH!
CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.
PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE
CAPTIONS COPYRIGHT 1990 LYNCH/FROST PRODUCTIONS, INC.