CAPTIONING MADE POSSIBLE BY PARAMOUNT DOMESTIC TELEVISION
EVERYTHING'S SET.
THEY'RE WAITING AT THE GREAT NORTHERN.
A LARGE HOUSE MADE OF WOOD,
SURROUNDED BY TREES.
THE HOUSE IS FILLED WITH MANY ROOMS,
EACH ALIKE...
BUT OCCUPIED BY DIFFERENT SOULS
NIGHT AFTER NIGHT.
THE GUESTS WILL BE IN THE LOBBY?
FULL COOPERATION.
HAWK, YOU GOT THAT WARRANT
FOR HAROLD SMITH'S APARTMENT?
ON MY WAY ONCE I FINISH MY COFFEE.
HAWK,
GORDON HAS MENTIONED PAGES--
WHAT I MENTIONED
WERE PAGES FOUND NEAR THE BLOODY TOWEL
DOWN THE TRAIN TRACKS FROM THE CRIME SITE
WERE FROM A DIARY!
DONNA HAYWARD SPOKE OF HAROLD SMITH
HAVING A SECRET DIARY OF LAURA PALMER'S.
LET ME KNOW WHAT YOU DIG UP.
GORDON, I UNDERSTAND YOU'RE--
YOU'RE ON YOUR WAY TO BEND, OREGON.
I'M OVER TO BEND, OREGON!
OFFICIAL BUSINESS! REAL HUSH-HUSH!
GOOD LUCK TO ALL OF YOU.
COOP.
GORDON.
TAKE GOOD CARE OF MIKE.
IT WAS REAL NICE MEETING YOU FELLAS.
SHERIFF.
SAFE JOURNEY, CHIEF.
THANKS.
[BALLS BOUNCING]
NO.
UH-UH.
NO.
AAH.
AAH!
COME ON, SIR.
WHAT'S THE MEANING OF THIS?
WHAT THE HELL IS GOING ON HERE?
WILL SOMEBODY PLEASE TELL ME WHAT THE HELL IS HAPPENING?
WHAT THE HELL IS GOING ON?
[KNOCK ON DOOR]
MR. SMITH.
[KNOCK KNOCK]
MR. HAROLD SMITH?
[KNOCK KNOCK]
AND ALL I'M SAYING
IS SEE WHAT A WONDERFUL WORLD IT WOULD BE
IF ONLY WE'D GIVE IT A CHANCE.
GOOD MORNING.
LOVE, BABY. LOVE.
GOOD MORNING, DEAR.
THAT'S THE SECRET.
YES.
IF LOTS MORE OF US LOVED EACH OTHER,
WE'D SOLVE LOTS MORE PROBLEMS,
AND THEN...
THIS WORLD WOULD BE A GASSER.
THAT'S WHAT OLD POPS KEEPS SAYING.
♪ I SEE TREES OF GREEN ♪
♪ RED ROSES, TOO ♪
♪ I SEE THEM... ♪
UNCLE LELAND.
AUNT SARAH.
♪ AND I THINK TO MYSELF ♪
SIT DOWN.
GOOD. YOU GOT SOME COFFEE.
♪ WHAT A WONDERFUL WORLD ♪
DID YOU SLEEP WELL?
VERY WELL.
THANKS.
♪ I SEE SKIES OF BLUE ♪
I'VE BEEN THINKING.
♪ AND CLOUDS OF WHITE ♪
I'VE REALLY ENJOYED MY STAY AND EVERYTHING.
OH.
BUT...
I REALLY FEEL IT'S TIME FOR ME TO GO HOME NOW.
♪ WHAT A WONDERFUL WORLD ♪
TO MISSOULA.
I'VE GOT MY JOB AND MY APARTMENT,
AND I JUST...
MISS HAVING A LIFE OF MY OWN.
YEAH.
♪ BRIGHTNESS OF DAY ♪
SO...
I THINK I'LL PROBABLY BE DRIVING BACK HOME TOMORROW.
TOMORROW?
WELL, UH...
WE ARE GOING TO MISS YOU VERY MUCH...
BUT WE ALSO UNDERSTAND COMPLETELY.
YOU DO?
WE DO?
WE DO. YES, WE DO.
YOU HAVE BEEN SUCH A WONDERFUL HELP.
YES, BUT NOW SHE HAS TO THINK ABOUT HERSELF.
MM-HMM.
SHE'S GOT HER OWN LIFE.
BESIDES, YOU'LL COME BACK AND VISIT, WON'T YOU?
OH, OF COURSE.
I'LL COME GALLOPING BACK OFTEN.
MISSOULA'S NOT AT THE FAR END OF THE UNIVERSE.
HARDLY.
WELL, GOOD, THEN.
IT'S ALL RIGHT.
♪ AND LEARN MUCH MORE THAN I'LL EVER KNOW ♪
JUST KNOW THAT WE LOVE YOU VERY MUCH.
♪ AND I THINK TO MYSELF ♪
I LOVE YOU, TOO.
♪ WHAT A WONDERFUL WORLD ♪
♪ YES ♪
WHAT'S THAT, A NOTE?
YEAH.
"J'AI UN HOMME SOLITAIRE--
I'M A LONELY SOUL."
POOR GUY.
GOOD THING ANDY DIDN'T SEE THIS.
OH, YEAH.
TAKE A LOOK AT THIS.
PAY DIRT.
WELL,
WE HAVE BILLS HERE THAT TOTAL $1,014.
INCLUDING THE INSURANCE MONEY,
THAT LEAVES YOU WITH--
UH, CARRY THE 9... 2, 4...
$42.
THAT'S A GOOD START.
$42 FOR THE MONTH?
HOW WILL I MAKE IT?
HOW CAN WE SURVIVE ON $42 A MONTH?
WE?
I CAN'T KEEP TELLING MY MOM AND DAD
I'M SPENDING THE NIGHT AT MIKE'S.
WHAT TIME IS IT?
"WE" MEANT ME AND LEO.
BOBBY, YOU SAID YOU'D TAKE CARE OF US.
I AM, SHELLY. I AM.
I WANT YOU TO TAKE THE NECKLACE BACK.
WE DON'T HAVE TO DO THAT.
TAKE THE NECKLACE BACK.
WE NEED THE MONEY.
SHELLY, YOU'RE GOING TO KEEP THIS NECKLACE.
WHEN WILL I EVER FEEL GLAMOROUS ENOUGH TO WEAR IT?
GIVING LEO A BATH?
FEEDING HIM HIS OATMEAL?
WHAT ABOUT HIS TRUCK?
HE WON'T BE CANNONBALLING DOWN THE HIGHWAY
ANY TIME SOON.
THE POLICE IMPOUNDED IT.
WE CAN GET IT BACK.
THEY SAID IF IT WAS USED COMMITTING A CRIME,
IT BECOMES STATE PROPERTY.
HE WASN'T CHARGED WITH ANYTHING.
I DIDN'T MAKE THE RULES.
OK. OK.
IT'S LIKE YOU'RE BLAMING ME FOR SOMETHING.
I'M NOT BLAMING YOU.
TAKE IT EASY.
LEO WAS INTO A LOT OF DIFFERENT STUFF
FOR LOTS OF DIFFERENT PEOPLE.
HE WAS IN IT FOR THE MONEY.
BOBBY, LOOK AROUND YOU.
YOU REALLY THINK LEO HAD MONEY?
YES, I DO.
FROM THE LOOK OF THIS CHECKBOOK,
HE COULDN'T HAVE STEPPED FOOT INTO A BANK.
MUST HAVE BEEN HIDING IT.
MOO-AAH!
AAH!
HE'S ALIVE.
NEW SHOES.
BOBBY, HE'S ALIVE!
HE AIN'T ALIVE, SHELLY.
BUT HE TALKED.
HE--IT WAS A BURP.
HE PROBABLY HAS GAS.
YOU CALL THAT A BURP?
[PTUI]
NEW SHOES.
DID HE BUY ANY SHOES LATELY, BY ANY CHANCE?
NO.
HE HAD ME TAKE IN BOOTS FOR REPAIR.
B--WHEN?
LAST WEEK.
HAVE YOU GOT A RECEIPT?
YEAH. WHY?
I DON'T KNOW. SHELLY, GO GET THAT RECEIPT.
NEW SHOES.
WANT SOME NEW SHOES, LEO?
YOU GIVE US WHAT WE WANT,
I'LL BUY YOU THE WHOLE DAMN SHOE STORE.
[GRUNT]
NEW SHOES.
DADDY, I KNOW ABOUT ONE-EYED JACK'S.
I'M SURE I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
I KNOW ABOUT BLACKIE,
I KNOW ABOUT EMORY BATTIS,
I KNOW ABOUT RONNETTE,
AND I KNOW ABOUT LAURA.
OK.
I WAS THERE. I SAW YOU.
UH-HUH.
YOU REMEMBER PRUDENCE?
I WORE A LITTLE WHITE MASK?
I NEED TO ASK YOU SOME QUESTIONS.
ASK AWAY.
HOW LONG HAVE YOU OWNED ONE-EYED JACK'S?
FIVE YEARS.
DID YOU KNOW LAURA WORKED THERE?
SHE WAS ONLY THERE BRIEFLY.
DID YOU KNOW?
YES.
DID YOU ENCOURAGE HER TO WORK THERE?
NO!
I HAD NO IDEA.
SHE ASKED IF SHE COULD WORK IN THE DEPARTMENT STORE.
BATTIS SENT HER WITHOUT MY KNOWING.
DID YOU SLEEP WITH HER?
DID YOU?
YES.
DID YOU KILL HER?
I LOVED HER.
NORMA, CAN I TALK TO YOU A SECOND?
SURE. WHAT'S UP?
UM...
WITH LEO COMING HOME AND ALL...
I'M SUPPOSED TO BE THERE TO WATCH HIM,
AND, UM...
IT'S GOING TO BE A FULL-TIME THING...
SO...
I THINK--I WAS THINKING THAT--
I HAVE TO QUIT MY JOB.
JUST FOR A LITTLE WHILE, ANYWAY.
I'M SORRY.
I PROMISED MYSELF I WASN'T GOING TO DO THIS.
IT'S ALL RIGHT, SWEETHEART.
I JUST FEEL SO BAD.
I LOVE YOU.
I LOVE WORKING HERE.
I DON'T WANT TO LET YOU DOWN.
YOU'RE NOT GOING TO LET ME DOWN.
I'M NOT?
LOOK, SHELLY,
YOU'VE GOT YOUR OWN LIFE TO WORRY ABOUT.
I'LL BE FINE HERE.
ARE YOU SURE?
YES.
NOW, YOU LOOK AFTER YOURSELF.
AND WHEN YOU'RE READY, YOU CAN COME RIGHT BACK.
IT'LL BE LIKE YOU HAVEN'T MISSED A DAY.
YOU'LL LET ME COME BACK?
JUST TRY TO TAKE A JOB SOMEPLACE ELSE
AND SEE WHAT HAPPENS.
I DON'T KNOW WHAT TO SAY.
DON'T SAY ANYTHING.
I SAID I'D BEEN TRAVELING WITH MY PARENTS,
BUT NOW I WANTED TO REGISTER FOR SPRING SEMESTER.
EDDIE, LET'S SIT AT THE COUNTER.
I'M JUST DYING FOR A CHOCOLATE SHAKE, AREN'T YOU?
HI. NORMA.
SAY,
HOW LONG HAVE YOU BEEN WORKING HERE?
WELL, IT'S 20 YEARS THIS APRIL.
HA HA HA HA HA.
OH, YOU KIDDER.
WHAT A KIDDER.
IT'S BEEN ABOUT, UH...SIX WEEKS.
ISN'T THAT RIGHT, NORMA?
HUH?
ABOUT SIX WEEKS.
OH. OH, YEAH. THAT'S RIGHT.
WELL, YOU SEE?
WHEN YOUR PARENTS DRAG YOU TO EUROPE FOR A MONTH,
WHEN YOU GET BACK,
IT'S LIKE YOU'VE BEEN AWAY FOREVER.
TWO CHOCOLATE SHAKES, PLEASE, NORMA.
COFFEE FOR ME.
EXTRA WHIPPED CREAM ON MINE.
HI.
WHAT'S YOUR NAME?
SHELLY.
ARE YOU IN OUR CLASS AT SCHOOL?
I DON'T THINK SO.
OH.
I'LL GET THE SHAKE AND COFFEE.
EUROPE?
YEAH.
MY PARENTS LOVED IT SO MUCH,
THEY'RE STILL THERE. CAN YOU BELIEVE IT?
THEY SAID IT WAS OK
FOR ME TO STAY AT EDDIE'S.
IS IT YOUR PARENTS' HOUSE OR MINE, EDDIE?
THAT'S RIGHT.
WELL, SAY, NORMA,
YOU'RE NOT MAD OR ANYTHING
BECAUSE EDDIE'S SORT OF TAKING ME OUT,
ARE YOU?
YOU AND ED? NO. HUH-UH. NO.
WHY SHOULD I BE?
OH, NO REASON.
EDDIE TOLD ME YOU BROKE UP.
IT'S JUST THAT...
I'M JUST SO SWEET ON HIM.
ISN'T HE JUST THE DREAMIEST?
NADINE.
I CAN'T WAIT FOR THE START OF FOOTBALL SEASON.
CAN YOU?
NO.
I CAN'T WAIT.
ME NEITHER.
I AM JUST SO HAPPY.
OH, NADINE.
OH, GOD, I'M SORRY.
HOW DID YOU DO THAT?
THERE GOES ANOTHER ONE.
THERE MUST HAVE BEEN A CRACK IN THIS GLASS.
DON'T COUNT ON IT.
I'M SO CLUMSY LATELY.
I CAN HARDLY BELIEVE IT.
SHELLY, GET THOSE BAND-AIDS,
AND I'LL GET A TOWEL.
OH, EDDIE.
I AM SO HAPPY,
I COULD JUST KISS YOU TO DEATH.
OH, BOY, NADINE.
THINK SHE'S IN THE DINING ROOM. SHELLY.
SHELLY.
THERE HE IS, MIKE.
THE LATE LEO JOHNSON.
HANK DID THIS?
SURE AS HELL DID.
HE SHOT HIM THROUGH THAT WINDOW RIGHT THERE.
LEO.
I WENT TO THE SHOE SHOP...
SHOWED THEM A TICKET.
LOOK WHAT THEY GAVE ME.
NEW SHOES.
NO, YOU KNUCKLEHEAD.
OLD SHOES.
LEO, HE GETS PRETTY FIXATED.
I HOPE HE GETS PERMANENTLY FIXATED.
I KNOW YOU TOO DAMN WELL, LEO.
THERE'S SOMETHING ABOUT THESE SHOES, ISN'T THERE?
HUH?
THERE'S SOMETHING WITH THESE SHOES.
I HEARD ABOUT PEOPLE, YOU KNOW,
MULING STUFF IN THEIR BOOT.
YOU THINK I DIDN'T CHECK THESE OUT?
GET A HAMMER.
DON'T GO ANYWHERE, LEO.
OH, MY GOD.
WHAT IS IT?
QUIT SPITTING, MAN.
IT'S NOT MONEY...
BUT WHO KNOWS?
DIANE, IT'S 2:47 P.M.
I'M IN THE CONFERENCE ROOM AT THE SHERIFF'S STATION
WITH THE REMAINS OF LAURA PALMER'S SECRET DIARY.
MUCH OF IT IS MUTILATED.
WHAT I'VE DECIPHERED SUPPORTS THE CONTENTION
OF THE ONE-ARMED MAN.
THERE ARE REPEATED REFERENCES TO A "BOB."
HE WAS A THREATENING PRESENCE IN HER LIFE
FROM EARLY ADOLESCENCE.
THERE ARE INTIMATIONS OF ABUSE AND MOLESTATION
ON A REGULAR BASIS.
HE IS REFERRED TO ON MORE THAN ONE OCCASION
AS A FRIEND OF HER FATHER'S.
AND I JUST UNCOVERED THIS ENTRY
DATED LESS THAN TWO WEEKS BEFORE HER DEATH.
"SOMEDAY I'M GOING TO TELL THE WORLD ABOUT BEN HORNE.
I'M GOING TO TELL THEM WHO BEN HORNE REALLY IS."
[KNOCK KNOCK]
YES?
AUDREY.
I HAD TO SEE YOU.
I'M SORRY I'M INTERRUPTING.
HOW ARE YOU FEELING?
I SPOKE WITH MY FATHER.
YEAH?
HE WAS SLEEPING WITH HER...
WITH LAURA.
I DON'T KNOW FOR HOW LONG,
MAYBE QUITE A WHILE.
HOLY SMOKES.
SHE WAS UP AT ONE-EYED JACK'S WORKING THERE,
AND HE OWNS THE PLACE.
THAT'S WHAT I FOUND OUT.
HE TOLD YOU THIS?
YES.
WHAT ARE YOU GOING TO DO?
HARRY.
WHAT ARE YOU GOING TO DO, ARREST HIM?
AUDREY, I DON'T WANT YOU
TO SAY A WORD ABOUT THIS TO ANYONE.
OK.
OK. GO ON HOME.
WHAT'S GOING ON?
WITHOUT CHEMICALS, HE POINTS.
THIS MORNING AT THE GREAT NORTHERN,
MIKE REACHED FOR HIS ARM AND FAINTED
JUST WHEN A CERTAIN PERSON WALKED INTO THE ROOM.
HARRY, WE NEED A WARRANT...
A WARRANT FOR THE ARREST OF BENJAMIN HORNE.
[OWL HOOTS]
GOOD NEWS, MR. TOJAMURA.
MY BROTHER JERRY SPOKE TO YOUR PEOPLE IN OSAKA,
CHECKED YOUR REFERENCES AT THE TOKYO BANK,
AND THE ANSWER TO YOUR PROPOSAL,
MY GOOD FRIEND,
IS A BIG THUMBS-UP.
WE APPRECIATE YOUR...
PROMPTNESS.
SPEAKING FOR THE ENTIRE COMMUNITY OF TWIN PEAKS,
I CANNOT TELL YOU HOW PLEASED WE ARE
TO WELCOME YOU INTO THE GHOSTWOOD FOLD.
THANK YOU SO MUCH.
CONTRACT.
FOR YOUR PERUSAL.
AND A FAST APPROVAL I--
SHERIFF.
WHAT IS THIS?
POLICE BUSINESS. WE'D LIKE YOU TO COME WITH US.
FINE. I HAPPEN TO BE IN A MEETING.
COULD YOU BE A LITTLE MORE SPECIFIC?
YOU'RE WANTED FOR QUESTIONING
IN THE MURDER OF LAURA PALMER.
IS THAT SPECIFIC ENOUGH FOR YOU?
YOU'RE INSANE.
INSANE.
MR. TOJAMURA, I'M SURE THIS IS SOME DREADFUL MISTAKE.
YOU CAN COME QUIETLY,
OR WE'LL DRAG YOU THROUGH YOUR LOBBY IN HANDCUFFS.
COOPER, IS THIS SOME SORT OF SICK JOKE?
IF IT IS, I KNOW PEOPLE IN HIGH PLACES!
YOU'D BETTER DO WHAT HE SAYS.
GO AWAY.
GET OUT OF HERE. GO ON. GO ON.
I'M GOING TO GO OUT FOR A SANDWICH.
NO! NO!
NO!
OHH.
NO!
YOU CAN'T DO THIS TO ME.
IT'S ALREADY DONE.
YOU...
OH!
UH!
OH!
OH! OH!
LELAND. OH!
TAKE HIM DOWN TO THE HOLDING CELL.
WE DON'T KNOW WHAT WILL HAPPEN, OR WHEN,
BUT THERE ARE OWLS IN THE ROADHOUSE.
THE ROADHOUSE.
SOMETHING IS HAPPENING, ISN'T IT, MARGARET?
YES.
[THUMPING]
WHOA!
LOOK HERE, BUSTER, YOU WATCH IT!
SINCE THE MOMENT WE MET, I'VE BEEN ATTRACTED TO YOU.
JUST GET THE HELL OUT OF HERE, MISTER.
[CATHERINE'S VOICE] THERE'S SOMETHING ABOUT YOUR EYES,
SO WARM,
AND DEEP...
[TOJAMURA'S VOICE] AND BLUE AS THE SKY.
[CATHERINE'S VOICE] DUMMY, IT'S ME!
IT'S ME!
NO.
CATHERINE?
YOU LOOK TERRIBLE.
JUST TERRIBLE!
HA HA!
♪ TELL YOUR HEART THAT I'M THE ONE ♪
♪ TELL YOUR HEART IT'S ME ♪
YOU HEARD ABOUT HAROLD SMITH?
YEAH.
IT'S NOT ANYBODY'S FAULT.
HE WAS A SICK MAN.
HE WAS HURT INSIDE
IN A WAY I COULDN'T FIGURE OUT.
EVERYBODY'S HURT INSIDE.
HIS WHOLE LIFE WAS IN THAT HOUSE,
AND I VIOLATED THAT.
YOU WERE JUST TRYING TO FIND OUT ABOUT LAURA.
JAMES...
HE'S DEAD.
HE DIDN'T DESERVE THAT.
SHERIFF TRUMAN.
♪ I WANT YOU ♪
♪ ROCKIN' BACK INSIDE MY HEART ♪
♪ I WANT YOU ♪
♪ ROCKIN' BACK INSIDE MY HEART ♪
MADDY'S LEAVING.
SHE IS?
YEAH. SHE'S GOING TO GO HOME.
THAT'S WEIRD.
SHE NEVER SAID ANYTHING TO ME.
♪ TELL YOUR HEART YOU MAKE ME CRY ♪
♪ TELL YOUR HEART DON'T LET ME DIE ♪
♪ I WANT YOU ♪
♪ ROCKIN' BACK INSIDE MY HEART ♪
♪ I WANT YOU ♪
♪ ROCKIN' BACK INSIDE MY HEART ♪
♪ SHADOW IN MY HEART ♪
♪ DUST IS DANCING IN THE STREET ♪
♪ A DOG AND BIRD ARE FAR AWAY ♪
♪ THE SUN COMES UP AND DOWN EACH DAY ♪
IT IS HAPPENING AGAIN.
HA HA HA!
AUNT SARAH!
UNCLE LELAND!
AUNT SARAH!
UNCLE LELAND, WHAT IS THAT SMELL?
IT SMELLS LIKE SOMETHING'S BURNING!
OH, MY GOD.
AUNT SARAH!
AAH!
SOMEBODY HELP ME!
AAH!
HELP ME!
AAH!
LAURA.
LAURA!
LAURA.
MY BABY.
[MOANING]
[COUGHING]
LAURA!
LELAND SAYS...
YOU'RE GOING BACK...
TO MISSOULA...
MONTANA!
♪ DUST IS DANCING IN THE STREET ♪
I'M SO SORRY.
♪ THE SUN COMES UP AND DOWN EACH DAY ♪
♪ THE RIVER FLOWS OUT TO THE SEA ♪
♪ NO ♪
♪ DON'T GO AWAY ♪
♪ COME BACK THIS WAY ♪
♪ COME BACK AND STAY ♪
♪ FOREVER ♪
♪ AND EVER ♪
CAPTIONING MADE POSSIBLE BY PARAMOUNT DOMESTIC TELEVISION
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--